Showing 25 articles matching fk33.cc_Which are the Chinese suppliers of Magnesium sulfate pentahydrate for industrial use.

Reihan Salam is the executive editor of National Review.

"I’m incredibly curious about other people. I’m curious about what they think of as the constraints operating on their lives. Why do they think what they think? If I weren’t doing this job, I’d want to be a high school guidance counselor."

Thanks to TinyLetter, Bonobos, and Cards Against Humanity’s Ten Days or Whatever of Kwanzaa for sponsoring this week's episode.

Marcia Clark Is Redeemed

She was mocked for her clothes and for her hair. Tabloids published nude photos of her and covered her custody fight. The defense called her hysterical. The judge condescended to her. She lost. And then she became a punchline. Twenty years later, thanks in part to The People v. O.J. Simpson, Marcia Clark is finally being seen in full.

A Major-League Divorce

How Frank and Jamie McCourt bought the Dodgers for “for less than the price of an oceanfront home in Southampton” and eventually became entangled in one of the most expensive divorces in California history, which laid bare their finances and confirmed what many already knew: they had bankrupted one of the most storied franchises in baseball.

In all, the McCourts reportedly took $108 million out of the team in personal distributions over five years—a sum that Molly Knight, a reporter with ESPN who has extensively covered the story, notes is eerily similar to the cash payment that she says Frank McCourt has claimed he made for the team.

On Doris Lessing

At the age fifteen, Jenny Diski, a “foundling,” went to live with Doris Lessing. For fifty years, the two talked every week. Diski promised Lessing that she would never write about her but now, after Lessing’s death, Diski has begun to recount the story of their relationship.

  1. What To Call Her?

    The question of how to name her relationship with Lessing plagued Diski.

  2. Doris and Me

    Lessing invited Diski into her home, but did she want her there?

Roberto Ferdman is a correspondent at VICE News. He and his colleagues at VICE News Tonight won the George Polk Award for Television Reporting for their coverage of the killing of Breonna Taylor and the investigations that followed.

This is part four in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Paul Tough is a contributing writer to the New York Times Magazine and the author of The Years That Matter Most: How College Makes or Breaks Us.

“The nice thing about a book as opposed to a magazine article is that it’s less formulaic. As a writer, it gives you more freedom — you’re trying to create an emotional mood where ideas have a place to sit in a person’s brain. And when people are moved by a book, it’s not by being told, ‘Here’s the problem, here’s the answer, now go do it.’ It’s by having your vision of the world slightly changed.”

Thanks to MailChimp and Pitt Writers for sponsoring this week's episode.

Maria Streshinsky is the executive editor at Wired.

“Sometimes a story comes in and it’s really lovely and well done. And you think if you just got on the phone with this person and pointed out the structure is wrong here and the chronology is wrong here, ask them to change that and send them what is known at Wired as the ‘praise sandwich letter’: how wonderful something is, how much work it will need, how wonderful it will be. … It’s not the kiss of death, it’s ‘we have a lot of work to do.’ … There are lots of pieces that come in that you’ve assigned because it’s the person with the right information with the right access, and they’re a good reporter, but maybe not a terrific wordsmith. So, you do more rewriting. Then there’s the other person that’s a really lovely, lovely writer that doesn’t have the structure and the reporting so you push on that. It’s sort of a three or four-pronged thing—it depends on the piece. I will say, somewhat controversially, there aren’t that many pieces that come in pretty clean.”

Thanks to MailChimp, Skagen, and Pitt Writers for sponsoring this week's episode.

Casey Cep has written for The New Yorker, The New York Times, and The New Republic. She is the author of Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee.

“I want to meet all of these expectations. I want my book to be a page-turner. I want it to be a beautiful literary object. I want it to sell. I want it to do all of these things. But at the end of the day, I just want to feel like I’ve honored this commitment between writer and reader, and writer and source. And those are sometimes in conflict.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

Satan in Poughkeepsie

In 1966, Anton LaVey introduced the world to the Church of Satan. The 1980s saw a “Satanic Panic” in the form of abuse charges brought against child-care workers and suburban parents. Today, the author joins a group of Satanists for afternoon tea at the church’s global headquarters in a “bland New York college town.”

Who Killed Jaco Pastorius?

John Francis Anthony “Jaco” Pastorius III lay comatose in the intensive-care unit of a Fort Lauderdale hospital for nine days, unrecognized until he was spotted by the doctor who had delivered his children. Once he had been identified, local newspapers ran photographs to accompany stories headlined “DARK DAYS FOR A JAZZ GENIUS” and “JAZZ PERFORMER’S LIFE STRIKES A TRAGIC CHORD” and “THE LONG, SAD SLIDE OF A GIFTED MUSIClAN.” The various photographs seemed to be of different men.

Machine Politics

A profile of 22-year-old hacker George Hotz, who in 2007 became the first person to successfully unlock the iPhone. A few years later, he became the first person to successfully hack the Playstation 3. And, shortly thereafter, he became the first person to get sued by Sony for it.

Jace Clayton is a music writer and musician who records as DJ /rupture. His book is Uproot: Travels in 21st-Century Music and Digital Culture.

“What does it mean to be young and have some sound inside your head? Or to be in a scene that you want to broadcast to the world? That notion of the world is changing, who you’re broadcasting to is changing, all these different things—the tool sets. But there’s this very fundamental joy of music making. I was like, ‘Ok. Let’s find flashpoints where interesting things are happening and can be unpacked that shed different little spotlights on it, but do fall into this wider view of how we articulate what’s thrilling to be alive right now.’”

Thanks to MailChimp for sponsoring this week's episode.