A profile of filmmaker Pedro Almodóvar during the 2004 Cannes International Film Festival.

A rare interview with Gene Hackman, who says Welcome to Mooseport was his last movie, unless he “could do it in my own house.”

A profile of John Lasseter, chief creative officer at Pixar.

On the eve of the release of The Tree of Life, a look back at the turbulent making of Terence Malick’s debut.

A profile of silent film comedian Buster Keaton:

The story of his life seems in its twists and dives borrowed from his movies, survival demanding a pure lack of sentiment.

A profile of Werner Herzog.

An interview with Heart guitarist and film composer Nancy Wilson.

On Sebastian Junger’s War and the documentary Restrepo by Tim Hetherington, who was killed in Libya yesterday.

On what you do when you can do whatever what you want.

After a final film, Kevin Smith is going to retire to a life of podcasting and speaking tours. Or so he says.

On Christian Marclay’s film The Clock.

The swinging life and boozy death of the original ladies man, and the story of “the coroner that tampered with his cold, lifeless venereal warts.”

A profile of Zack Snyder, director of Watchmen, Dawn of the Dead, and the upcoming Superman series.

Barry Michels is Hollywood’s most successful therapist cum motivation coach with an approach that combines Jungian psychology, encouraging patients to embrace their dark side, and “three-by-five index cards inscribed with Delphic pronouncements like THE HIERARCHY WILL NEVER BE CLEAR.”

“Howard Stern’s a bad motherfucker, man..if I had to be on six hours a day, it would be just as nasty and foul and not sophisticated. The fact that you’re going to see me do an hour every four years? Reduce Howard Stern to an hour every four years, you’d have the most brilliant comedian who ever lived. It’s not even close.”

Hollywood makes bad movies because “rotten pictures make money.”

The comedian and veteran of MTV’s The State on a peculiar brand of stardom. “Often people would be like, I’m such a big fan of your work. I think you’re amazing. I want to have a career like yours. And I’m like, great, can you buy me a slice of pizza?”

GQ moved up the release of this Charlie Sheen profile: ”The fucking AA shit. The sobriety shit. It was always for other people. I just wanted to get a job back and get enough money to tell everybody to go fuck themselves and then roll like Errol Flynn and Frank Sinatra—the good parts of those guys.”

Five years ago, Mel Gibson was one of Hollywood’s few genuine family-men and a leading box office attraction; inside his wild descent from star to pariah.

On photographing the former Norma Jeane Mortenson. “I think she was the best light comedienne we have in films today, and anyone will tell you that the toughest of acting styles is light comedy.”—Billy Wilder

The Top Gun effect; how Hollywood became a factory for sequels, comic book and video game adaptations, and anything else easily marketed to under-25-year-old males.

How the Weinstein Brothers barked their way into an empire and then lost it.

Jack Nicholson interviewed at 73.

On his 80th birthday; how Archie Leach, “the Bristol-born son of a part-Jewish suit presser,” became the greatest leading man of his generation.

A profile of the director, written from the set of The Girl With the Dragon Tattoo.