Showing 25 articles matching fk33.cc_Magnesium Sulfate Monohydrate Manufacturers in China.

Sponsor: Distance Magazine

Distance is a quarterly journal with long essays about design and technology, making this the most well-targeted advertisement ever.

Our second issue is out now, with essays from: Cassie McDaniel, about how designers can change the world in far-flung industries; Sharlene King, about homework’s role in our daily work; and Francisco Inchauste, about how to build more meaningful businesses.

Single copies and subscriptions are available at distance.cc. Thanks for reading.

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Why We’ve Removed Longform from the App Store

As of this week, Longform has been removed from the App Store. (We’ll also be pulling it from the Google Play store.) Previously downloaded versions will cease to update shortly.

We’re proud of what the Longform App achieved. Combined, the Longform App and longform.org have sent over 100 million outbound links to publishers since 2012. We were featured in the App Store and consistently held a Top 10 spot in the News section while the app was being actively developed, eventually racking up over half a million downloads.

For more on why we removed Longform from the App Store, read on here.

The Zankou Chicken Murders

The creator of the California-based food chain kills his mother, sister and, finally, himself.

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From Hollywood to Anaheim, he had opened a chain of fast-food rotisserie chicken restaurants that dazzled the food critics and turned customers into a cult. Poets wrote about his Zankou chicken. Musicians sang about his Zankou chicken. Now that he was dying, his dream of building an empire, 100 Zankous across the land, a Zankou in every major city, would be his four sons’ to pursue. In the days before, he had pulled them aside one by one -- Dikran, Steve, Ara, Vartkes -- and told them he had no regrets. He was 56 years old, that was true, but life had not cheated him. He did not tell them he had just one more piece of business left to do.

Melissa del Bosque is an investigative journalist covering the U.S.-Mexico border.

“What I really want people to know is the context within which this traumatic event is happening. It doesn’t have to happen. It’s happening because certain people made certain decisions. Or they made a decision to do nothing. … There are laws, there are policies on the books that are either being ignored or could be changed.”

Thanks to Mailchimp for sponsoring this week's episode.

Patrick Symmes is a foreign correspondent and contributor to Outside and Harper's.

"They rolled us up like a cheap carpet. We were locked in a room for 14 hours. And for the first six hours that was okay. Everything was nice; there was coffee. But then the nightshift came on. You could hear gunshots in the street, and these guys were scared. And they were thugs. And they were thugs with a mission: to get rid of every foreigner who might witness what was happening."</i>

Thanks to TinyLetter for sponsoring this week's episode!

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Sarah Maslin Nir, a reporter for The New York Times, recently published an exposé of labor practices in the nail salons of New York.

“The idea of a discount luxury is an oxymoron. And it’s an oxymoron for a reason: because someone is bearing the cost of that discount. In nail salons it’s always the person doing your nails, my investigation found. That has put a new lens on the world for me.”

Thanks to TinyLetter, Trunk Club, and Aspiration for sponsoring this week's episode.

Sponsor: The Atavist

A moving story of exploitation, bravery, and survival—in comics form.

In “Stowaway,” the new enhanced e-comic from The Atavist, award-winning cartoonist Josh Neufeld and investigative journalist Tori Marlan bring a human trafficking victim’s story to the comics medium.

Get “Stowaway” on iTunes or on the web.

Taken by Pirates

Once the pirates were in control of the Lynn Rival, they ransacked it, flinging open cupboards, eating all of the Chandlers’ cookies and stealing their money, watches, rings, electronics, their satellite phone and clothes. There were now 10 men; two more pirates had scampered onboard to join the others. After showering and draining the Chandlers’ entire supply of fresh water, they started trying on outfits. A broad-shouldered buccaneer named Buggas, who appeared to be the boss, was especially fond of their waterproof trousers, parading up and down the deck wearing them, while some of the other pirates strutted around in Rachel’s brightly colored pants and blouses.

Give All

James Wood on Saul Bellow:

One realizes, with a shock, that Bellow has taught one how to see and how to hear, has opened the senses. Until this moment one had not really thought of the looseness of a lightbulb filament, one had not heard the saliva bubbling in the harmonica, one had not seen well enough the nose pitted with black pores, and the demolition ball’s slow, heavy selection of its victims. A dozen good writers–Updike, DeLillo, others–can render you the window of a fish shop, and do it very well; but it is Bellow’s genius to see the lobsters “crowded to the glass” and their “feelers bent” by that glass–to see the riot of life in the dead peace of things.

The Writearound: Louis C.K.

A conversation with the comedian.

JW: You’ve talked about how you’ve had to explain moral lessons to your daughters, but do it in an inarticulate, catchy way. It’s almost as though you’re writing material for them. What’s the place of morality and ethics in your comedy? I think those are questions people live with all the time, and I think there’s a lazy not answering of them now, everyone sheepishly goes, “Oh, I’m just not doing it, I’m not doing the right thing.” There are people that really live by doing the right thing, but I don’t know what that is, I’m really curious about that. I’m really curious about what people think they’re doing when they’re doing something evil, casually.

Hello, I’m Attorney Gloria Allred

As mainstream news loses its relevance, Allred becomes only more relevant to mainstream news. She’s provided thousands of hours of titillating material that has helped keep cable networks from grinding to a halt. The players come and go. Past clients like Amber Frey and Tiger Woods Mistress No. 1 Rachel Uchitel slip back into obscurity. Scott Peterson rots disregarded on death row in San Quentin, and Woods’s sexual escapades no longer mesmerize. But Allred retains her significance. There are always new victims to premiere and promote, new serial sexual harassers or psychopaths to square off against. In this spectacle of scandal, grisly murder, and celebrity wrongdoing, Allred has made herself the stage manager, the content provider, the indispensable performer.

Broken Windows

The landmark article that changed the way communities were policed:

This wish to "decriminalize" disreputable behavior that "harms no one"- and thus remove the ultimate sanction the police can employ to maintain neighborhood order—is, we think, a mistake. Arresting a single drunk or a single vagrant who has harmed no identifiable person seems unjust, and in a sense it is. But failing to do anything about a score of drunks or a hundred vagrants may destroy an entire community. A particular rule that seems to make sense in the individual case makes no sense when it is made a universal rule and applied to all cases. It makes no sense because it fails to take into account the connection between one broken window left untended and a thousand broken windows.

Bank of America: Too Crooked to Fail

Anyone who wants to know what the Occupy Wall Street protests are all about need only look at the way Bank of America does business. It comes down to this: These guys are some of the very biggest assholes on Earth. They lie, cheat and steal as reflexively as addicts, they laugh at people who are suffering and don't have money, they pay themselves huge salaries with money stolen from old people and taxpayers – and on top of it all, they completely suck at banking. And yet the state won't let them go out of business, no matter how much they deserve it, and it won't slap them in jail, no matter what crimes they commit. That makes them not bankers or capitalists, but a class of person that was never supposed to exist in America: royalty.

Keeping Up With The Times

How New York Times is clawing its way into the future:

The main goal is... to transform the Times’ digital subscriptions into the main engine of a billion-dollar business, one that could pay to put reporters on the ground in 174 countries even if (OK, when) the printing presses stop forever. To hit that mark, the Times is embarking on an ambitious plan inspired by the strategies of Netflix, Spotify, and HBO: invest heavily in a core offering... while continuously adding new online services and features... so that a subscription becomes indispensable to the lives of its existing subscribers and more attractive to future ones.

The Redemption of Justin Bieber

“And while maybe you don’t care if Justin Bieber ever does make his way back to a kind of normalcy, perhaps you can admit there is at least something admirable, in the abstract, about someone finding a way to survive, and even to become kind, when all they’ve been taught since a young age, by millions of adoring people, is that there is no need for them to be kind at all. And if that doesn’t move you, then maybe you can at least find sociological interest in the process that Bieber is about to recount here, which is how you turn into someone you don’t want to be, and what you do about it once you decide you want to be someone else. Someone better, even.”

Hanif Abdurraqib is a poet, essayist, and critic whose work has appeared in The New Yorker, The New York Times Magazine and many other publications. His new book is A Little Devil in America: In Praise of Black Performance.

“I learn from hearing my elders tell stories. There’s an inherent knowing of yourself as a vessel for narration who also has to—is required to—hold the attention of others at all costs. And that’s essentially what I’m trying to do. The broader project of my writing is almost a constant pleading of: Don’t leave yet. Stay here with me for just a little bit longer.

Lynsey Addario is a photojournalist for The New York Times and National Geographic. She won the George Polk award for her photograph of the bodies of a woman and her two children alongside a friend who lay dying moments after a mortar struck them as they sought to flee Ukraine.

“If I have time to compose a photo—even if it's of a horrific topic—I will always try to make the most beautiful photograph because I want people to look. I want people to ask questions, to be engaged, to pay attention. And often, that does mean the intersection of beauty and horror.”

This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

The Longform Guide to High School

From football fields in Texas to the real Ridgemont High, a collection of picks to help remember a time you might rather forget.

The Longform Guide to Animal Attacks

From grizzlies in Alaska to whales at SeaWorld, a collection stories of animals turning on humans.