“Things don’t just flow out of your brain. It’s not like, Hey, I’m brilliant. Show up, paper right here, bam, another banger. No—you sit and you struggle with yourself and you stop cutting your hair. I’m not cutting my hair right now. You stop shaving, like I’m not shaving right now. You remember that you can fail. I’ve failed several times. The fact that everybody else don’t see that don’t give me the right to not see it.”

How reality TV has changed tattooing.

Tattoos and tattoo artists have an undeniable power to attract, repulse, and intimidate. But when confronted with all this life and color, reality TV steamrolls it into the familiar “drama” of preening divas and wounded pride. “Everybody thinks they’re gonna change it,” said Anna Paige, an artist who said she’d turned down her chance at TV stardom. “Everybody thinks they’re gonna have some power.” But wait, isn’t she profiting from tattooing’s mass appeal? “I would have made money anyway.”

How the spirit became a billion-dollar business.

Michael Roper, owner of Chicago’s Hopleaf bar and restaurant, recalls what bartending was like in the early seventies. While Smirnoff was considered top shelf, he remembers lesser varieties such as Nikolai, Arrow, Wolfschmidt, and another brand that was then ubiquitous called Mohawk. “Mohawk was cheap, cheap, cheap,” Roper remembers. “Mohawk had a factory just outside Detroit along the expressway and .  .  . all their products were made there. It’s almost like they turned a switch—whiskey, vodka, gin. And it was all junk.” Still, by 1976, vodka had surpassed bourbon and whiskey as the most popular spirit in America. Roper attributes vodka’s rise partially to women, who started drinking more spirits and ordering them on their own: “Women were not going to like Scotch—that was for cigar-smoking burly men,” he speculates. “And .  .  . it was unladylike to drink Kentucky whiskey. But it was considered somewhat ladylike to have a fancy cocktail with an olive in it.” He also remembers when a salesman first brought Miller Lite into his bar, explaining “it’s for women.” In a similar vein, Roper considers vodka a low-calorie option with “a less challenging flavor.”

In defense of fiction.

Energy problems are long problems that often receive short solutions. In 2000, when Mother Jones ran this history about what happened to the energy research boom of the late 70s and early 80s, I was buying $0.99 a gallon gas for my Escort. I chose this story because I think longform journalism can keep people interested in these issues that require decadal attention but are subject to year-to-year fluctuations in public interest. And it’s a great story.

-A. Madrigal

A profile of Hector Xavier Monsegur, aka Sabu, a hacker star of Anonymous and resident of a New York City housing project.

Junky, out-of-date science fuels jury errors and tragic miscarriages of justice. How can we throw it out of court?

Accused money launderers left a path of bankrupt factories, shuttered buildings, and hundreds of steelworkers out of jobs.

A pub’s-eye view of Ireland’s recent run of leaders.

A profile of Carrie Brownstein, riot grrrl and creator of Portlandia.

A literary exploration of Obama’s voice.

A profile of Roger Ailes, CEO of Fox News.

A nation of suit-wearing salarymen educates its first generation of stay-at-home dads.

An Englishman’s eighteen years of exile-by-choice.

“Economic theory as it exists increasingly resembles a shed full of broken tools.”

A year of reporting reveals a culture of incest, rape, and abuse.

A prolific con artist, decades of grift, and a trail of shattered relationships.

A political history of Donald Rumsfeld.

What happens when we run out of houses.