Chris Bell: That Don't Get Him Back Again

Listening to the Big Star songwriter, who left the group before dying in a solo car crash at 27.

His voice, on the recordings, is too sensitive. That's meant not as an aesthetic judgment. It wasn't too sensitive for the material, in other words. It was too sensitive for life. You listen to him sing, closely, and if you don't know another thing about what happened to him, you know that the guy with that voice is not going to last.

In Conversation: John Lennon, Yoko Ono, Timothy Leary and Rosemary Leary

Transcript of the 1969 Montreal “bed-in.”

JOHN: How long have you been there, in the teepee? I mean, before you sussed the wind and everything, and you know, got your senses back? ROSEMARY: We had to put the teepee up three times before it was right. It’s like you can touch it, and it resounds like a drone, and then it’s perfect, the canvas. It’s a wind instrument that plays like a drone.

My Father's Voice

Remembering George Plimpton’s old-fashioned style.

Above all, he was a gentleman, one of the last—a figure so archaic, it could be easily mistaken for something else. No, my father’s voice was not an act, something chosen or practiced in front of mirrors: he came from a different world, where people talked differently, and about different things; where certain things were discussed, and certain things were not—and his voice simply reflected this.

The Vanishing

In the remote wilderness along northern British Columbia’s Highway 16, at least 18 women have gone missing over the past four decades. Is it the work of a serial killer or multiple offenders?