Showing 25 articles matching fk33.cc_Best selling magnesium sulfate company in China.

Hua Hsu writes for The New Yorker and is the author of A Floating Chinaman: Fantasy and Failure Across the Pacific.

“I remember, as a kid, my dad telling me that when he moved to the United States he subscribed to The New Yorker, and then he canceled it after a month because he had no idea what any of it was about. You know, at the time, it certainly wasn’t a magazine for a Chinese immigrant fresh off the boat—or off the plane, rather—in the early 70s. And I always think about that. I always think, ‘I want my dad to understand even though he’s not that interested in Dr.Dre.’ I still think, ‘I want him to be able to glean something from this.’”

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The Last Days of MF Global

“Jon Corzine had never had anything to do with the futures business, had never run a public company, and hadn’t worked on Wall Street for a decade. His time there had ended badly. But by any reasonable standard, the former Goldman chief seemed almost embarrassingly overqualified. Says Flowers: ‘It seemed like we had more CEO than company.’”

Taffy Brodesser-Akner is a staff writer at the New York Times and the author of Fleishman Is in Trouble: A Novel.

“As a profile writer, the skill I have is getting in the room and staying in the room until someone is like, ‘Why is this bitch still in the room? Get her out of there!’ It’s a journalistic skill that is not a fluffy skill. There are people who are always actively trying to prevent your story, prevent you from seeing it, from seeing the things that would be good to see. There’s a lot of convincing, comforting and listening going on. And there’s a lot of dealing with the fact that somebody in the middle of talking to you can suddenly decide that you are the worst. Those things are very tense and it’s a specific skill that I have that can defray all those things. Or it lets me stay.”

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Malcolm Gladwell is a New Yorker staff writer, the author The Tipping Point and Blink, and the host of Revisionist History. His new podcast is Broken Record.

“The loveliest thing is to interview someone who’s never been interviewed before. To sort of watch them in a totally novel experience. Particularly when you’re interviewing them about things they never thought were worthy of an interview. That’s a really lovely experience. It’s like watching a kid on a roller coaster for the first time. But a celebrity is a very different kind of experience. The bar for them is quite high. They’ve been interviewed a million times, so you have to be on your game. You have to take them somewhere that’s a little unfamiliar to get them to perk up. Otherwise it’s just another of a long line of interviews. It’s a lot more demanding.”

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