Showing 25 articles matching fk33.cc_where to buy magnesium sulfate heptahydrate large granules.

Computers Aren’t So Smart, After All

I love combing through The Atlantic’s archives. There’s almost no better way of grasping the strangeness of the past than to flip through a general interest magazine from 1960. Here, we find Fred Hapgood grappling with what human intelligence meant in the light of new machines that could do something like thinking. Intelligence was being explored in a new way: by finding out what was duplicable about how our minds work. Hapgood's conclusion was that if you could automate a task, it would lose value to humans. What tremendous luck! Humans value that which only humans can do, he argued, regardless of the difficulty of the task. And that because computers were so good at sequential logic problems, we'd eventually end up only respecting emotional understanding, which remained (and remains) beyond the reach of AI.

-A. Madrigal

Radiohead's Runaway Guitarist

On Jonny Greenwood:

Greenwood is an anomaly: a musician who made his name with a rock band and who is now embraced by the modern-music establishment as an actual, serious composer. The night before the Alvernia session, he was onstage in an aircraft-hangar-size room at a steel plant in Krakow, performing the minimalist composer Steve Reich’s “Electric Counterpoint” for an audience that included Reich himself, as part of a weeklong new-music festival, Sacrum Profanum. (Reich is a fan; he praises Greenwood’s decision to have the string section play with guitar picks on “Popcorn Superhet” as “the first new approach to pizzicato since Bartok.”) He wasn’t the only performer at Sacrum Profanum with pop-music credentials — the bill also included the techno provocateur Aphex Twin and Adrian Utley, from the trip-hop band Portishead. But he was the only guy from a superfamous rock band whose singer has appeared on the cover of Rolling Stone.

Jason Leopold is a senior investigative reporter for Buzzfeed and the author of News Junkie.

“I made the worst mistake that cost me my credibility and I could have done two things. I could have walked away, and said I’m done with this, no one wants me anymore. Or I could have—which I did—say, I’m going to learn how to do this differently, and be better. And that’s ultimately is what paved the way to this FOIA work. Because no one trusted me anymore.”

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Pamela Colloff is an executive editor and staff writer at Texas Monthly.

"There are many, many people who write and they have tragic stories, but they're not necessarily compelling magazine articles. Figuring out what is a compelling magazine article and what isn't is one of the more painful things about this. You can't look into every case. But your job is to be a storyteller."

Thanks to TinyLetter for sponsoring this week's episode!

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John Heilemann is the managing editor of Bloomberg Politics and the co-author of Game Change and Double Down.

"If you're a writer, and you're not an asshole, you want the maximum number of people to read your stuff. There's nothing wrong with that. There's no great glory in cultivating some niche audience. I do this work because I believe in what I'm doing. I'm not trying to compromise my principles or my standards to get a larger audience. But once I've written the thing of which I feel confident and proud, which I feel is ethically and journalistically sound, I then want the maximum number of people to read it."

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David Marchese is the interviewer for New York's "In Conversation" series.

"The thing I like about doing long interviews with people is that each one feels like a totally unique experience to me. It’s not like I go into an interview and already know the arc of the story I’m going to tell, and I’m going to just fill that in the best I can. I have ideas of what to talk about and what the conversation might entail, but it does feel like I’m starting at zero and the conversation can go anywhere.”

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Jeff Maysh is a freelance writer based in Los Angeles. His latest article is "How an Ex-Cop Rigged McDonald’s Monopoly Game and Stole Millions."

“I’ve always looked for stories with the theme of identity and identity theft. I’m very interested in people leading double lives. All of my stories are the same in a sense. Whether that’s a spy or a fake cheerleader or a bank robber or even a wrestler—someone is pretending to be someone they’re not, leading a double life. I find that really exciting. I’m drawn to characters who put on a disguise.”

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Eli Saslow is a Pulitzer-winning feature writer for the Washington Post. His new book is Rising Out of Hatred: The Awakening of a Former White Nationalist.

“If I'm writing about somebody once for 5,000 words in the Washington Post — someone who's addicted to drugs, say — I am choosing in the public eye where their story ends. Like, that's it. People aren't going to know any more. That's where I'm going to leave them being written about. And of course, that is inherently artificial — nothing ends, their life is continuing. This is just where the narrative ends. I recognize the weight in ways that maybe I didn’t before.”

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David Wallace-Wells is the deputy editor of New York and the author of The Uninhabitable Earth: Life After Warming.

“Between 1.5 degrees and 2 degrees of warming, just that extra half degree of warming, is going to kill 150 million people from air pollution alone. That’s 25 times the death toll of the Holocaust. And when I say that to people, their eyes open. They’re like oh my god, this is suffering on such an unconscionable scale. And it is. But 9 million people are dying already every year from air pollution. That’s a Holocaust every year, right now. And our lives aren’t meaningfully oriented around those people and those deaths. And very few people we know have their lives meaningfully oriented around those people and those deaths. And I think it’s quite likely that, going forward, those impulses of compartmentalization and denial and narcissism will continue to govern our response to this crisis. Which is tragic.”

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Jon Mooallem is a journalist, author, and host of The Walking Podcast. His latest book is This is Chance!: The Shaking of an All-American City, A Voice That Held It Together.

“There is this impulse that we have, this very clearly documented impulse that people everywhere have, to help. It sounds tacky, but when the bottom drops out, when ordinary life is overturned and there’s this upheaval or this disruption—if it’s a natural disaster or even something like this, that there’s ... in the book I call it a ‘civic immune response.’ People do spontaneously help each other, they work together, they collaborate. This whole idea that society falls apart and everyone descends into madness and violence is just not true. And we know that. We have science that shows it.”

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Jesse David Fox covers comedy for Vulture, where he hosts the podcast Good One. His new book is Comedy Book: How Comedy Conquered Culture—and the Magic That Makes It Work.

“There’s a complete lack of anyone who’s ever written about comedy seriously compared to any other art form. There’s just nothing. … So the challenge was, how do you start a conversation that no one has been participating in?”

McKay Coppins is a senior political writer for Buzzfeed News and the author of The Wilderness: Deep Inside the Republican Party's Combative, Contentious, Chaotic Quest to Take Back the White House.

“I am part of the problem. Not in the sense that it’s my fault Trump ran, but in the sense that I’m one of many who for his entire life have mocked him and ridiculed him. He’s a billionaire—I don’t feel any moral guilt about it. But if being I’m honest with myself that same part of me can also, when not checked, be projected onto vast swathes of people. It’s easy to have a lazy classism about the type of people who would vote for Donald Trump.”

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Ed Caesar is a freelance writer based in England whose work has appeared in The New Yorker, British GQ, and The Sunday Times Magazine. He is the author of Two Hours: The Quest to Run the Impossible Marathon.

“That was a really horrific situation. People were being killed in the street in front of us. People were firing weapons in all directions. It was really chaotic and quite scary. It freaked me out. And I thought, ‘Actually, there's not a huge amount more of this I want to do in my life.’”

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Matthew Cole is an investigative reporter at The Intercept, where he recently published “The Crimes of Seal Team 6.”

“I’ve gotten very polite and very impolite versions of ‘go fuck yourself.’ I used to have a little sheet of paper where I wrote down those responses just as the vernacular that was given to me: ‘You’re a shitty reporter, and I don’t talk to shitty reporters.’ You know, I’ve had some very polite ones, [but] I’ve had people threaten me with their dogs. Some of it is absolutely cold.”

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Joe Hagan is a correspondent at Vanity Fair and the author of Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine.

“It’s the story that begins with John Lennon on the cover of Rolling Stone in 1967 and ends with Donald Trump in the White House. In many ways the book takes you there, I wanted it to. It takes you through the culture as it metastasizes into what it is now. It had a lot to do with a sense of the age of narcissism. The worship of celebrity. Jann was very into celebrity, and worshipful of it and glorifying it and turning it into a thing and eventually celebrity displaces a lot of the ideas they originally started with in my estimation. That was a narrative thread that I began to pull in the book.”

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Emily Bazelon is a staff writer at the New York Times Magazine and a co-host of Political Gabfest. Her latest book is Charged: The New Movement to Transform American Prosecution and End Mass Incarceration.

“I'm pretty convinced that if everybody went to criminal court we would not have courts that are dysfunctional the way our courts are. Because what you see every day is a lot of dysfunction and disrespect. It’s kind of deadening. Most people—especially most middle and upper-class people in this country—don’t know anything about the system. They haven’t experienced it first-hand and they prefer not to think about it. It’s very stigmatized. A lot of what I do is just bear witness.’”

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Taylor Lorenz just announced she is leaving her job covering internet culture for The Atlantic to join The New York Times.

“With technology and internet culture, I am more of an optimist than a lot of other people who cover those topics. It’s more ambiguous for me. It's more like, ‘This is the world we live in now and here are the pros and here are the cons. There are a lot of cons, but there are also these pros.’ I like how things shift and change under me. I like to see how things are constantly evolving.”

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Sam Sanders is the former host of NPR’s It’s Been a Minute. He hosts Vulture’s Into It, which launched last week.

“I don’t think I ever wanted a career where I was doing the same thing for 30 years. I think that, editorially, I had become someone who was really contemplating what kind of capital-j journalist I wanted to be, want to be, and I was questioning a lot of rules and the structure of what we think journalism is supposed to be, and I think I needed to be away from a legacy institution like NPR, at least for a spell, to work that out.”

Jackie MacMullan is an NBA journalist who has written for The Boston Globe, Sports Illustrated and ESPN. She hosts the podcast Icons Club for The Ringer.

“[Athletes] think they don't need journalists—and they're wrong. And I tell them all this. I'm like, ‘I know you think you've got your own production company, but we can tell your story better than you can.' That's just the truth. No one tells their own story the best. It's the people around them that tell the story the best. And nobody wants a whitewashed version of you. They want warts and all. That's what makes you lovable. That's what makes you interesting. ... There are great journalists out there that can tell your story—and it might not be exactly the way you want it to be told, but it'll have weight and it'll have legacy to it.”

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Cisco's Big Bet on New Songdo: Creating Cities From Scratch

On the development of South Korea’s New Songdo and Cisco’s plans to build smart cities which will “offer cities as a service, bundling urban necessities – water, power, traffic, telephony – into a single, Internet-enabled utility, taking a little extra off the top of every resident’s bill.” The demand for such cities is enormous:

China doesn't need cool, green, smart cities. It needs cities, period -- 500 New Songdos at the very least. One hundred of those will each house a million or more transplanted peasants. In fact, while humanity has been building cities for 9,000 years, that was apparently just a warm-up for the next 40. As of now, we're officially an urban species. More than half of us -- 3.3 billion people -- live in a city. Our numbers are projected to nearly double by 2050, adding roughly a New Songdo a day; the United Nations predicts the vast majority will flood smaller cities in Africa and Asia.

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Grant Wahl is senior writer at Sports Illustrated and the author of The Beckham Experiment.

“I said to Balotelli, ‘I know you’re into President Obama. There’s a decent chance that he might read this story.’ He kind of perked up. I don’t think I was deliberately misleading him. There was a chance!”

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