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Willa Paskin, a former TV critic, is the host of the podcast Decoder Ring.

“I want it to feel like a trap door. When you push on a trap door, there’s like a little spring. If it’s the right idea, you start to look into it, and you’re like, Oh, it’s giving a little.

Mary Childs is a co-host of the podcast Planet Money and the author of The Bond King: How One Man Made a Market, Built an Empire, and Lost It All.

“I love aberrations. I love when things go wrong. You get a high stress situation, you get all of the manifestations of personality. We're our most selves, if not our best selves, at those times. I like the [stories] that have embedded in them all of those conduits of power and that reveal the greater system.”

Ta-Nehisi Coates is a senior editor at The Atlantic. His latest cover story is "The Case for Reparations."

"The writer hopes for change, but writers can't assume that their work is going to cause change."

Thanks to TinyLetter and I Am Zlatan, the international bestseller published by Random House, for sponsoring this week's episode.

Michelle García has written for The New York Times, The Washington Post and Oxford American. She directed the PBS film, Against Mexico: The Making of Heroes and Enemies.

“We have to see that within difficult stories there is a very important message of humanity triumphing over despair. If you don’t focus on joy, humanity is squashed. If all you see and all you narrate is pain, then you extinguish the possibility of joy and the important part of holding onto humanity.”

Thanks to MailChimp and Pitt Writers for sponsoring this week's episode.

Brian Reed, a senior producer at This American Life, is the host of S-Town.

“It’s a story about the remarkableness of what could be called an unremarkable life.”

Thanks to MailChimp, Babbel, and Squarespace for sponsoring this episode.

Sponsor: Voice Media Group

Our sponsor this week is Voice Media Group, publisher of the Village Voice, LA Weekly, Miami New Times and eight other metropolitan newsweeklies and sites. Every week, VMG writers publish longform narrative journalism, and their work is regularly picked for Longform. Here are three recent favorites:

Millionaires Clash Over Shadyside Mansion</b>
Terrence McCoy • Houston Press</p>

Joe Arridy Was the Happiest Man on Death Row
Alan Prendergast • Westword

A White Buffalo’s Death Breeds Suspicion and Lies
Brantley Hargrove • Dallas Observer

VMG is also seeking freelancers to pitch longform features on issues of national importance and interest. If you’re an experienced journalist with reporting chops, energy and ideas, please visit voicemediagroup.com and click on “National Features Program” under “Our Journalism.”

Andrew Leland is an editor at The Believer and hosts The Organist

"I think a good editor has a strong stomach for crazy assholes. Because often crazy assholes are really brilliant great writers."

Thanks to TinyLetter and Squarespace for sponsoring this week's episode.

Kurt Andersen is the co-founder of Spy Magazine, the author of several books, and the host of Studio 360.

“As a young person, I never thought of myself as a risk-taker. Then I did this risky thing that shouldn't have succeeded, I started this magazine. And it did encourage me to think, ‘Eh, how bad can it be if it fails? Sometimes these long shots work. So fuck it, try it.’”

Thanks to MailChimp, MasterClass, The Message, RealtyShares, and Prudential for sponsoring this week's episode.

Brian Reed, a senior producer at This American Life, is the host of S-Town.

“It’s a story about the remarkableness of what could be called an unremarkable life.”

Thanks to MailChimp, Casper, and Squarespace for sponsoring this week's episode.

Matt Levine is a finance columnist for Bloomberg Opinion . His newsletter is Money Stuff.

”I write a lot about people who have gotten in trouble with the SEC or the Justice Department. And a surprising subset of them will email me. And often I will have made fun of them, and they'll be like, ‘That was pretty fair.’”

Kenneth R. Rosen has written for The New York Times, Wired, The New Yorker, and many other publications. His new book is Troubled: The Failed Promise of America's Behavioral Treatment Programs.

“When I report, I keep two journals. … I keep my reporting notebook, which is sort of an almanac of dates, times, names, quotes, phone numbers. And then I have my personal notebook, which has all my fears and anxieties. And it invariably makes its way into the reporting … which is sort of an amalgamation of those two journals, of those two experiences, the internal and the external.”

Thanks to Mailchimp for sponsoring this week's episode.

Ira Glass is the host and executive producer of This American Life.

“You can only have so many questions about feelings, I think. At some point people are just like alright, enough with the feelings.”

Thanks to MailChimp, EA SPORTS FIFA 16, Fracture, and FRONTLINE's "My Brother's Bomber for sponsoring this week's episode.

Kirby Dick and Amy Ziering are documentary filmmakers. Their latest miniseries is Allen v. Farrow.

”We're constantly looking for those moments that happen before the story is ever told. Or those moments where someone is deciding to tell a story or is going through a process that they think is private. … We think there's something about getting the moment before the first moment that people normally see.”

A look back at some of our favorite moments from the first 99.

Thanks to our sponsors, TinyLetter and Squarespace.

Elizabeth Gilbert has written for Spin, GQ, and The New York Times Magazine. She is the author of several books, including Eat, Pray, Love.

“I call it the platinum rule. The golden rule is do unto others as you would have them do unto you, but the platinum rule is even higher: don’t be a dick.”

Thanks to MailChimp, Bombas, Squarespace, and Audible for sponsoring this week's episode.

Adam Moss is the editor of New York Magazine.

“I think [change] is good for journalism—it’s what journalism is about. You can’t write about something static. News is about what is new. So there’s plenty of new right now. I’m not saying it’s good for the citizenry or anything like that, but, yeah, for journalists it’s an extremely interesting time. There’s no denying that.”

Thanks to MailChimp, BarkBox, Squarespace, and Sock Fancy for sponsoring this week's episode.