How Rudy Giuliani turned into Trump’s clown.

Why doctors hate their computers.

A profile of Toni Morrison.

A profile of André Leon Talley.

Behind the scenes, a small team of FBI agents spent years trying to solve a stubborn mystery — whether officials from Saudi Arabia, one of Washington’s closest allies, were involved in the worst terror attack in U.S. history. This is their story.

On oil spills in Colombia.

How what was once one of the most popular websites on Earth—with ambitions to redefine music, dating, and pop culture—became a graveyard of terrible design and failed corporate initiatives:

In retrospect, DeWolfe says, the imperative to monetize the site stunted its evolution: "When we did the Google deal, we basically doubled the ads on our site," making it more cluttered. The size, quality, and placement of ads became another source of tension with News Corp., according to DeWolfe and another executive. "Remember the rotten teeth ad?" DeWolfe says. "And the weight-loss ads that would show a stomach bulging over a pair of pants?"

A profile of Chelsea Clinton.

A profile of Mindy Kaling.

Royce White’s theories of mental illness.

On personal responsibility and privilege.

A year after her death, a tribute to the Saturday Night Live star who didn’t want to be on TV.

Will artificial intelligence bring utopia or destruction?

On Hillary Clinton’s Arab Spring.

An interview on craft:

Writing The Subs in three nights was really a fantastic athletic feat as well as mental, you shoulda seen me after I was done...I was pale as a sheet and had lost fifteen pounds and looked strange in the mirror.

Drone strikes and their consequences.

During the financial crisis, Sal Pane ran a multimillion-dollar mortgage scam. A few years later, with the help of some high-profile media appearances and a dead man's resume, he won the government contract to clean up Ebola in New York.

A baby’s brain needs love to develop.

A conversation with Prince.

“We take it that all young writers overestimate their work. It’s impossible not to—I mean if you recognized what shit you were writing, you wouldn’t write it. You have to believe in your stuff—every day has to be the new day on which the new poem may be it.”

Steve Miller had a clear-cut legal case when the Geto Boys used his guitar-hook in their raunchy 1990 single “Gangster of Love.” The racial implications weren’t so simple.

Excerpted from The Geto Boys(Bloomsbury’s 33 1/3 series, 2016) .

An oral history of Hurricane Harvey.

Why do people with dementia become lost?