Showing 25 articles matching fk33.cc_Who is the manufacturer of magnesium sulfate Monohydrate.

Building New York's Subway

“Morning and night the hordes of clerks and stenographers and business men who fill the offices of down-town New York have poured across Newspaper Row and City Hall Park with scarcely a glance at the labor progressing underfoot that is going to bring them so many minutes nearer their work in the morning, and at night so many minutes nearer their play.”

Lost at Sea

A few miles north of San Francisco, off the coast of Sausalito, is Richardson Bay, a saltwater estuary where roughly one hundred people live out of sight from the world. Known as anchor-outs, they make their homes a quarter mile from the shore, on abandoned and unseaworthy vessels, doing their best, with little or no money, to survive.

Vanessa Grigoriadis is a contributing editor at Vanity Fair and New York.

On the art of the celebrity interview: "People are smart. Particularly these people. They're sitting there thinking, 'When is she going to drop that question?' They know what you're doing. So the way I think about it is: let's have an actual, genuine, human, interesting conversation. ... [Journalists] have all sorts of schemes of what they think works for them. My scheme is no scheme."

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Let It Bleed

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

What Should We Say About David Bowie and Lori Maddox?

“Word choice is hard here. Should we say “raped” automatically if a grown man has sex with a teenager? Does it matter at all if the 15-year-old, now much older, describes their encounter as one of the best nights of her life? What is our word for a ‘yes’ given on a plane that’s almost vertically unequal? Does contemporary morality dictate that we trust a young woman when she says she consented freely, or believe that she couldn’t have, no matter what she says?”

Jay Caspian Kang is a contributor at New York Times Magazine. His new book is The Loneliest Americans.

”I have a lot of thoughts and talk to people to make sure my thoughts are right, or change them because I think they're wrong. What more does one want out of an intellectual life? It's good work.”

“You Get to Decide How You’re Gonna Try to See It”

The author comments on the medium of the graduation cliché while still advancing it:

Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about "teaching you how to think". If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think.

A Conversation With New York Times Film Critic A.O. Scott

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it's important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice.”

How Google Dominates Us

On how search and advertising became indistinguishable, the finer points of not being evil, and why privacy is by nature immeasurable. How Google made us the product:

“Google conquered the advertising world with nothing more than applied mathematics,” wrote Chris Anderson, the editor of Wired. “It didn’t pretend to know anything about the culture and conventions of advertising—it just assumed that better data, with better analytical tools, would win the day. And Google was right.”

Peter Shamshiri is a lawyer and co-host of the podcast 5-4.

“Because of the nature of law, I think a lot of journalists find it hard to take a position—or to sort of tip their hand about what they actually believe—because so much of the discourse around how law should operate is about neutrality and the general perspective that the law is non-partisan, non-ideological. I think the result is media coverage that is particularly lacking in those regards. And that's where we swoop in.”

‘This Man Will Almost Certainly Die’

There is a little-known network of 11 federal prisons in America called Criminal Alien Requirement facilities. They exclusively house men who lack U.S. citizenship and have been convicted of crimes. They are all run privately. And over the last 18 years, they have allowed scores of inmates to die from diseases that could have been treated.