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Weekend At Kermie's: The Muppets' Strange Life After Death

To this day, no one (outside of the movie's own crew) knows how the Muppets rode bicycles in The Great Muppet Caper, the classic Henson movie from 1981. In that scene, Kermit stands up on one frog-leg on the seat of his bicycle to impress Miss Piggy, and then the whole gang joins them on their bikes, doing circles and figure eights, singing “Couldn’t We Ride?” It's a wonderful piece of filmmaking, and still a complete delight to watch because the effect relied on the ingenuity and bravado of the puppeteers and crew, not CGI wizardry. Contrast the joy and ebullience of this scene to the elegant chiaroscuro slickness of the post-Henson Muppet Christmas Carol in which we see old fogies Statler and Waldorf, as the Marley brothers, floating in mid air. No viewer is impressed; no one really thinks about it at all. And that's because when a then 29-year-old Brian Henson directed that film, he threw the rules out the window. Statler and Waldorf “float” because Goelz and Nelson, the men working the old guys, were standing behind them during filming and then were removed in post production. It’s an elegant fix—a cutting of the Gordian knot—but it is a complete break with an aesthetic 35 years in the making.

The Life and Death of the Chosen One

Ricky Rodriguez was born in the role of the messiah. His father was David Berg, the leader of the polygamous/incestuous cult The Children of God, which published a book documenting his early life:

In 1982 a shop in Spain printed several thousand copies of a book that was then distributed to group members around the world. Bound in faux leather, illustrated with hundreds of photographs, the 762-page tome meticulously chronicled Ricky's young life and was intended as a child-rearing manual for families. Its title, The Story of Davidito, was stamped in gold. With its combination of earnest prose and unabashed child pornography, it is perhaps the most disturbing book ever published in the name of religion.

Eventually, he left the cult and found work as an electrician. But revenge called him back.

Welcome to the Future Nauseous

Why the future feels frozen in time, as framed by Marshall McLuhan (“We look at the present through a rear-view mirror. We march backwards into the future.”) and William Gibson (“The future is already here; it is just unevenly distributed.”)