The Movie Set That Ate Itself

Inside the five-year (so far) production of the Ilya Khrzhanovsky film Dau:

Khrzhanovsky came up with the idea of the Institute not long after preproduction on Dau began in 2006. He wanted a space where he could elicit the needed emotions from his cast in controlled conditions, twenty-four hours a day. The set would be a panopticon. Microphones would hide in lighting fixtures (as they would in many a lamp in Stalin's USSR), allowing Khrzhanovsky to shoot with multiple film cameras from practically anywhere — through windows, skylights, and two-way mirrors. The Institute's ostensible goal was to re-create '50s and '60s Moscow, home to Dau's subject, Lev Landau. A Nobel Prize–winning physicist, Landau significantly advanced quantum mechanics with his theories of diamagnetism, superfluidity, and superconductivity. He also tapped epic amounts of ass.

Dispatch From Angola: Faith-Based Slavery in a Louisiana Prison

A first-person account of Louisiana’s prison rodeo in which:

...thousands of visitors drive down this road toward an inmate-constructed, 10,000-seat arena to watch Louisiana’s most feared criminals compete in harrowing events like “convict poker” (four prisoners sit around a card table and are ambushed by a bull; last one seated wins); “guts and glory” (a poker chip is tied to the forehead of a bull and inmates try to grab it off); and the perennial crowd pleaser, “bull riding.” Prisoners can win prize money, but have no chance to practice before entering the ring.

The Stoner Arms Dealers

Working with nothing but an Internet connection, a couple of cellphones and a steady supply of weed, the two friends — one with a few college credits, the other a high school dropout — had beaten out Fortune 500 giants like General Dynamics to score the huge arms contract.