Ballad of the Whiskey Robber

The story of Attila Ambrus, who was released from jail this morning in Hungary. Nicknamed the Whiskey Robber because witnesses always spotted him having a double across the street prior to his heists, Ambrus only stole from state-owned banks and post offices, becoming a Hungarian folk hero during his seven years on the lam. While on his spree he was also the goaltender for Budapest’s best-known hockey team and was arguably the worst pro goalie ever to play the sport, once giving up 23 goals in a single game.

Excerpted from Ballad of the Whiskey Robber: A True Story of Bank Heists, Ice Hockey, Transylvanian Pelt Smuggling, Moonlighting Detectives, and Broken Hearts.

Making murder respectable

On the utility of euphemisms:

In the upper reaches of the British establishment, euphemism is a fine art, one that new arrivals need to master quickly. “Other Whitehall agencies” or “our friends over the river” means the intelligence services (American spooks often say they “work for the government”). A civil servant warning a minister that a decision would be “courageous” is saying that it will be career-cripplingly unpopular. “Adventurous” is even worse: it means mad and unworkable. A “frank discussion” is a row, while a “robust exchange of views” is a full-scale shouting match. (These kind of euphemisms are also common in Japanese, where the reply maemuki ni kento sasete itadakimasu—I will examine it in a forward-looking manner—means something on the lines of “This idea is so stupid that I am cross you are even asking me and will certainly ignore it.”)

Little Boy Lost

On a child diagnosed with autism:

The worst part was that I knew he sensed it, too. In the same way that I know when he wants vegetable puffs or puréed fruit by the subtle pitch of his cries, I could tell that he also perceived the change—and feared it. At night he was terrified to go to bed, needing to hold my fingers with one hand and touch my face with the other in order to get the few hours of sleep he managed. Every morning he was different. Another word was gone, another moment of eye contact was lost. He began to cry in a way that was untranslatable. The wails were not meant as messages to be decoded; they were terrified expressions of being beyond expression itself.

The Good Seed

A 21-year-old falls into a coma from which he’ll never emerge. His mother, desperate to grant his wish of becoming a father, has his sperm preserved. Two years later, after a fruitless search for other alternatives, she finds a willing doctor and tries one last option: carrying her son’s child herself.

Give All

James Wood on Saul Bellow:

One realizes, with a shock, that Bellow has taught one how to see and how to hear, has opened the senses. Until this moment one had not really thought of the looseness of a lightbulb filament, one had not heard the saliva bubbling in the harmonica, one had not seen well enough the nose pitted with black pores, and the demolition ball’s slow, heavy selection of its victims. A dozen good writers–Updike, DeLillo, others–can render you the window of a fish shop, and do it very well; but it is Bellow’s genius to see the lobsters “crowded to the glass” and their “feelers bent” by that glass–to see the riot of life in the dead peace of things.

Hard Times Generation: Families living in cars

60 Minutes on America’s poverty epidemic:

Jade Wiley is eight years old. She spent three weeks living in her car with her mom, her dad, two dogs and a cat. Pelley: Did you think you were ever gonna get out of the car? Jade Wiley: I thought I was going to be stuck in the car. Pelley: How did you keep your spirits up? Jade Wiley: By still praying to God that somebody'd let us stay in a hotel.