Showing 25 articles matching Tabloid murder.

Sponsor: Texas Monthly's New, Epic Examination of a Haunting 31-Year-Old Murder Case

Our sponsor this week is Texas Monthly, which has just published a truly incredible piece of journalism. Michael Hall, whose work has appeared on Longform many times, spent a year investigating one of the most confounding criminal cases in Texas history. In the summer of 1982, three Waco teenagers were savagely murdered for no apparent reason. Four men were ultimately charged with the crime. One was executed, two others were given life sentences, and a fourth was sent to death row only to be released after six years. They all may have been innocent.

Over the next two weeks, Texas Monthly will serialize Hall's 25,000-word piece, "The Murder at the Lake," which looks at the case from five distinct perspectives. Part One is available now; you should read it.

Making murder respectable

On the utility of euphemisms:

In the upper reaches of the British establishment, euphemism is a fine art, one that new arrivals need to master quickly. “Other Whitehall agencies” or “our friends over the river” means the intelligence services (American spooks often say they “work for the government”). A civil servant warning a minister that a decision would be “courageous” is saying that it will be career-cripplingly unpopular. “Adventurous” is even worse: it means mad and unworkable. A “frank discussion” is a row, while a “robust exchange of views” is a full-scale shouting match. (These kind of euphemisms are also common in Japanese, where the reply maemuki ni kento sasete itadakimasu—I will examine it in a forward-looking manner—means something on the lines of “This idea is so stupid that I am cross you are even asking me and will certainly ignore it.”)

Fates and Furies

When Jennifer Farber disappeared in 2019, suspicion immediately centered on her husband and press coverage almost exclusively painted her as a missing suburban mom. But reducing the 50-year-old’s life to a familiar tabloid trope missed so much of her story.

The Devil in Long Island

The author expounds on culture and crime in the early 90s:

Yes, I know there are sensational tabloid crimes everywhere and the closeness to the Manhattan media nexus tends to magnify everything. But even so, that was always true. There's just no denying that something has changed in the past decade, that, as our bard Billy Joel sings on his new album, there's "lots more to read about, Lolita and suburban lust." But why? Why is this Island different from all other islands? And why are so many Long Islanders suddenly running amok?