On medical crises and Doctor Who.

"When Doctor Who dies, he regenerates into a new physical form. I’ve heard good things about Matt Smith, the Eleventh Doctor, and Peter Capaldi, the twelveth, but I’m not ready to let go of Number Ten. I’m not done traveling with him. We haven’t watched the second half of the last episode; I’m just not ready despite the possibilities. The doctor is dying, but he’ll become Matt Smith. Could be good, could be annoying. I choose to linger in the in-between."

From PANK's Queer issue: a troubled life is explored alongside the life of Nikola Tesla.

"After leaving Edison, Tesla built the first alternating current induction motor in his own laboratory. He decided that at least if no one else believed in him, then he would believe in himself. When George Westinghouse bought his patent, Tesla finally understood that the American dream wasn’t about ideology—just about money. Westinghouse understood that type of power—that owning Tesla’s patent would make him very rich. Tesla didn’t mind Westinghouse becoming richer as long as Tesla had the funds to keep building the myriad of machines still churning in his brain."

A woman takes a very odd job as a human pipe defroster.

"And none of the customers are what she had expected. They don’t stare, googley-eyed, while she slips out of her coat. They don’t try to touch her or make jokes. If they stick around at all, it’s to chat about thermodynamics and temperature gradients and conduction and convection and spray foam insulation and all the boring things Sheila has never been interested in herself. She nods politely and pretends to understand it all, waiting for them to leave her alone with the pipe."

A story of childhood trouble and minor delinquency.

"None of this, of course, has stopped any of them from pulling the girls’ hair or throwing pencils or losing track of time and getting locked out of school. He looks at the younger one standing there with his hands behind him and gives him a little shove. Everyone grows alert, awaiting the silent war. The boy drops his hands and looks back at him, and then they are all shoving and wrestling (carefully, quietly, so as not to attract attention, holding in their breath) and distracting him from his thoughts. The immediacy of the situation wanes. His father does not arrive. He relaxes, the wrestling over, rolls his foot over the soccer ball. They all stop and pant for a moment. There is still that space–the one in the corner of his brain–and as long as he can see it, he’s not quite safe."

Child residents in a trailer park engage in a series of power plays.

"We stared at each other. A standoff that reminded me of our first showdown on the slide. I wanted nothing more than to push him. I imagined my hands in front of me. A simple gesture. He was so small, such a light frame; a mild shove would do it. I’d surprise him with a thrust of both hands, shooting out as if spring-loaded. His eyes would pop out, startled. Maybe he’d grin for a split-second, thinking it a joke."

A flight attendant's love affair.

"Only now, in filling up the legal yellow pads with her memories of Will bent over his maps and her black panties drying on the towel rack and those broken glasses and the plane roar that wakes her up at night, does he seem more lost then her. She wasn’t a bird, not a bit like one. Birds were sharp, had metal in their brains which told north and south apart."

An unsettling dialogue between a woman and her jilted lover.

"Her face is turning pale, her freckles darkening. Don’t feel bad now. Dismiss that urge to hold her, to comfort her, to make her feel safe. She is the girl you love, but not. She is the girl who will break your heart. Who broke your heart already, and will do it again."

Two friends find solace in sexual escapades while struggling with their own fragile connection.

"The four of us ended up in the bathroom—Darlene and Viktor in the claw foot, me and Illia in the shower. I tried to tell my guy he had the same first name as a favourite figure skater, but language was restricted to bodies only. Still wet, the Russians left scrambling to the airport. Dar and I woke hours later, a tangled two, and walked out of my bedroom to a small balcony that overlooked a maze of alleyway garages. We recounted the day and the night before, before she left."

Three generations of women endure the trials of a turbulent Nigeria.

"Almost a year into their courting, the war comes. Her people are Biafra loyalists, his people think Ojukwu is a fool. On the night of their engagement party only her people attend. And when she goes by his house the next day she discovers he has left the country."

A long, philosophical courtship between a wealthy man and an intelligent woman.

"She looked up. Man and manservant were circling the property. They picked their way slowly, gazing down, grimly. She had not seen anyone move like this; it was the walk of people in a graveyard who knew all the buried. He was wrong. For him it was a test of devotion. Her devotion had nothing to do with it. She craved that man’s face and hands, her sweetest concern was what he would say next, the air she liked best had the damp of his breath in it."

Interlocking narratives of relationships and a potential murder.

"Metal ran in an extensive and intricate network in streams across the countryside and densely through the city. Metal channeled the blood, and metal screws held Sarah’s glasses together as she left the parking lot and exited Le Roy onto the freeway. She felt sad to have missed a chance to get involved with a crazed dangerous person like Mike. Had he really committed a murder before she picked him up? She thought about the geese and drove home."

A young Sikh narrates gender identity issues to a dead friend.

"I just stare at him for a minute. It’s a minute that hangs in the balance. He may be batshit. But then, I’m the one seeing disappearing boys. I may be batshit. Something about what he says is true though. It’s unavoidable. There is something different inside of me. Something besides being a boy and a girl and neither. Maybe that something is what kept me alive all this time, kept me from shattering. An emptiness that sustains."

While being stripped and sold, old ships reflect on their long histories and the generations of men associated with them.

"But we were the ones they came back to, dawn after dawn, year after year. We were the ones who brought them home, hoary and frail, to Snug Harbor. The nurses tucked them into wooden wheelchairs. They spent the landlocked hours making models of us in bottles, the Nellie P. and the Golden Eagle, the Sallie Ann and the Spirit of Victory. Hunched between the wall with the clock and the wall with the crucifix, they assembled us from memory. Their fingers traced each narrow bottleneck. They slipped inside as far as they could reach."

Two ex-lovers meet another couple with physical and personal similarities; sexual and identity crises unfold.

"I’m asking too much. I am asking him to take two men he has something with, two men who are falling out of love with one another or have fallen out of love already, and to convince them both to have sex with him while I watch. It’s too much. But I won’t say that. And he doesn’t claim that in return. He seems resolved to make it happen. This will be the series of events, the course of action. The way people go to the shore to watch the tidal wave, why they stand and watch the zeppelin burn, or play the video of towers falling over and over. It’s just the kind of thing that people agree to in order to see where it leads.

Duty and secret feelings mark the emotions of two undercover cops in a gay bar (NSFW).

"A black-haired man in a taffeta gown rustles close. Name’s Crow, he says. Got fully equipped rooms above. Certified clean. He waves his hand around the bar. Our eyes follow and we see men’s tongues licking the air. Some hands are down pants. Pick me, they all say with their faces. We spin on our bar stools toward the mamby pambys, tongues snaking out against our will, eyebrows up. "

At a party, two black cousins confront each other on personal identities, class status, and honesty.

"Francis had blown through a trust the size of Connecticut to establish his career as a rapper. And from what had been rumored, paid out hush money and child support to women across the Northeast. My cousin the genius. I couldn’t believe how much Suze admired him. Despite my repeated warnings about his true character, Suze still believes that Francis is a role model the poor can look up to, that he gives hope to the less fortunate. In her attempts to win me over, she even pointed out that Francis’ rapping name was actually a clever bastardization of phlogiston: an archaic, imaginary substance people once believed responsible for making things burn."

A father uses his daughter in a disturbing scheme.

"It only takes an hour and the pile of money gets higher and higher every time. The men pay twenty dollars a pop to come to the Tongue Party. "

The bleak contours of life at a nail salon.

"If you’re sad and you don’t feel like huffing from the nail polish bucket, go and cry at the coffee shop next door."

A woman makes the choice between deer and cattle.

"I want to explain. I was raised on milk and beef. That’s how I was robbed of my swift, slender legs. That’s how I was given the shape of a woman. "