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The Cloud Appreciation Society

I first learned about cloud lovers in a police report concerning a man who received a blowjob from a young woman and went mad. The man — let's call him Carl (police reports have the names of suspects and victims redacted) — was in his 40s, and the woman, let's call her Lisa, was almost 18. The two first met in the fall of 2003 at a local TV station that was holding a contest to find the best video footage of Northwest clouds. According to the report, which was lost when I cleaned my messy desk in 2005 (I'm recalling all of this from an imperfect memory), Carl, who was married and well-to-do, fell in love with Lisa, whose family was not so well-off, upon seeing her for the first time. He had a videocassette in his hand; she had a videocassette in her hand. He showed his tape to the station's weatherman (sun, sky, clouds). She showed hers (clouds, sky, sun). During the contest, his eyes could not escape her beauty. After the contest, the impression she made on his mind intensified. That bewitching coin in the short story by Jorge Luis Borges, "The Zahir," comes to mind. If a person sees this coin only once, the memory of its image begins to more and more dominate his/her thoughts and dreams. Soon the coin becomes the mind's sole reality. Lisa's face was Carl's Zahir.

Jason Motlagh, a journalist and filmmaker, is a contributing editor at Rolling Stone and the founder of Blackbeard Films. He won the Polk's Sydney Schanberg Prize for “This Will End in Blood and Ashes,” an account of the collapse of order in Haiti.

“Once you've gotten used to this kind of metabolism, it can be hard to walk away from it. Ordinary life can be a little flat sometimes. And so that's always kind of built in. I accept that. I think I've just tried to be more honest about like, [am I taking this risk] because I need a bump my life? Or do you really believe in what you're doing? And I feel like I really do need to believe in the purpose of the story. There has to be some motivation greater than myself."

This is the last in a series of conversations with winners of this year's George Polk Awards in Journalism.