Baby Girl and Perry, two small town partners in crime; from Hunter's forthcoming debut novel.

"The Estates was a ritzy-ass neighborhood with a gate at the front and open sidewalks on either side. Perry and Baby Girl had hit the neighborhood before, strolled right in. Those sidewalks were an in- vitation: Come on in, and steal some stuff while you’re at it. Perry had started to think if rich people weren’t afraid of their stuff being taken, they wouldn’t feel so rich."

Two classmates/Boy Scouts forge an uneasy, unspoken bond.

"I was aware that something in him seemed broken, he seemed to retreat, shrink, gradually something had turned in him. A chemical transformation, or imbalance. I felt a kinship in his pain, two notes struck in harmony. I wouldn’t realize how wrong I was until later, how I’d mislocated the ache. I thought I’d made this come to fruition, a product of my will."

From PANK's Queer issue: a troubled life is explored alongside the life of Nikola Tesla.

"After leaving Edison, Tesla built the first alternating current induction motor in his own laboratory. He decided that at least if no one else believed in him, then he would believe in himself. When George Westinghouse bought his patent, Tesla finally understood that the American dream wasn’t about ideology—just about money. Westinghouse understood that type of power—that owning Tesla’s patent would make him very rich. Tesla didn’t mind Westinghouse becoming richer as long as Tesla had the funds to keep building the myriad of machines still churning in his brain."

An anthropologist's log from field work in Papua New Guinea; an excerpt from the Kirkus Review prize winner.

"I am tired tonight. Trying to learn another language—3rd one in 18 months—probing a new set of people who but for the matches & razors would rather be left alone—it has never felt more daunting to me before. What was it B said? Something about how all we’re watching is natives toadying to the white man. Glimpses of how it really was before us are rare, if not impossible. He despairs at the deepest level that this work has no meaning. Does it? Have I been deluding myself? Are these wasted years?"

The misadventures of two hospital workers, from the 1992 collection Jesus' Son.

"The eye man was on vacation or something. While the hospital’s operator called around to find someone else just as good, the other specialists were hurrying through the night to join us. I stood around looking at charts and chewing up more of Georgie’s pills. Some of them tasted the way urine smells, some of them burned, some of them tasted like chalk. Various nurses, and two physicians who’d been tending somebody in I.C.U., were hanging out down here with us now."

A prison cook reflects on her daughter as she prepares a prisoner's last meal.

"See what I mean? Fussiness knows no bounds. Not even for inmates. We don’t serve shit-on-a-shingle, but sometimes you’d never believe it. Last week Brenda and me whipped up fifteen pans of German chocolate cake and don’t you know some idiot come up to Brenda complaining about the “presentation,” said his mama always made German chocolate cake in two layers, not in a sheet pan. Everybody’s a critic."

A mini epic of murder, theft, and nature in the Old West.

"He trotted down the steep slope and across the range, passing monuments of salt cedar and sagebrush and croppings of bouldered limestone and sandstone. Everett marched on, glancing back to the pass like clockwork. His vision began to blur and he mistook shadows of dashing clouds overhead as armies of villains bent on doing him harm. He crept on as his headache worsened and soon he forgot his sentried errand. He kept low to the ground and stopped himself twice from collapsing completely, bracing himself on passing man-made edifices of rock and earth. His limp had worsened and he stumbled upon wreckage of some wrecked wagonette and used a long timber from the wagon-bed as a crutch until it snapped in half ten minutes later. The sun was hot and without his hat or coat he felt the full effects of it on the nape of his neck."

A widower takes his children to visit relatives under vague, suspicious circumstances.

"One day he said he was taking us on a trip to meet his people in Missouri, relatives we hadn’t known existed. They were farmers of German descent, with exotic-sounding names like Fritzi and Helga and Smit. We loaded up the car and just drove, right out into the country. If our mother had been alive, she’d pack a cooler full of bologna sandwiches and Mars bars, but there was none of that. The windows were down and hot bursts of wind boxed our cheeks and made the Cubs cap on our father’s head twitch."

Fifteen writers from a variety of genres contribute to an original short story.

"We’d wanted roles in this flick where there’s nothing left on earth to eat but cockroaches and babies. Verisimilitude, Francis said. To win great roles, do great stuff. We picked Trieste because the exchange rate was good. But rumors gypsies sold babies were false. So we stole one. We ate it, but got caught. I escaped; the gypsies chained him in a basement. He had to get their “queen” pregnant in six cycles. Five had passed."

A surreal college campus beset by stabbings and other hijinx.

"It’s also not long before Dean Nelson is stabbed through the eye and killed by his secretary who claims never left her desk all day. Except security footage shows her ogling pencils she was sharpening right before carrying them menacingly into Nelson’s office. No amount of rug-sweeping will spin this."

An excerpt from All the Light We Cannot See, announced as a nominee for the National Book Award.

"Her fingers travel back to the cathedral spire. South to the Gate of Dinan. All evening she has been marching her fingers around the model, waiting for her great-uncle Etienne, who owns this house, who went out the previous night while she slept, and who has not returned. And now it is night again, another revolution of the clock, and the whole block is quiet, and she cannot sleep."

Cemetery field recordings reveal terrifying audio messages.

"One night, listening back, she heard the crunch of shovelling. Nothing to worry about, the priest said. Simply gravediggers. She had not realised the cemetery still bore room for fresh dead; she imagined dough cut to the shape of the cemetery and a coffin-shaped cookie cutter pressed into it to calibrate the number of remaining graves."

A series of memories and addictions from various years.

"I come here after my shift at the record store and sit around at picnic tables outside, scribbling into notebooks while drinking shitty coffee and waiting for my girlfriend, Velvet, to get off work so we can go get high. The crowd here is varied: AA people alongside art people and punks alongside dirty Deadheads and downtown casualties. There are many open mic poetry events, usually outdoors at dusk. One night I decide to read. I go to the mic and drop weapons. I go to the mic and read about Kuwait City and southern Iraq. I go to the mic and read about prostitutes and hashish and drinking homemade wine made out of grape juice in the middle of the Indian Ocean. I go to the mic and curse over and over again. Nobody claps. Nobody moves. I am not asked to read again."

A lonely housesitter makes himself at home in slightly inappropriate ways.

"He’s in the master bedroom. There are no decorations—no photos hung on the wall or in frames on the dresser, no other artwork, no decals like Alice bought and had Ben stick-apply to the walls of their own bedroom when they’d first moved into the neighborhood themselves. There’s only the dresser along the wall, with a vanity mirror and neatly organized jewelry atop, and a nightstand on each side of the bed. Neither has anything on it but books, but Ben can immediately distinguish his from hers from the selection, the way they are stacked. Without thinking, without being able to help himself, Ben goes to Helen’s side of the bed and opens the drawer."

A woman's involvement in an unstable Detroit activist movement.

"The houses we set out to destroy had already been inscribed by the city. The city had earmarked them as tear-downs during the first stage of a larger urban planning initiative – a large ‘D’ for Demolition had been written in white chalk on the front doors of the dilapidated multi-family structures, veterans of a time when Detroit was still a factory town, a place where the music of Motown fumed larger than the gusts of exhaust unleashed from the chains of cars which tumbled off the assembly lines at the auto factories and straight onto those glistening American freeways. The electric streetcar line along Woodward Avenue had been replaced by gas-powered buses. There’d been the great race wars. Even still, at the time those houses had been erected on that tender Northern riverbed which skirted the Canada border, the word future seemed more a promise than an urgency."

A man considers his broken family life while awaiting a possible selection for jury duty.

"And then there I was sitting in the jury stand, listening as the judge explained what he meant by admonition and the prosecutor’s burden. I’d never been in a courtroom before, and it got me thinking. Isn’t it unfair how Maggie treats me like a criminal? I mean, seeing as it could have happened to anybody. Thing is, I’m still serving time."

A woman takes a very odd job as a human pipe defroster.

"And none of the customers are what she had expected. They don’t stare, googley-eyed, while she slips out of her coat. They don’t try to touch her or make jokes. If they stick around at all, it’s to chat about thermodynamics and temperature gradients and conduction and convection and spray foam insulation and all the boring things Sheila has never been interested in herself. She nods politely and pretends to understand it all, waiting for them to leave her alone with the pipe."

Cultural, sexual, and generational clashes surround an aging New York drag queen.

"Clinton Corset Emporium. No awning, just a piece of cardboard stuck in the window. As Miss Adele entered, a bell tinkled overhead – an actual bell, on a catch wire – and she found herself in a long narrow room – a hallway really – with a counter down the left-hand side and a curtained-off cubicle at the far end, for privacy. Bras and corsets were everywhere, piled on top of each other in anonymous white cardboard boxes, towering up to the ceiling. They seemed to form the very walls of the place. 'Good afternoon,' said Miss Adele, daintily removing her gloves, finger by finger. 'I am looking for a corset.'

A model's struggle with perception and the world around her.

"Abby smiled. She said, 'If something is old, it is classic. If it is classic, you have class. If you have class, you feel beautiful. If you feel beautiful, you feel young. Something old makes you feel young.'"

Romantic complications between a surgical coordinator and a brilliant transplant specialist.

"I hadn’t wanted Clara at first, at least no more than any other woman I’d casually slept with. Too bony, too neurotic. Too pale. But when she asked for a ride home from the dinner party where we met, I drove, intrigued at the prospect of UCSF’s top heart-transplant surgeon debasing herself with a med school dropout-turned-cellist."

Gamers, celebrities, military veterans, and publicists populate a capitalist future in these four chapters from Gibson's forthcoming novel.

"She bent her phone the way she liked it for gaming, thumbed HaptRec into the log‑in window, entered the long-ass password. Flicked go. Nothing happened. Then the whole display popped, like the flash of a camera in an old movie, silvered like the marks of the haptics. She blinked."

An artist mistakes years of friendship for lust, culminating in an assault.

"He has never felt such urgency. Everything is in his way, her jacket, her sweater, the lace bra he imagines she bought for him. He feels the skin of her bare waist, from under the skirt, her thigh. The night has made her skin cool. Her hair snags on the wall. An earring clinks through a sidewalk grate. She turns to avoid his open mouth. Her cheek drags against coarse brick. His eyes are open."

Transcribed logs from the mysterious voyage reveal terrors of the sea.

"Yesterday was the worst day of my life. The captain said we would be entering the sea of sirens and, if we looked carefully through the mists, we would be able to see the mermaids, but he warned us, grievously, to take great care against being hypnotised by the sounds of the sirens for their sighs and whispers were said to be sensuous and would entice our souls to Hades. Mother and I looked at each other with dread in our hearts as we went up on deck. Mist was all around and nothing could be seen. We heard the mermaids singing. Songs so soft you could feel your heart melt. I held Mother’s hand and realised that the longer I held it the colder it became."

An excerpt from Goebel's novel: a man's strange world of peyote, addiction, family, and conflicting identities.

"I dropped tobacco from a cig I took apart and kept the loose stuff in my palm, and I circled the tree counter clockwise, like the turn of the earth, and dropped the tobacco staring up in the tree and praying, like an old wide-faced (I)ndian showed me to do in rehab in the snow in Minnesota around a big oak tree, horses in the field of night, snowflakes falling like drunks, like a dream, stars holy above, and as I finished dropping the last speck, finishing a circle around the ponderosa, praying for the old man in the Upper East Side to have, there it was, standing up in a rich grass, by its quill, right out of the ground. Get it? EAGLE FEATHER. This is a wild trip."

A pair of hardware hackers bond and brainstorm.

"I grabbed a corner and walked backward. The box was heavy, but it was mostly just huge, and when we reached his beat-up minivan, he kicked the tailgate release and then laid it down like a bomb-disposal specialist putting a touchy IED to sleep. He smacked his hands on his jeans and said, 'Thanks, man. That lens, you wouldn’t believe what it’s worth.' Now that I could see over the top of the box, I realized it was mostly padding, layers of lint-free cloth and bubblewrap with the lens in the center of it all, the gadget beneath it. "