Fantasia for Piano

Joyce Hatto, unknown to even the most ardent classical music collectors until late in her life, released a string of incredible performances of great works, distributed by her husband’s mail-order CD business. But how was it possible for her to record difficult works at such a dizzying rate? And if wasn’t her playing, who was it?

By Analogy

An interview with Douglas Hofstadter, who after winning the Pulitzer for Gödel, Escher, Bach retreated into the lab and published only sparingly in technical journals, on what it would mean if a program could generate humor and/or masterful compositions.