David Milch’s Third Act
Despite what dementia has stolen from the cerebral creator of Deadwood, it has given his work a new sense of urgency.
Despite what dementia has stolen from the cerebral creator of Deadwood, it has given his work a new sense of urgency.
Mark Singer New Yorker May 2019 25min Permalink
A 1993 profile of Ricky Jay, world-class sleight-of-hand conjurer who rarely performs (and never for children), historian of unusual entertainments and confidence scams, bibliomaniac.
Mark Singer New Yorker Apr 1993 1h Permalink
Five Mexican fishermen head out with enough supplies for several days. They’re gone for nine months. A story of survival in the South Pacific.
Mark Singer New Yorker Feb 2007 45min Permalink
A profile of the filmmaker Errol Morris as he prepared to release The Thin Blue Line after a decade of limited distribution, semi-poverty, and a side career as a private detective.
Mark Singer New Yorker Feb 1989 1h10min Permalink
“Deep down, he wants to be Madonna.”
Mark Singer New Yorker May 1997 45min Permalink
The strange case of Kip Litton, road race fraud.
Mark Singer New Yorker Aug 2012 40min Permalink
A profile of New York chef and fisherman David Pasternack.
Mark Singer New Yorker Sep 2005 30min Permalink
Joyce Hatto, unknown to even the most ardent classical music collectors until late in her life, released a string of incredible performances of great works, distributed by her husband’s mail-order CD business. But how was it possible for her to record difficult works at such a dizzying rate? And if wasn’t her playing, who was it?
Mark Singer New Yorker Sep 2007 45min Permalink
On David Milch; Yale fraternity brother of George W. Bush, literature professor, longtime junkie, creator of NYPD Blue, Deadwood (which was in production when this profile was written), and the forthcoming racetrack-set HBO series Luck.
Mark Singer New Yorker Feb 2005 40min Permalink