Showing 25 articles matching fk33.cc_Suppliers of Magnesium sulfate.

The New Anarchists

The architect of the Occupy movement on the state of “anti-globalization” activism at the turn of the twentieth century.

Over the past decade, activists in North America have been putting enormous creative energy into reinventing their groups’ own internal processes, to create viable models of what functioning direct democracy could actually look like. In this we’ve drawn particularly, as I’ve noted, on examples from outside the Western tradition, which almost invariably rely on some process of consensus finding, rather than majority vote. The result is a rich and growing panoply of organizational instruments—spokescouncils, affinity groups, facilitation tools, break-outs, fishbowls, blocking concerns, vibe-watchers and so on—all aimed at creating forms of democratic process that allow initiatives to rise from below and attain maximum effective solidarity, without stifling dissenting voices, creating leadership positions or compelling anyone to do anything which they have not freely agreed to do.

Columbine, Five Years Later

Before the viewing ends at 4 p.m., 975 people pass through the evidence rooms, many of them former students, survivors, and friends and relatives of the dead. Absent, as they have consistently been in the five years since the massacre, are Wayne and Kathy Harris, Eric's parents, and Tom and Sue Klebold, who raised Dylan. Although they live in the same Littleton-area homes they occupied on April 20, 1999, they have contributed virtually nothing to the public's understanding of who their sons were and why they killed.

Hiding in Uniform

On being gay in the military, three years before Don’t Ask, Don’t Tell:

A vast majority of those interviewed had been interrogated at least once, and what they described was nearly the same. They said those under suspicion of homosexuality suffer bright lights in their eyes and sometimes handcuffs on their wrists, warnings that their parents will be informed or their hometown newspapers called, threats that their stripes will be torn off and they will pushed through the gates of the base before a jeering crowd.

The Suicide Files

The story of a sheriff’s deputy in Minnesota who took his own life.

"If anything happens to me," Ruettimann said, "give this to the reporter." After Ruettimann's death, Hereaux took the file down off his desk. Inside was a thick stack of loose-leaf documents, a manila folder stuffed with letters, and a catalog-size clasp envelope labeled "Reports." Written in black permanent marker in the margin of the envelope was the reporter's name: mine.

Sneaking Into Pantone HQ

Inside the color forecaster.

There are no analytics measuring success of color forecasting—how would one even accurately measure such a thing? To play it safe most companies rely on a range of color forecasts. Eiseman says Pantone’s effort, and perhaps color forecasting in general, suffers from two misconceptions. The first is that there is some kind of “evil cabal” that “schemes to get the colors out there.” The second is “let’s just throw a dart and wherever it lands is what’s going to be the hot color for next year.”

The Pretender

A profile of singer-songwriter Will Oldham.

He has settled into character as an uncanny troubadour, singing a sort of transfigured country music, and he has become, in his own subterranean way, a canonical figure. Johnny Cash covered him, Björk has championed him (she invited him to appear on the soundtrack of “Drawing Restraint 9”), and Madonna, he suspects, has quoted him (her song “Let It Will Be” seems to borrow from his “O Let It Be,” though he says, “I’m fully prepared to accept that it’s a coincidence”).

Abraham Josephine Riesman is a journalist who writes often for New York and is the author of True Believer: The Rise and Fall of Stan Lee. Her second book, Ringmaster: Vince McMahon and the Unmaking of America, will be published in March.

“You’re sure that there’s a level of unreality, but you’re not sure that it’s all fake. There’s stuff there that seems either plausible or sometimes you go ‘there’s no way you could fake that.’ And sometimes you’re right, and a lot of times you’re somewhere in the middle. It’s not as easily distinguished as saying this is fact and this is fiction, this was scripted and this was improvised, whatever. You can’t make those distinctions easily, and one of the things I sort of hope comes out of the book—if it has any impact at all—is to try to get us past this false binary of true and false.”