How Adam Neumann turned WeWork into a $47 billion business.

An exposé of extralegal killing.

Freedom, the GOP, and a rhesus macaque on the loose.

An essay about the weeks after the author’s brother nearly died.

As early as 1948, the Oscars sucked.

A long-dormant police investigation gives the case new life.

Swept out to sea by a riptide, a father and his 12-year-old autistic son struggle to stay alive. As night falls, the dad comes to a devastating realization: If they remain together, they’ll drown together.

A literary exploration of Obama’s voice.

On the campaign trail with Richard Nixon.

Retracing Hunter S. Thompson’s steps 40 years later.

“Editing is crucial because in my experience anything you try to make - what YOU want is for the story to be AMAZING. But what the story wants to be is MEDIOCRE OR WORSE. And the entire process of making the story is convincing the story to not be what it wants to be, which is BAD.”

On the Red Sox’s historic implosion:

Drinking beer in the Sox clubhouse is permissible. So is ordering take-out chicken and biscuits. Playing video games on one of the clubhouse’s flat-screen televisions is OK, too. But for the Sox pitching trio to do all three during games, rather than show solidarity with their teammates in the dugout, violated an unwritten rule that players support each other, especially in times of crisis.

A profile of Mike Nichols.

The editors of N+1 recap the revolution that is/was the internet with pit-stops to survey the Bolshevik Revolution, the NYT’s messy relationship with tech, and the value of an ad.

A wide-ranging chat with the magazine editor.

How to photograph Los Angeles from a helicopter.

A surprising trip into the propaganda machine.

A reporter on his first time covering a disaster.

A week at Coachella with the rapper and some mushrooms.

What the Democratic Party could learn from first-term Congresswoman Katie Porter.

An interview on craft.

Immigrant farmers are flocking to the poultry industry – only to become 21st-century sharecroppers for companies like Tyson.

Who gets out alive when disaster strikes? The people who can afford it.

“It’s odd, the older I get, the more I remember.”