Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

Next is "culture training," in which trainees memorize colloquialisms and state capitals, study clips of Seinfeld and photos of Walmarts, and eat in cafeterias serving paneer burgers and pizza topped with lamb pepperoni. Trainers aim to impart something they call "international culture"—which is, of course, no culture at all, but a garbled hybrid of Indian and Western signifiers designed to be recognizable to everyone and familiar to no one. The result is a comically botched translation—a multibillion dollar game of telephone. "The most marketable skill in India today," the Guardian wrote in 2003, "is the ability to abandon your identity and slip into someone else's."

On a child diagnosed with autism:

The worst part was that I knew he sensed it, too. In the same way that I know when he wants vegetable puffs or puréed fruit by the subtle pitch of his cries, I could tell that he also perceived the change—and feared it. At night he was terrified to go to bed, needing to hold my fingers with one hand and touch my face with the other in order to get the few hours of sleep he managed. Every morning he was different. Another word was gone, another moment of eye contact was lost. He began to cry in a way that was untranslatable. The wails were not meant as messages to be decoded; they were terrified expressions of being beyond expression itself.

A glimpse into the life and death of a soldier who committed suicide while on duty in Afghanistan:

The Army recently announced that it was charging eight soldiers — an officer and seven enlisted men — in connection with Danny Chen’s death. Five of the eight have been charged with involuntary manslaughter and negligent homicide, and the coming court-martial promises a fuller picture of the harrowing abuse Chen endured. But even the basic details are enough to terrify: What could be worse than being stuck at a remote outpost, in the middle of a combat zone, tormented by your superiors, the very same people who are supposed to be looking out for you? And why did a nice, smart kid from Chinatown, who’d always shied from conflict and confrontation, seek out an environment ruled by the laws of aggression?

Even within a single apartment building, neighbors experience different temporalities. In one unit, we have a single extrovert experiencing the acute trauma of being forced to work alone from home. Next door, we have parents suddenly juggling childcare and work. At the end of the hall is an immigrant using WhatsApp to track the fate of family members on the other side of the globe who are suddenly physically unreachable due to travel bans. Even members of a single household experience pandemic time differently.

Once the pirates were in control of the Lynn Rival, they ransacked it, flinging open cupboards, eating all of the Chandlers’ cookies and stealing their money, watches, rings, electronics, their satellite phone and clothes. There were now 10 men; two more pirates had scampered onboard to join the others. After showering and draining the Chandlers’ entire supply of fresh water, they started trying on outfits. A broad-shouldered buccaneer named Buggas, who appeared to be the boss, was especially fond of their waterproof trousers, parading up and down the deck wearing them, while some of the other pirates strutted around in Rachel’s brightly colored pants and blouses.

On the utility of euphemisms:

In the upper reaches of the British establishment, euphemism is a fine art, one that new arrivals need to master quickly. “Other Whitehall agencies” or “our friends over the river” means the intelligence services (American spooks often say they “work for the government”). A civil servant warning a minister that a decision would be “courageous” is saying that it will be career-cripplingly unpopular. “Adventurous” is even worse: it means mad and unworkable. A “frank discussion” is a row, while a “robust exchange of views” is a full-scale shouting match. (These kind of euphemisms are also common in Japanese, where the reply maemuki ni kento sasete itadakimasu—I will examine it in a forward-looking manner—means something on the lines of “This idea is so stupid that I am cross you are even asking me and will certainly ignore it.”)

China is neither a Marxist fundamentalist regime nor a universally-surveilled open-air prison, in which one is free to do nothing but worship the party and carry out its edicts. That is however the impression created by quite a bit of the media. I think that’s not the fault of individual journalists, instead more structural explanations are at work. News bureaus are highly concentrated in Beijing, due in part to natural corporate consolidation, but mostly because the government maintains a strict cap on foreign journalist visas. As a result, the bulk of journalists are based in the part of China that has the most politics and the least sense of growth. Everything here is doom and gloom, a fact well conveyed to the outside world.

On an artist who’s spent nearly 50 years bending the rules of space and light, and his life’s work, an extinct volcano in Arizona where he has been developing a network of tunnels and underground rooms since 1974.

The story of the attack that killed U.S. ambassador J. Christopher Stevens, told from the persepctive of the security agents there to protect him.

On the dangerous state of U.K. banks—“an existential threat to British democracy, a more serious one than terrorism, either external or internal”—and how it can be fixed.

“For people who pay close attention to the state of American fiction, he has become a kind of superhero.”

In 1912, 300 miles deep on a trek into the uncharted Antarctic wilderness, Douglas Mawson lost most of his crew and supplies. The story of how he got back.

On the online mug shot industry, which posts mug shots of anyone arrested (regardless of conviction) and charges $30 to $400 to have the photo removed.

A profile of personal finance guru Dave Ramsey, who built his biblically inspired get-out-of-debt empire on the premise “it’s within your power to not take part in recessions and the economic troubles facing American families.”

The rise and fall of the new oligarchs, who raided the Russian state. When Putin came to power most fled, but not Mikhail Khodorkovsky: “The other oligarchs, when they saw the fuzz, knew they should run. But Khodorkovsky forgot.”

Sheikh Amer Hassan’s parties were notoriously debauched, evidence of a growing permissiveness in Karachi high society. His murder by a pair of young brothers surprised few.

What overcrowded and swelling Bangladesh can tell us about how the planet’s population, more than 1/3 of which live within 62 miles of a shoreline, will react to rising sea levels.

The discovery of 30,000-year old, perfectly preserved cave paintings in southern France offer a glimpse into a world that 21st-century humans can never hope to understand. The article that inspired Werner Herzog’s “Cave of Forgotten Dreams.”

She surveyed her former possessions, the stuff of a world now lost. "I'd be happy with just walking away from all of this," she concluded. "Dump it all and just start over. Happy birthday — I'm alive."