Showing 25 articles matching physics of music.

A Soldier's Tale: Lynndie England

The author interviews England in prison:

By now, people all over the world have heard of Lynndie England. She's the "Small-Town Girl Who Became an All-American Monster," as one Australian newspaper headline described her, or "the girl with a leash," as Mick Jagger calls her in the song "Dangerous Beauty." Yet England remains a mystery. Is she a torturer? A pawn? Another victim of the Iraq war? While the world weighed in, England said very little.

My First Flame

An early take on the dark side of cyberspace:

Like many newcomers to the "net"--which is what people call the global web that connects more than thirty thousand on-line networks--I had assumed, without really articulating the thought, that while talking to other people through my computer I was going to be sheltered by the same customs and laws that shelter me when I'm talking on the telephone or listening to the radio or watching TV. Now, for the first time, I understood the novelty and power of the technology I was dealing with.

This Is My Brain on Chantix

Chantix is a pill that decreases the pleasurable effects of cigarettes. It also causes hallucinations, suicidal thoughts and waking nightmares:

A week into my Chantix usage, I started to feel as if the city landscape had imperceptibly shifted around me. Mundane details began to strike me as having deep, hidden significance. The neon arch above McDonald’s: The lights blinked on and off in some sort of pattern, and I needed to crack the code.

How to Be a New Yorker

Rule #5: “Be unflappable.”

In that first New York City apartment, not once but twice, cops came to bust brothels operating on our floor. When they attempted to batter down our door instead of our neighbors', we opened up, pointed them in the right direction, and explained cheerily, "Oh, we're not hookers!" To our great satisfaction, the mystery of why that man was always washing sheets in the shared laundry room had finally been solved.

Guantanamo: An Oral History

On Thanksgiving weekend, I received a phone call informing me that we had just captured approximately 300 al-Qaeda and Taliban. I asked all our assistant secretaries and regional bureaus to canvass literally the world to begin to look at what options we had as to where a detention facility could be established. We began to eliminate places for different reasons. One day, in one of our meetings, we sat there puzzled as places continued to be eliminated. An individual from the Department of Justice effectively blurted out, What about Guantánamo?

Paved, But Still Alive

As the critic Lewis Mumford wrote half a century ago, “The right to have access to every building in the city by private motorcar in an age when everyone possesses such a vehicle is the right to destroy the city.” Yet we continue to produce parking lots, in cities as well as in suburbs, in the same way we consume all those billions of plastic bottles of water and disposable diapers.

The Longform Guide to Adaptations

The Perfect Storm, Argo and Dog Day Afternoon — a collection of great articles that became (mostly) great movies, presented by MUBI. Think life is too short for bad films? Try MUBI, a different kind of streaming service, free for 30 days.

The Spy Who Infiltrated ISIS

For the past 16 months, he had worked as a mole, posing as a militant jihadist in the Islamic State while passing critical information to a secret branch of Iraq’s national intelligence agency. His record was stunning: He had foiled 30 planned vehicle-bomb attacks and 18 suicide bombers, according to Abu Ali al-Basri, the agency’s director. Captain Sudani also gave the agency a direct line to some of the Islamic State’s senior commanders in Mosul.

Tristan Ahtone is the former Indigenous Affairs editor at High Country News and is currently the editor-in-chief at The Texas Observer. His High Country News article “Land-Grab Universities,” co-authored with Robert Lee, won the 2021 George Polk Award for Education Reporting.

This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Joshua Yaffa is a correspondent for The New Yorker, the author of Between Two Fires: Truth, Ambition, and Compromise in Putin's Russia, and has been reporting from Ukraine for the last several weeks. His most recent article is "What the Russian Invasion Has Done to Ukraine."

“I’m not at all a conflict reporter. I don't like it, though who would like being in these situations? But this is the story, right? If you cover this part of the world, if the war in 2014 felt like the tectonic plates of history were shifting, now they're just erupting, crashing. This is the asteroid-impact event for this part of the world with effects that will last similarly long going forward.”

Aleksandar Hemon is a writer from Bosnia whose fiction and non-fiction has appeared in The New Yorker and Granta. His books include The Lazarus Project, The Question of Bruno, and The Book of My Lives.

“For me and for everyone I know, that's the central fact of our lives. It's the trauma that we carry, that we cannot be cured of. The way things are in Bosnia, it's far from over. It's not peace, it's the absence of war. It's always there as a possibility. There's no way to imagine anything beyond a society defined by war.”

Thanks to The Standard Hotels, MailChimp, and Howl.FM for sponsoring this week's episode.

Kevin Kelly is a writer and a founding executive editor of Wired Magazine. He is the author of What Technology Wants, Out of Control and The Inevitable: Understanding the Twelve Technological Forces That Will Shape Our Future.

“I always try to write about the future—and it became harder and harder because things would catch up so fast. If you read Out of Control now, I’ve heard that people say, ‘well, this is obvious.’ I have to tell you, it was dismissed as entirely pie-in-the-sky, wild-eyed craziness twenty-five years ago.”

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Malcolm Gladwell is a staff writer at The New Yorker. His new podcast is Revisionist History.

“The amount of criticism you get is a constant function of the size of your audience. So if you think that, generously speaking, 80% of the people who read your work like it, that means if you sell ten books you have two enemies. And if you sell a million books you have 200,000 enemies. So be careful what you wish for. The volume of critics grows linearly with the size of your audience.”

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Jenny Odell is a multidisciplinary artist and the author of How to Do Nothing: Resisting the Attention Economy.

“I’ve noticed that the times I’m extra susceptible to being on social media is when I am feeling personally insecure or when I’m dealing with existential dread. That within itself is not part of the attention economy - that’s just a human being having feelings and reacting to things. For me, it’s a question of like, ’What do I do with that?’ I can either feed it back into the attention economy and actually get more of it back - more anxiety or more existential dread - or I can go in this other direction and spend time alone or with people who care about the same things. Those are places where I can bring my feelings and they won’t destroy me.”

Thanks to Mailchimp, Substack, and Pitt Writers for sponsoring this week's episode.

Longform for iPad 1.1.5

A new release of our iPad app is available in the App Store, and it includes a slew of great new magazines to follow: Gizmodo, Grist, McSweeney's, Men's Journal, Narratively, New Statesman, Polygon, Rookie, The Smart Set and the Times Literary Supplement.

Longform for iPad delivers picks from our editors, plus new articles from more than 80 of the world's best magazines, in an elegant, reader-friendly design. It's perfect for commutes, flights, and Sunday afternoons.

Download Longform from the App Store

The President

As the head of the CBF, Ricardo Teixera rules Brazilian futebol from the top down, controlling everything from the value of championships to broadcast rights. He needs the pull off a flawless 2014 World Cup in order to set the stage for being elected FIFA’s president, but there’s one hitch; the trail of bribes and scandals he has left in his wake.

Whenever you want him to go on the record, Teixeira shushes you and raises a finger to his lips.  He addresses men and women alike as “meu amor,” with an exaggerated Rio accent. “Meu amor, it’s all been said about me – that I smuggled goods in the Brazilian national team’s airplane, that there’s been dirty dealing in the World Cup, all those investigations into Nike and the CBF."

Translated from the original Portugese.

Inside Match.com

A look at the dating site's new algorithm.
Codenamed “Synapse”, the Match algorithm uses a variety of factors to suggest possible mates. While taking into account a user’s stated ­preferences, such as desired age range, hair colour and body type, it also learns from their actions on the site. So, if a woman says she doesn’t want to date anyone older than 26, but often looks at ­profiles of thirty-somethings, Match will know she is in fact open to meeting older men. Synapse also uses “triangulation”. That is, the algorithm looks at the behaviour of similar users and factors in that ­information, too.

It's Spreading

The anatomy of a 1930 epidemic that wasn’t:

Was parrot fever really something to worry about? Reading the newspaper, it was hard to say. “not contagious in man,” the Times announced. “Highly contagious,” the Washington Post said. Who knew? Nobody had ever heard of it before. It lurked in American homes. It came from afar. It was invisible. It might kill you. It made a very good story. In the late hours of January 8th, editors at the Los Angeles Times decided to put it on the front page: “two women and man in Annapolis believed to have 'parrot fever.'"

Interview: Ellsworth Kelly

A conversation with the 88-year-old abstract painter.

PALTROW: Did you design camouflage while in the army?

KELLY: I did posters. I was in what they called the camouflage secret army. This was in 1943. The people at Fort Meade got the idea to make rubber dummies of tanks, which we inflated on the spot and waited for Germans to see through their night photography or spies. We were in Normandy, for example, pretending to be a big, strong armored division which, in fact, was still in England. That way, even though the tanks were only inflated, the Germans would think there were a lot of them there, a lot of guns, a whole big infantry. We just blew them up and put them in a field.

The Assassination: The Reporters’ Story

Breaking the news of the Kennedy assassination, an oral history:

Wicker: [In the press room] we received an account from Julian Reed, a staff assistant, of Mrs. John Connally’s recollection of the shooting…. The doctors had hardly left before Hawks came in and told us Mr. Johnson would be sworn in immediately at the airport. We dashed for the press buses, still parked outside. Many a campaign had taught me something about press buses and I ran a little harder, got there first, and went to the wide rear seat. That is the best place on a bus to open up a typewriter and get some work done.

The Invisible Army

The expansion of private-security contractors in Iraq and Afghanistan is well known. But armed security personnel account for only about sixteen per cent of the over-all contracting force. The vast majority—more than sixty per cent of the total in Iraq—aren’t hired guns but hired hands. These workers, primarily from South Asia and Africa, often live in barbed-wire compounds on U.S. bases, eat at meagre chow halls, and host dance parties featuring Nepalese romance ballads and Ugandan church songs. A large number are employed by fly-by-night subcontractors who are financed by the American taxpayer but who often operate outside the law.

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Bryan Fogel is the Oscar-winning director of Icarus.

“But there was a long period of time also that none of us were really thinking so much about the film. It was really that we were in a real world crisis. Gregory's life was essentially in my hands.”

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Cord Jefferson is a journalist turned television writer whose credits include Succession, The Good Place, and Watchmen.

“I’m a fearful person. I’m afraid of a lot of things. I’m afraid of how people perceive me, I’m afraid of hurting myself, I’m afraid of heights. I’m afraid of a lot. Bravery does not come naturally to me. But the moments when I feel like I’ve done the best in my life and been the proudest of myself are when I’ve overcome that fear to do something that scares me.”

Thanks to Mailchimp, Pitt Writers, and Squarespace for sponsoring this week's episode.