“It is a story that seems almost impossible to believe: a group of female convicts, few of whom had ever played a musical instrument or taken voice lessons, forming a country and western band and becoming, at least in Texas, the Dixie Chicks of their day.”

On photographing the former Norma Jeane Mortenson. “I think she was the best light comedienne we have in films today, and anyone will tell you that the toughest of acting styles is light comedy.”—Billy Wilder

A journey into the controversial religion:

In the next hour or so, Laurie asks me a number of questions: Am I married? Am I happy? What are my goals? Do I feel that I’m living up to my potential? A failure to live up to potential is one of the things known in Scientology as one’s "ruin." In trying to get at mine, Laurie is warm and nonaggressive. And, to my amazement, I begin to open up to her. While we chat, she delivers a soft sell for Scientology’s "introductory package": a four-hour seminar and twelve hours of Dianetics auditing, which is done without the E-meter. The cost: just fifty dollars. "You don’t have to do it," Laurie says. "It’s just something I get the feeling might help you." She pats my arm, squeezes it warmly.

With three shows currently in production, Ryan Murphy, creator of Glee and American Horror Story, is one of the few show runners whose name commands an audience.

The second richest musician in the world, behind Paul McCartney, is James Dolan, owner of the Knicks and Madison Square Garden, whose band JD & The Straight Shot toured opening for Jewel behind an album that sold 113 copies.

A profile of a breakout male porn star:

The porn machine churns out performers to satisfy every fantasy, be it MILF, dwarf, fat, granny, or gang bang. But if you’re interested in watching a young, heterosexual, nonrepulsive man engage in sex, James Deen is basically it.

Critics call it “the radio of pimps and vagina-sellers.” But a popular new call-in show is helping a generation of Afghans navigate a battlefield full of strife and confusion and fear: modern love.

Nobody noticed Connie Converse when she was trying to get a record deal in New York in the 1950s. Nobody stopped her when she left her life in Michigan in 1974, never to be seen again. Today, her music is heard by tens of thousands.

Aleksander Doba has spent a great deal of time alone, naked and blistered, aboard a very small boat in the middle of the ocean. It is his favorite thing to do.

How digital shifts the way we produce, distribute, and consume content:

The future book — the digital book — is no longer an immutable brick. It's ethereal and networked, emerging publicly in fits and starts. An artifact ‘complete’ for only the briefest of moments.

A trip to the Cannabis Cup serves as a backdrop for the story of how the War on Drugs revolutionized the way marijuana is cultivated in America.

During the Great Floods of 2011, the Mississippi unleashed deadly currents and a flow rate that could fill the Superdome in less than a minute. Defying government orders, the author and two friends canoed 300 miles from Memphis to Vicksburg. This is their story.

She raced cars when few women dared. But more than trophies or prize money, it was the zen of driving that pulled her in. This is the story of Denise McCluggage, America’s once-fastest woman.

On Black nonchalance.

Gold and diamond grills. Stilettos you can’t walk in. Grandly arching fingernails, lovingly adorned. Such flouting of functionality is an obvious fuck-­you to the days of scrutinized teeth at auctions and picking cotton on plantations.

It’s the epicenter of the tech industry and the wealthiest, most progressive state in the union, but homelessness is surging — and no one can agree on how to fix it.

A profile of Garry Kasparov, who exiled himself from Russia last year and is running for president of FIDE, the governing body of chess. The election has become the dirtiest in FIDE history and a proxy debate over freedom and Russia’s future; Kasparov’s opponent has the full backing of Vladimir Putin.

The men and the women of the transactional-love economy. “A thing you should know is that there are very few people to root for in this story.”

Last summer, Gia Allemand took her own life in a New Orleans apartment complex. The first person on the scene was her boyfriend, NBA star Ryan Anderson. This is the story of how he survived.

Considering the screen saver.

Even when napping, the computer seems beset by iterative nightmares of a deadline. The pipes come to represent, rather than imaginarily suspend, the clogging of the task queue when one is away. When the screen has become as dense as Celtic knot-work, the entire image cracks and dissipates, as if burned out from its involute frenzy—before beginning again in the dark.

Today, in the electronic age of instantaneous communication, I believe that our survival, and at the very least our comfort and happiness, is predicated on understanding the nature of our new environment, because unlike previous environmental changes, the electric media constitute a total and near-instantaneous transformation of culture, values and attitudes.

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.