Before the viewing ends at 4 p.m., 975 people pass through the evidence rooms, many of them former students, survivors, and friends and relatives of the dead. Absent, as they have consistently been in the five years since the massacre, are Wayne and Kathy Harris, Eric's parents, and Tom and Sue Klebold, who raised Dylan. Although they live in the same Littleton-area homes they occupied on April 20, 1999, they have contributed virtually nothing to the public's understanding of who their sons were and why they killed.

How is Canada’s “post-AIDS” generation coping? Not that well.

[I]n some ways we are still hopelessly lost. A generation of men who could have been our mentors was decimated. The only thing we learned from observing them was to ruthlessly identify “AIDS face,” that skeletal appearance the early HIV drugs wrought on patients by wasting away their bodily tissues. But those faces grow more rare each day.

On the people who were working at Logan Airport when the hijacked flights departed:

They are the rarely noticed casualties of the terrorist attacks: the security guard, the ticket agent, the baggage handler on the ramp. They made it home that night, but with images they couldn’t shake, a pain uncomfortable to voice. They can’t believe it has been 10 years. They can’t believe it has only been 10 years.

"Serial systems and their permutations function as a narrative that has to be understood. People still see things as visual objects without understanding what they are. They don’t understand that the visual part may be boring but it’s the narrative that’s interesting. It can be read as a story, just as music can be heard as form in time. The narrative of serial art works more like music than like literature."

On the Red Sox’s historic implosion:

Drinking beer in the Sox clubhouse is permissible. So is ordering take-out chicken and biscuits. Playing video games on one of the clubhouse’s flat-screen televisions is OK, too. But for the Sox pitching trio to do all three during games, rather than show solidarity with their teammates in the dugout, violated an unwritten rule that players support each other, especially in times of crisis.

On Terri Schiavo, “persistent vegetative state,” and life or death decisions:

Imagine it. You are in your early twenties. You are watching a movie, say on Lifetime, in which someone has a feeding tube. You pick up the empty chip bowl. “No tubes for me,” you say as you get up to fill it. What are the chances you have given this even a passing thought?

The Green Bay Packers are a historical, cultural, and geographical anomaly, a publicly traded corporation in a league that doesn’t allow them, an immensely profitable company whose shareholders are forbidden by the corporate bylaws to receive a penny of that profit, a franchise that has flourished despite being in the smallest market in the NFL—with a population of 102,000, it would be small for a Triple A baseball franchise.

A pilgrimage to J.D. Salinger’s New Hampshire home:

The silence surrounding this place is not just any silence. It is the work of a lifetime. It is the work of renunciation and determination and expensive litigation. It is a silence of self-exile, cunning, and contemplation. In its own powerful, invisible way, the silence is in itself an eloquent work of art. It is the Great Wall of Silence J.D. Salinger has built around himself.

An essay on working at Sotheby’s.

Art pricing is not absolute magic; there are certain rules, which to an outsider can sound parodic. Paintings with red in them usually sell for more than paintings without red in them. Warhol’s women are worth more, on average, than Warhol’s men. The reason for this is a rhetorical question, asked in a smooth continental accent: “Who would want the face of some man on their wall?”

How reality TV has changed tattooing.

Tattoos and tattoo artists have an undeniable power to attract, repulse, and intimidate. But when confronted with all this life and color, reality TV steamrolls it into the familiar “drama” of preening divas and wounded pride. “Everybody thinks they’re gonna change it,” said Anna Paige, an artist who said she’d turned down her chance at TV stardom. “Everybody thinks they’re gonna have some power.” But wait, isn’t she profiting from tattooing’s mass appeal? “I would have made money anyway.”

On the evening of November 7th 1974, the 7th Earl of Lucan, an inveterate gambler and Backgammon champion with a taste for power boats, snuck into his estranged wife’s basement. He then bludgeoned their nanny with a lead pipe and placed her in a canvas sack, before attempting to murder his wife. Recognizing his voice, she convinced him that she could him escape, then slipped out a bathroom window. Lord Lucan was never seen again.

“People who didn’t live pre-Internet can’t grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark. I stopped in the middle of the SAT to memorize a poem, because I thought, This is a great work of art and I’ll never see it again.”

Mary Bacon took a bullet while pilfering fruit as a child. Mary Bacon dropped out of school in the sixth grade and was pregnant by age 16. Mary Bacon had a romantic relationship with Ku Klux Klan Grand Wizard David Duke. Mary Bacon was kidnapped by a stalker. That same stalker later tried to shoot her with a gun. Not all of those sentences are complete horseshit.