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The Movie Set That Ate Itself

Inside the five-year (so far) production of the Ilya Khrzhanovsky film Dau:

Khrzhanovsky came up with the idea of the Institute not long after preproduction on Dau began in 2006. He wanted a space where he could elicit the needed emotions from his cast in controlled conditions, twenty-four hours a day. The set would be a panopticon. Microphones would hide in lighting fixtures (as they would in many a lamp in Stalin's USSR), allowing Khrzhanovsky to shoot with multiple film cameras from practically anywhere — through windows, skylights, and two-way mirrors. The Institute's ostensible goal was to re-create '50s and '60s Moscow, home to Dau's subject, Lev Landau. A Nobel Prize–winning physicist, Landau significantly advanced quantum mechanics with his theories of diamagnetism, superfluidity, and superconductivity. He also tapped epic amounts of ass.

The Lost Man

In 1948, a man was found on a beach in South Australia. The circumstances of his death and his identity were rich with mystery. When an amateur sleuth became obsessed, he could not imagine where the clues would lead him.

The Case for Web Literacy

A conversation with Douglas Rushkoff, whose goal is to foster a deeper awareness among consumers of digital media.

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“The whole reason to have a media-literate population is so that people can tell the difference between genuine connectivity and mediated or manufactured connectivity. Most people can’t.”

The New Negro

“Missy (Misdemeanor) Elliott, the twenty-five-year-old hip-hop performer who is energetically redefining the boundaries of rap music, is a singer, a songwriter, an arranger, a producer, and a talent scout. Six months ago, few people outside the music industry had heard of her; six months from now, it will be necessary to pretend that you’ve known about Missy Elliott for years.”