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Maggie Haberman covers the White House for The New York Times.

“If I start thinking about it, then I’m not going to be able to just keep doing my job. I'm being as honest as I can — I try not to think about it. If you’re flying a plane and you think about the fact that if the plane blows up in midair you’re gonna die, do you feel like you can really focus as well? So, I’m not thinking about [the stakes]. This is just my job. This is what we do. Ask me another question.”

Thanks to MailChimp, Bombfell, Babbel, and HelloFresh for sponsoring this week's episode.

Maggie Haberman covers the Trump Administration for The New York Times.

“If I start thinking about it, then I’m not going to be able to just keep doing my job. I'm being as honest as I can — I try not to think about it. If you’re flying a plane and you think about the fact that if the plane blows up in midair you’re gonna die, do you feel like you can really focus as well? So, I’m not thinking about [the stakes]. This is just my job. This is what we do. Ask me another question.”

Thanks to MailChimp for sponsoring this week's episode.

Sponsor: "Challenger: An American Tragedy" by Hugh Harris

Twenty-eight years ago, the space shuttle Challenger launched from the Kennedy Space Center in Florida. Seventy-three seconds later, a stunned nation watched as flames engulfed the craft, killing all seven crewmembers on board. It was Hugh Harris, “the voice of launch control,” whom audiences across the country heard counting down to lift-off on that fateful day. In Challenger: An American Tragedy, Harris presents the story of the tragedy as only an insider can, with a by-the-second account of the launch and a comprehensive overview of the ensuing investigation.

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Thanks to Open Road Integrated Media for sponsoring Longform this week. If you're interested in sponsoring the site, get in touch.

Shattered Glass

At 25, Stephen Glass was the most sought-after young reporter in the nation’s capital, producing knockout articles for magazines ranging from The New Republic to Rolling Stone. Trouble was, he made things up—sources, quotes, whole stories—in a breathtaking web of deception that emerged as the most sustained fraud in modern journalism.