Showing 25 articles matching better-drink-my-own-piss.

A Fierce Attachment

My mother is an urban peasant and I am my mother’s daughter. The city is our natural element. We each have daily adventures with bus drivers, bag ladies, ticket takers, and street crazies. Walking brings out the best in us.

In the Land of the Dear Leader

The author travels to North Korea in the years after Kim Jong Il’s succession. He also gets a haircut:

But suddenly the whole chair starts vibrating and I find myself surrendering to her, as she begins to knead the acupressure points on my forehead and neck. Next it's ginseng unguent all over my face. Gobs of pomade smelling like bubble gum go on my hair. Then, like a true daughter of the revolution, she upholsters her blow dryer and begins combing in the pomade and sculpting my now subdued hair. The pungent aroma of heated pomade, like fat frying in a pan, fills the room. My stylist gives my hair a little twist with the comb. It feels like she's making a Dairy Queen curl on top. Then she fries it in place with the dryer. Another dab of pomade. More mincing motions with the comb. Another blast of hot air. Suddenly I feel a moist breeze around my ears. She's taken out a can of imported aerosol spray and is cementing her creation in place. She's delicately patting my new coiffure now the way a baker taps a loaf of bread to see if it's springy to the touch. She murmurs something. I'm breathless with expectation. I open my eyes and gaze into the mirror. Magnifique! It looks like I have a loofah sponge on my head! I am reborn -- a cross between Elvis and a 1950s Bulgarian hydrology expert! At last I have become a true son of Pyongyang!

Beneath the Black Rocks

My mother’s eyes traced what was happening with happiness of a child. When she asked my father how it was possible, he thought she was asking about the flowers, but she wasn’t. She was asking how it was possible to see this much beauty at once.

Erin Lee Carr is a documentary filmmaker and writer. Her new film is Mommy Dead and Dearest.

“I feel like I’ve always had the story down—that’s not been really difficult for me. So the difficult thing, I think, for me, has always been access. Can I get the access? Can I withstand the pressure? You know, there’s been so many times where I wasn’t being paid to do the job, and I had to wait on the access. And it’s not for the faint of heart. You know, I could have spent a year and a half of my life doing [Mommy Dead and Dearest] and I could’ve not gotten the access to Gypsy, and it kind of would’ve been a wash.”

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Watermarks

The author on his reverence for water.

The journey of a river from source to mouth resembles our own journey from birth to death, an analogy oft remarked, and yet the beginnings and endings of rivers are as fictional as those we impose on stories. There are headwaters to headwaters and no river ever really ends.

Why Are So Many Outdoorsy People Terrible With Money?

When I was 27, I quit my job to travel and ski-bum, and by that point I had managed to save a small sum that could float me for a year. I called it my fuck-you money, because if I was ever in a situation I didn’t like—stuck in a job or with a boyfriend I wanted to leave—I could say fuck you and go. Living in ski towns is how I learned the dirtbag lifestyle, and to my surprise I took to it naturally and with enthusiasm.

Liliana Segura writes for The Intercept.

"My form of advocacy against the death penalty, frankly, has always been to tell those stories that other people aren’t seeing. And to humanize the people—not just the people facing execution, but everyone around them."

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Kurt Vonnegut: The Art of Fiction No. 64

This interview with Kurt Vonnegut was originally a composite of four interviews done with the author over the past decade. The composite has gone through an extensive working over by the subject himself, who looks upon his own spoken words on the page with considerable misgivings . . . indeed, what follows can be considered an interview conducted with himself, by himself.