Two's Company
Married sitcom writers, once famous for their love, buckle under sexual and creative differences.
"The funniest lines in their work, the lines with that satisfying crackle of sadism, were mostly his, but he was aware that it was Pam’s confidence and Pam’s higher tolerance for cliché that had won them their big contracts. And now, because she wasn’t engineered for doubt, Pam seemed to think it didn’t matter that she’d gained fifteen pounds since moving to the mountains and that she was thumping around the house with the adipose aquiver in her freckled upper arms; she certainly seemed not to care that they hadn’t had sex since before Labor Day; and she’d been pointedly deaf to certain urgent personal-grooming and postural hints that Paul had dropped during their photo shoot for L.A. Weekly."
