After the death of Jack Kevorkian, Lawrence Egbert is the new public face of American assisted suicide

A profile of the Final Exit Network’s former medical director:

In those final seconds before his patients lose consciousness and die, the words they utter sound like Donald Duck, he says, imitating the high-pitched, nasally squeak familiar to any child who has sucked a gulp from a helium balloon. So, this is how a human being can leave this Earth? Sounding like Donald Duck?

The Inner Quest of Newt Gingrich

Promise kept.

But his greatest presidential stumbling block may be right under his nose. At home, Newt's second wife, Marianne Ginther Gingrich, tells me she doesn't see herself in the First Lady's job. "Watching Hillary has just been a horrible experience," commiserates Marianne. "Hillary sticking her neck out is not working." What happens if Newt runs?, I ask. "He can't do it without me," she replies. "I told him if I'm not in agreement, fine, it's easy" --she giggles at her naughtiness. "I just go on the air the next day, and I undermine everything..."

Paved, But Still Alive

As the critic Lewis Mumford wrote half a century ago, “The right to have access to every building in the city by private motorcar in an age when everyone possesses such a vehicle is the right to destroy the city.” Yet we continue to produce parking lots, in cities as well as in suburbs, in the same way we consume all those billions of plastic bottles of water and disposable diapers.

Laissez-Faire Aesthetics

A critical look at the contemporary art marketplace.

The trouble is that a business model has come to drive the entire art world, and like the corporate executive who regards the launch of each new product as a challenge to the success of the last one, because you must keep growing or you will die, the arts community finds itself in a state of permanent anxiety. There always has to be a new artist whom the media will embrace as enthusiastically as they embraced Warhol; there always has to be a show that will top the excitement generated by the last blockbuster at the Modern or the Met.

Making murder respectable

On the utility of euphemisms:

In the upper reaches of the British establishment, euphemism is a fine art, one that new arrivals need to master quickly. “Other Whitehall agencies” or “our friends over the river” means the intelligence services (American spooks often say they “work for the government”). A civil servant warning a minister that a decision would be “courageous” is saying that it will be career-cripplingly unpopular. “Adventurous” is even worse: it means mad and unworkable. A “frank discussion” is a row, while a “robust exchange of views” is a full-scale shouting match. (These kind of euphemisms are also common in Japanese, where the reply maemuki ni kento sasete itadakimasu—I will examine it in a forward-looking manner—means something on the lines of “This idea is so stupid that I am cross you are even asking me and will certainly ignore it.”)

Guantanamo: An Oral History

On Thanksgiving weekend, I received a phone call informing me that we had just captured approximately 300 al-Qaeda and Taliban. I asked all our assistant secretaries and regional bureaus to canvass literally the world to begin to look at what options we had as to where a detention facility could be established. We began to eliminate places for different reasons. One day, in one of our meetings, we sat there puzzled as places continued to be eliminated. An individual from the Department of Justice effectively blurted out, What about Guantánamo?