Longform

Joseph Mitchell immerses himself in the Fulton Fish Market.

A conversation with the 88-year-old abstract painter.

PALTROW: Did you design camouflage while in the army?

KELLY: I did posters. I was in what they called the camouflage secret army. This was in 1943. The people at Fort Meade got the idea to make rubber dummies of tanks, which we inflated on the spot and waited for Germans to see through their night photography or spies. We were in Normandy, for example, pretending to be a big, strong armored division which, in fact, was still in England. That way, even though the tanks were only inflated, the Germans would think there were a lot of them there, a lot of guns, a whole big infantry. We just blew them up and put them in a field.

On the increasing tension between the pleasant, thoughtful indie rock of car commercials and those who insist on something weirder.

The low-key swingers of sleepy Amarillo, Texas find themselves relentlessly harassed by a militant Christian group.

Two weeks spent walking across Provence.

There is something about entering an ancient town on foot that's radically different from entering the same place by car. Keep in mind that these old French towns were all designed by people on foot for people on foot. So when you walk in, you're approaching the place as it was intended to be approached—slowly and naturally, the way Dorothy came upon Oz (spires rising in the distance, a sense of mounting mystery: What kind of city will this be?).

Three decades ago, Mohamed Siad Barre, commander of the Supreme Revolutionary Council, head of the politburo of the Somali Revolutionary Socialist Party and the last ruler of a functional Somali state, built vast concrete buildings all over Mogadishu. The beautiful city on the coast of the Indian Ocean, with its Arabic and Indian architecture, winding alleyways and Italian colonial-era villas, was dominated by these monuments. They were Third World incarnations of Soviet architecture, exuding power, stability and strength. The buildings – like the literacy campaigns, massive public works programmes and a long war against neighbouring Ethiopia in the late 1970s and early 1980s – were supposed to reflect the wisdom and authority of the dictator.

A profile of Hugo Chávez, two years into his presidency.

How LA-style gang life migrated to the slums of San Salvador.

Inside the five-year (so far) production of the Ilya Khrzhanovsky film Dau:

Khrzhanovsky came up with the idea of the Institute not long after preproduction on Dau began in 2006. He wanted a space where he could elicit the needed emotions from his cast in controlled conditions, twenty-four hours a day. The set would be a panopticon. Microphones would hide in lighting fixtures (as they would in many a lamp in Stalin's USSR), allowing Khrzhanovsky to shoot with multiple film cameras from practically anywhere — through windows, skylights, and two-way mirrors. The Institute's ostensible goal was to re-create '50s and '60s Moscow, home to Dau's subject, Lev Landau. A Nobel Prize–winning physicist, Landau significantly advanced quantum mechanics with his theories of diamagnetism, superfluidity, and superconductivity. He also tapped epic amounts of ass.

An excerpt from a new oral history of MTV.

Thomas Pynchon walks down a New York City street in the middle of the morning. He has a light gait. He floats along. He looks canny and whimsical, like he'd be fun to talk to; but, of course, he's not talking. It's a drizzling day, and the writer doesn't have an umbrella. He's carrying his own shopping bag, a canvas tote like one of those giveaways from public radio. He makes a quick stop in a health-food store, buys some health foods. He leaves the store, but just outside, as if something had just occurred to him, he turns around slowly and walks to the window. Then, he peers in, frankly observing the person who may be observing him. It's raining harder now. He hurries home. For the past half-dozen years, Thomas Pynchon, the most famous literary recluse of our time, has been living openly in a city of 8 million people and going unnoticed, like the rest of us.

A charismatic entrepreneur, an ex-con turned devout Christian, and the politicians who championed them.

The story of a $36 billion Ponzi scheme in Minnesota.

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

Midtown Manhattan. The highest concentration of showbiz havens and hangouts in the whole entire world. The Chorus Girls. The Drunk Newsmen. The Jazz Hepsters. The Mob. They converge with the force of a fly against a windshield. This is where American popular culture is born. Its influence permeates the nation. Walk the streets and weave through the hustlers, the gangsters, the bookies, the rummies... and somewhere among that crowd - you'll walk past a nondescript artistic genius or twelve, indiscernible from the dregs, biding time until they transform the American landscape. And high-above the loud, syncopated beat of Midtown you can hear... The Comedians.

A profile of the art world’s most notorious dealer dynasty.

Neither Jon nor Ian is legally married to Jaiya. Both are allowed to see other women. But the three of them live a lifestyle that—much of the time—isn't that different from a conventional marriage.

On the rise of polyandry, in which one woman settles down with two or more men.

Alumni report in secret on Delphian, the mysterious boarding school that Scientology built in the mountains of Oregon.

An orgy of free song-sharing seems to be exactly the kind of thing that the horrified labels would quickly clamp down on. But they appear to be starting to accept that their fortunes rest with the geeks. Or at least they’re trying to talk a good game. “I’m not part of the past—I’m part of the future,” says Lucian Grainge, chair and CEO of the world’s biggest label, Universal Music Group. “There’s a new philosophy, a new way of thinking.”

Who simultaneously did business with the U.S. government, the besieged Syrian regime, and the Libyan rebels last month? The group of 16 trading houses that collectively are “worth over a trillion dollars in annual revenue and control more than half the world’s freely traded commodities.”

A Q&A:

My mother was called to school frequently because I was yelling out things in class, quips in class, and because I would hand in compositions that they thought were in poor taste, or too sexual. Many, many times she was called to school.

How Timothy Patrick Barrus, a white writer of gay erotica, reinvented himself a (wildly successful) Native American memoirist.

One day Nejdra Nance realized the woman she had called Mom for 23 years may have been at the center of one of the most harrowing kidnappings in decades—hers.

On the battles, both between humans and animals, in Africa’s overpopulated Albertine Rift.

The Green Bay Packers are a historical, cultural, and geographical anomaly, a publicly traded corporation in a league that doesn’t allow them, an immensely profitable company whose shareholders are forbidden by the corporate bylaws to receive a penny of that profit, a franchise that has flourished despite being in the smallest market in the NFL—with a population of 102,000, it would be small for a Triple A baseball franchise.

How Warren Buffett’s public image has aided his success.

As a successful investor, he merely moved markets; but as the charismatic, reassuring, quotable prototype of the honest capitalist (a sort of J. P. Morgan with a moral sense), he's capable of influencing elections, galvanizing rock-concert-size crowds, and in general defining how we Americans feel about the system that underlies our wealth.