Showing 25 articles matching fk33.cc_Which are the Chinese suppliers of Magnesium sulfate Anhydrous for industrial use.

Sarah Nicole Prickett is the founding editor of Adult.

"I'll admit to being resistant to the 'by women for women' label that Adult had before because I saw it as being just 'by women,' period. That’s way more feminist than making something for women, which is very prescriptive and often comes in various shades of pink."

Thanks to TinyLetter for sponsoring this week's episode.

Ball Don’t Lie

For a rebellious, Korean-American teen like myself who was awkwardly trying to situate himself, without much success, Jackson’s writing, with its rap and jazz references and its relentless, engaging voice, provided a vision of Black agency that felt almost illicit.

Evan Ratliff, a co-host of the Longform Podcast, discusses "The Oilman's Daughter," his new story in The Atavist.

"This woman was given the opportunity to take on a new identity. And it was a mistake. She never should've done it. If there was a way for her to go back and say, 'No, I don't want to know this. I want to be who I am,' then I think she should've taken that. … I'm fascinated with people who want to radically shift their identity. It almost never works out well."

Will Mackin is a U.S. Navy veteran who served with a SEAL team in Iraq and Afghanistan. His debut book is Bring Out the Dog.

“I wanted to write nonfiction and I started writing nonfiction. And the reason I did that was — first of all, I felt all the people did all the hard work, and who was I to take liberties? And the second reason was, I just felt an obligation to the men and women who I served with not to misrepresent them, or what they’d been through, or what it had meant to them, or how they felt about it. I kept piling these requirements on to myself: Well, if I present this particular event in this light, this guy’s going to get his feelings hurt. Or, I don’t know how this guy’s family will feel about me talking about this. And it became debilitating, all those restrictions, I kind of kept layering on myself. I was talking to George Saunders at one point about this, and I was like, ‘I don’t know if this book is going to happen. I’m just stuck’ And he pointed out, ‘You’re putting all these restrictions on yourself because it puts this perfect book off in the never-to-reach future. If you remove those and start fictionalizing things and getting at it a different way, maybe it’ll work for you.’”

Thanks to MailChimp and Breach for sponsoring this week's episode.