Longform

A critical look at the contemporary art marketplace.

The trouble is that a business model has come to drive the entire art world, and like the corporate executive who regards the launch of each new product as a challenge to the success of the last one, because you must keep growing or you will die, the arts community finds itself in a state of permanent anxiety. There always has to be a new artist whom the media will embrace as enthusiastically as they embraced Warhol; there always has to be a show that will top the excitement generated by the last blockbuster at the Modern or the Met.

How prison changed the mother and militant who was sentenced to 75 years for her role in a deadly 1981 Brinks truck heist.

In Chicago at the 130th National Funeral Directors Conference.

On murder and mental illness.

Norma Claypool earned notoriety for welcoming 15 “hard-to-adopt” children into her Baltimore home. Norma Claypool is also elderly and blind.

Tracking the Nazi doctor’s bones through South America.

On stolen bicycles, “a solvent in America’s underground economy, a currency in the world of drug addicts and petty thieves.”

On the utility of euphemisms:

In the upper reaches of the British establishment, euphemism is a fine art, one that new arrivals need to master quickly. “Other Whitehall agencies” or “our friends over the river” means the intelligence services (American spooks often say they “work for the government”). A civil servant warning a minister that a decision would be “courageous” is saying that it will be career-cripplingly unpopular. “Adventurous” is even worse: it means mad and unworkable. A “frank discussion” is a row, while a “robust exchange of views” is a full-scale shouting match. (These kind of euphemisms are also common in Japanese, where the reply maemuki ni kento sasete itadakimasu—I will examine it in a forward-looking manner—means something on the lines of “This idea is so stupid that I am cross you are even asking me and will certainly ignore it.”)

On Thanksgiving weekend, I received a phone call informing me that we had just captured approximately 300 al-Qaeda and Taliban. I asked all our assistant secretaries and regional bureaus to canvass literally the world to begin to look at what options we had as to where a detention facility could be established. We began to eliminate places for different reasons. One day, in one of our meetings, we sat there puzzled as places continued to be eliminated. An individual from the Department of Justice effectively blurted out, What about Guantánamo?

A profile of comedian Ricky Gervais.

Lessons learned about white-collar crime from an economist turned bagel salesman whose business relied entirely on the honor system.

How a family man dentist got involved in an underage prostitution ring.

On Clifton “Pop” Herring, the then-26-year-old high school basketball coach who famously left Jordan off the varsity squad as a sophomore.

Inside carpenter brothers Ryan and Dylan, and their stripper sister Lee-Grace Dougherty’s eight-day, fifteen-state, AK-47-wielding crime spree.

Didion’s genius is that she understands what it is to be a girl on the cusp of womanhood, in that fragile, fleeting, emotional time that she explored in a way no one else ever has. Didion is, depending on the reader’s point of view, either an extraordinarily introspective or an extraordinarily narcissistic writer. As such, she is very much like her readers themselves.

The man 27-year-old Victoria Donda believed to be her father shot himself after  being revealed as a former member of an Argentinean death squad. Immediately after, a human rights group came to her with information on her birth parents: murdered political prisoners.

Looking for holes in the world’s nuclear security.

A profile of Rebekah Brooks, who started as a secretary at News of the World and became CEO of News International by 41, developing an incredibly close relationship with Rupert Murdoch along the way.

On YouTube’s shift towards professionally created content.

A conversation with the comedian.

JW: You’ve talked about how you’ve had to explain moral lessons to your daughters, but do it in an inarticulate, catchy way. It’s almost as though you’re writing material for them. What’s the place of morality and ethics in your comedy? I think those are questions people live with all the time, and I think there’s a lazy not answering of them now, everyone sheepishly goes, “Oh, I’m just not doing it, I’m not doing the right thing.” There are people that really live by doing the right thing, but I don’t know what that is, I’m really curious about that. I’m really curious about what people think they’re doing when they’re doing something evil, casually.

Con man turned pastor turned con man; a profile of a serial scammer and the movie he tried to make about himself.

War photographers tell the stories behind their most harrowing images.

A glimpse into the life and death of a soldier who committed suicide while on duty in Afghanistan:

The Army recently announced that it was charging eight soldiers — an officer and seven enlisted men — in connection with Danny Chen’s death. Five of the eight have been charged with involuntary manslaughter and negligent homicide, and the coming court-martial promises a fuller picture of the harrowing abuse Chen endured. But even the basic details are enough to terrify: What could be worse than being stuck at a remote outpost, in the middle of a combat zone, tormented by your superiors, the very same people who are supposed to be looking out for you? And why did a nice, smart kid from Chinatown, who’d always shied from conflict and confrontation, seek out an environment ruled by the laws of aggression?

Inside the Shel Silverstein archive.

One of the things you learn is that “polymath” doesn’t even begin to describe Silverstein. His creativity extended in so many directions that his archivists must be versed not just in turn-of-the-century world children’s literature, but Waylon Jennings’s deep cuts; not just in reel-to-reel tape preservation, but how to keep an old restaurant napkin scribbled with lyrics from falling apart.

On switching to the gold standard and a trip to the Yukon to witness the modern gold rush.