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Broken Windows

The landmark article that changed the way communities were policed:

This wish to "decriminalize" disreputable behavior that "harms no one"- and thus remove the ultimate sanction the police can employ to maintain neighborhood order—is, we think, a mistake. Arresting a single drunk or a single vagrant who has harmed no identifiable person seems unjust, and in a sense it is. But failing to do anything about a score of drunks or a hundred vagrants may destroy an entire community. A particular rule that seems to make sense in the individual case makes no sense when it is made a universal rule and applied to all cases. It makes no sense because it fails to take into account the connection between one broken window left untended and a thousand broken windows.

Bank of America: Too Crooked to Fail

Anyone who wants to know what the Occupy Wall Street protests are all about need only look at the way Bank of America does business. It comes down to this: These guys are some of the very biggest assholes on Earth. They lie, cheat and steal as reflexively as addicts, they laugh at people who are suffering and don't have money, they pay themselves huge salaries with money stolen from old people and taxpayers – and on top of it all, they completely suck at banking. And yet the state won't let them go out of business, no matter how much they deserve it, and it won't slap them in jail, no matter what crimes they commit. That makes them not bankers or capitalists, but a class of person that was never supposed to exist in America: royalty.

Keeping Up With The Times

How New York Times is clawing its way into the future:

The main goal is... to transform the Times’ digital subscriptions into the main engine of a billion-dollar business, one that could pay to put reporters on the ground in 174 countries even if (OK, when) the printing presses stop forever. To hit that mark, the Times is embarking on an ambitious plan inspired by the strategies of Netflix, Spotify, and HBO: invest heavily in a core offering... while continuously adding new online services and features... so that a subscription becomes indispensable to the lives of its existing subscribers and more attractive to future ones.

The Redemption of Justin Bieber

“And while maybe you don’t care if Justin Bieber ever does make his way back to a kind of normalcy, perhaps you can admit there is at least something admirable, in the abstract, about someone finding a way to survive, and even to become kind, when all they’ve been taught since a young age, by millions of adoring people, is that there is no need for them to be kind at all. And if that doesn’t move you, then maybe you can at least find sociological interest in the process that Bieber is about to recount here, which is how you turn into someone you don’t want to be, and what you do about it once you decide you want to be someone else. Someone better, even.”

Hanif Abdurraqib is a poet, essayist, and critic whose work has appeared in The New Yorker, The New York Times Magazine and many other publications. His new book is A Little Devil in America: In Praise of Black Performance.

“I learn from hearing my elders tell stories. There’s an inherent knowing of yourself as a vessel for narration who also has to—is required to—hold the attention of others at all costs. And that’s essentially what I’m trying to do. The broader project of my writing is almost a constant pleading of: Don’t leave yet. Stay here with me for just a little bit longer.

Lynsey Addario is a photojournalist for The New York Times and National Geographic. She won the George Polk award for her photograph of the bodies of a woman and her two children alongside a friend who lay dying moments after a mortar struck them as they sought to flee Ukraine.

“If I have time to compose a photo—even if it's of a horrific topic—I will always try to make the most beautiful photograph because I want people to look. I want people to ask questions, to be engaged, to pay attention. And often, that does mean the intersection of beauty and horror.”

This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

The Longform Guide to High School

From football fields in Texas to the real Ridgemont High, a collection of picks to help remember a time you might rather forget.

The Longform Guide to Animal Attacks

From grizzlies in Alaska to whales at SeaWorld, a collection stories of animals turning on humans.

Playboy Interview: Marshall McLuhan

Today, in the electronic age of instantaneous communication, I believe that our survival, and at the very least our comfort and happiness, is predicated on understanding the nature of our new environment, because unlike previous environmental changes, the electric media constitute a total and near-instantaneous transformation of culture, values and attitudes.

The Secret History of Iraq’s Invisible War

In the early years of the Iraq war, the U.S. military developed a technology so secret that soldiers would refuse to acknowledge its existence, and reporters mentioning the gear were promptly escorted out of the country. That equipment—a radio-frequency jammer—was upgraded several times, and eventually robbed the Iraq insurgency of its most potent weapon, the remote-controlled bomb.

Girls at War

On a group of teenage believers raised in settlements on the West Bank:

They say it takes one generation to found a new language. These girls are a new language, believing that they belong to the land on which they were born, and sponsored by the government they despise, which pays for their roads and electricity.

American Everyman

How Warren Buffett’s public image has aided his success.

As a successful investor, he merely moved markets; but as the charismatic, reassuring, quotable prototype of the honest capitalist (a sort of J. P. Morgan with a moral sense), he's capable of influencing elections, galvanizing rock-concert-size crowds, and in general defining how we Americans feel about the system that underlies our wealth.