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Some Real Shock and Awe: Racially Profiled and Cuffed in Detroit

A first-person account of an arrest:

I stared at the yellow walls and listened to a few officers talk about the overtime they were racking up, and I decided that I hated country music. I hated speedboats and shitty beer in coozies and fat bellies and rednecks. I thought about Abu Ghraib and the horror to which those prisoners were exposed. I thought about my dad and his prescience. I was glad he wasn’t alive to know about what was happening to me. I thought about my kids, and what would have happened if they had been there when I got taken away. I contemplated never flying again. I thought about the incredible waste of taxpayer dollars in conducting an operation like this. I wondered what my rights were, if I had any at all. Mostly, I could not believe I was sitting in some jail cell in some cold, undisclosed building surrounded by “the authorities.”

Mattathias Schwartz has written for The New Yorker, The New York Times Magazine and Harper's.

"I figure it's like digging through a wall with a spoon: if you spend enough time at it eventually you get to the other side."

Thanks to TinyLetter and Audible for sponsoring this week's episode.

Brooklyn's Baddest

Louis Scarcella was a star New York City detective in the ’80s and ’90s, cracking cases no one else could. Now it appears that many of the people he put away were innocent, forced into false confessions and convicted with testimony from flimsy witnesses. Scarcella maintains that he did nothing wrong, despite evidence against him much stronger than in many of his cases.

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Previously: Sean Flynn on the Longform Podcast.

Interview: Sol LeWitt

"Serial systems and their permutations function as a narrative that has to be understood. People still see things as visual objects without understanding what they are. They don’t understand that the visual part may be boring but it’s the narrative that’s interesting. It can be read as a story, just as music can be heard as form in time. The narrative of serial art works more like music than like literature."

Real Talk With RuPaul

“I made a pact with myself when I was 15 that if I was going to live this life, I'm only going to do it on my terms, and I'm only going to do it if I'm putting my middle finger up at society the whole time. So any time I've had yearnings to go, "Aw, gee, I wish I could be invited to the Emmys," I say, Ru, Ru, remember the pact you made. You never wanted to be a part of that bullshit. In fact, I'd rather have an enema than have an Emmy.”