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The Gary Oldman Story That Almost Wasn't

The strange saga of a 2009 Gary Oldman profile that his manager, Douglas Urbanski, aggressively sought to kill.

"Mr. Heath's motives are dishonest in the least...supposed 'journalism' at its very lowest...while Mr. Heath may find his sloppy reporting cute, in fact it is destructive, and he knows it...his out of context and uninformed pot shots...out of context swipes at me...stretching the most basic rules of journalism...in certain ways has aspects of a thinly disguised hit piece... a hole filled swiss cheese of wrong facts, misleading insinuations, and in general lazy, substandard, agendized non-reporting...again and again Mr. Heath attempts to turn the piece into a political piece...GQ has allowed Heath to go for the cheap shot..."

Doree Shafrir is a co-host of podcast Forever35, the former executive editor of Buzzfeed, and the author of the new memoir Thanks for Waiting: The Joy (& Weirdness) of Being a Late Bloomer.

”Right now I can make my living from podcasting, but I don’t know what the advertising market for podcasts is going to look like in five years or even one year. The blog advertising market cratered. So one of the challenges of being my own ‘brand’ is that I always do have to think about, what is the next thing? Because in my experience in media, nothing is ever good for too long.”

Thanks to Mailchimp and The London Review of Books for sponsoring this week's episode.

Mitchell Prothero covers intelligence and crime for Vice News. His new podcast with Project Brazen is Gateway: Cocaine, Murder, and Dirty Money in Europe.

“I’m really interested in transnational networks—crime, intelligence. I’m fascinated by the gray. Like, when is something legal and when is something illegal? One thing with this Gateway project [was that] nobody could ever tell me that moment where money goes from absolutely being illegal to being legal.”

Lulu Miller is a former producer at Radiolab and a co-founder of Invisibilia. Her new book is Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life.

“I think almost every radio story I’ve ever done comes down to the question of me trying to ask a person how they get through this life thing. How they get through this breakup. How they get through being disabled in a family that's crushing them. How they get through having a head that's poisonous. Every story is just, Oh, what's your trick?

Thanks to Mailchimp, Literati, and Pitt Writers for sponsoring this week's episode.

Interview: Lil Wayne

GQ: Your relationship with your biological father seems complicated. Lil Wayne: He don't give a shit about me. And I don't give a shit about him. I know his friends be like, "Damn, nigga. That is not your son. Stop lying. Nigga, you could be living in a motherfucking ranch right now, nigga." You know, whatever your father's into, if you're rich, you're gonna get him that shit. I would've got that nigga all kinda harnesses, ranches—you know what I mean? I saw the nigga recently—I had a show in New Orleans. And I ain't afraid to put this out there, 'cause this is just how much I don't give a fuck about a nigga, and I want people to see how you're not supposed to be. I was parked at the hotel, and I saw him walking outside the hotel. Just walking back and forth. I'm like, "Look at this nigga! You gotta be looking for me." If Lil Wayne got a show in New Orleans, the whole of New Orleans knows. Basically, you're not there for nothing else but me. So I call my man on the bus. I'm like, "Nigga, that's my daddy." He's like, "Word? Oh shit. That nigga looks just like you!" So I tell my man, "Go see what's up." So my man goes to holla at him. He tells my man, "Oh. I didn't know y'all was here. I'm here waiting for this little ho to get o¬ff. Get off¬ work from the hotel." For real? That's when I was like, "Typical Dwayne Carter." So that's what's up with me and my real father. I don't want to look like his ass, but I do.

Eva Holland is a freelance journalist and a correspondent for Outside. Her new book is Nerve: Adventures in the Science of Fear.

“I'm less caught up in my freelance career anxieties every day that this goes on. Maybe I'll become a paramedic, who knows? Magazines I write for are already shutting down because of this. You can only freak out so much before you decide that if you end up having to find a new way to make a living, that's what you'll do.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

Starlee Kine is a contributor to This American Life and the New York Times Magazine.

"There's a fearlessness I had when I was younger that I don't have now ... It threw me into a crisis, the Internet in general. You're more cautious about what you kind of have out there. There's that, that I just don't want people to know every single thing anymore, but there's [also] an inner fear that did not exist before, an inner censoring that was not there."

Thanks to TinyLetter for sponsoring this week's episode!

Stephanie McCrummen is a national enterprise reporter at The Washington Post.

“I do have to psych myself up. There’s always something awkward about it and that never goes away. … No matter how long I do this job, that part of it doesn’t get any easier. It’s always a bit awkward and you’re always sort of humbled when someone actually is willing to talk to you. Then it can be kind of thrilling, once you’re in it, once you’re actually in the conversation. ... But the moment a few seconds before that is still—to this day, it’s sort of an act of will.”

Thanks to Mailchimp and Squarespace for sponsoring this week's episode.

Long Day's Journey

Two weeks spent walking across Provence.

There is something about entering an ancient town on foot that's radically different from entering the same place by car. Keep in mind that these old French towns were all designed by people on foot for people on foot. So when you walk in, you're approaching the place as it was intended to be approached—slowly and naturally, the way Dorothy came upon Oz (spires rising in the distance, a sense of mounting mystery: What kind of city will this be?).

Can You Call a 9-Year-Old a Psychopath?

New research on children’s behavior.

The idea that a young child could have psychopathic tendencies remains controversial among psychologists. Laurence Steinberg, a psychologist at Temple University, has argued that psychopathy, like other personality disorders, is almost impossible to diagnose accurately in children, or even in teenagers — both because their brains are still developing and because normal behavior at these ages can be misinterpreted as psychopathic.

Chuck Klosterman is a journalist and author of eleven books, including his latest, The Nineties.

”Selling out… was very much injected into the way I understood the world…. And I am now supposed to do all of these interviews and all of these podcasts promoting this book. And because it's a book about the nineties… it feels incredibly uncomfortable to me…. I think young people assume that selling out is only about money: that if you try to do something to make money, that means you're selling out, because the word ‘sell’ is in there. But that's not really how it was. I mean, what you were selling out was this idea of your integrity. And what your integrity was, was somehow not doing anything to make other people like you.”