The Gulf War
On BP’s actions after the oil spill.
On BP’s actions after the oil spill.
Raffi Khatchadourian New Yorker Mar 2011 1h10min Permalink
On Chuck Lorre, creator of the #1 (Two and a Half Men) and #2 comedy on American television, former cruise ship guitarist, composer of the Teenage Mutant Ninja Turtles theme song, and recently antagonist of Charlie Sheen.
Tom Bissell New Yorker Dec 2010 25min Permalink
Driving cross-country in a chemical tanker.
John McPhee New Yorker Feb 2003 50min Permalink
How and why Zappos works.
Alexandra Jacobs New Yorker Dec 2009 15min Permalink
Manny Ramirez is a deeply frustrating employee, the kind whose talents are so prodigious that he gets away with skipping meetings, falling asleep on the job, and fraternizing with the competition.
Ben McGrath New Yorker Apr 2007 25min Permalink
How France’s public schools became the battleground in a culture war.
Jane Kramer New Yorker Nov 2004 40min Permalink
A profile of Chinese artist Ai Weiwei.
Evan Osnos New Yorker May 2010 35min Permalink
On David Milch; Yale fraternity brother of George W. Bush, literature professor, longtime junkie, creator of NYPD Blue, Deadwood (which was in production when this profile was written), and the forthcoming racetrack-set HBO series Luck.
Mark Singer New Yorker Feb 2005 40min Permalink
A profile of a pre-30 Rock Tina Fey.
Virginia Heffernan New Yorker Nov 2003 20min Permalink
A profile of Sabrina Harman, the soldier who took many of the notorious Abu Ghraib photographs.
Errol Morris, Philip Gourevitch New Yorker Mar 2008 45min Permalink
On the ground in post-disaster Japan.
Evan Osnos New Yorker Mar 2011 20min Permalink
Barry Michels is Hollywood’s most successful therapist cum motivation coach with an approach that combines Jungian psychology, encouraging patients to embrace their dark side, and “three-by-five index cards inscribed with Delphic pronouncements like THE HIERARCHY WILL NEVER BE CLEAR.”
Dana Goodyear New Yorker Mar 2011 20min Permalink
Hollywood makes bad movies because “rotten pictures make money.”
Pauline Kael New Yorker Jun 1980 25min Permalink
The definitive story of a ubiquitous software. PowerPoint’s origins, its evolution, and its mind-boggling impact on corporate culture.
Ian Parker New Yorker May 2001 20min Permalink
A profile of the (now former) director of the House of Dior, John Galliano.
Michael Specter New Yorker Sep 2003 30min Permalink
On the future of the liberal Israeli newspaper Haartez.
David Remnick New Yorker Feb 2011 45min Permalink
On Colonel Muammar Qaddafi, “the permanent revolutionary,” and his son Seif.
Andrew Solomon New Yorker May 2006 55min Permalink
How focusing on the neediest patients could radically reduce health care costs.
Atul Gawande New Yorker Jan 2011 35min Permalink
A grandmother from Chicago, she’s one of those people who knows everybody. And those people who know everybody, the connectors, make the world work. A study of the power of (offline) social networking.
Malcolm Gladwell New Yorker Jan 1999 35min Permalink
On the dilemmas facing a (very famous) working mother in New York City. “It is less dangerous to draw a cartoon of Allah French-kissing Uncle Sam—which, let me make it very clear, I have not done—than it is to speak honestly about this topic.”
Tina Fey New Yorker Feb 2011 Permalink
The story of three months spent training reporters in Saudi Arabia, where the press is far from free. “I suspected that behind the closed gates of Saudi society there was a social revolution in the making. With some guidance, I thought, these journalists could help inspire change.”
Lawrence Wright New Yorker Jan 2004 Permalink
On the Cairo knifing of 82-year-old Nobel Prize winner Naguib Mahfouz and its aftermath.
Mary Anne Weaver New Yorker Jan 1995 55min Permalink
A profile of Arianna Huffington.
Lauren Collins New Yorker Oct 2008 40min Permalink
Reporting from inside the Church’s Celebrity Centre in Los Angeles.
Dana Goodyear New Yorker Jan 2008 20min Permalink
During his 35 years as a member of the Church of Scientology, Oscar-winning writer and director Paul Haggis went “all the way to the top.” The story of why he left, and what happened once he did.
Lawrence Wright New Yorker Jan 2012 1h40min Permalink