Showing 25 articles matching fk33.cc_What is the price of magnesium sulfate heptahydrate large granules.
Paul Skalnik has a decades-long criminal record and may be one of the most prolific jailhouse informants in U.S. history. The state of Florida is planning to execute a man based largely on his word.
Mac McClelland is a human rights reporter for Mother Jones.
"There's a lot of strength and resiliance even in the worst stories ever. I mean, you do get bogged down by how much evil so many people are willing to perpetrate in the world. But I guess the little beam of sunshine that you're looking for, that hits me in the face in the morning, is just the character and intergrity of the people who are involved. "
A doctor loses the woman of his dreams and hires a broke friend to help get her back. The plan is to prank her new boyfriend. Today, they’re in jail for murder.
When I say I have a crush on you, what I’m saying is that I’m in love with the distance between us. I’m not in love with you: I don’t even know you. I’m in love with the escape that fantasizing about you promises. Poisoned, stung, bitten and bridled. The promise of being ground down until I disappear.
“Some companies are beginning to allow women to take their management-training courses. A woman sitting in on an executive conference is less of a shock to the male than she was only a few years ago. A few big companies–R.C.A., the Home Life Insurance Co., and the New York Central, for example–have even ushered women into the board room.”
Jeff Goodell is a climate change writer for Rolling Stone and the author of seven books. His new book is The Heat Will Kill You First: Life and Death on a Scorched Planet.
“I would not have said this even five years ago, but I have really come to see this now as a crime story. This is a kind of looting of the atmosphere of the earth, siphoning off resources and grossly profiting off of that at the expense of many other people—billions of people—on this planet. And I understand that’s a big thing to say, but I think it’s just pretty obviously true. … I don’t mean that personally that each one of them personally is a criminal. We are all complicit in this.”
Dean Baquet is executive editor of The New York Times.
"I always tried to question what is the difference between what is truly tradition and core, and what is merely habit. A lot of stuff we think are core, are just habits. The way we write newspaper stories, that’s not core, that’s habit. I think that’s the most important part about leading a place that’s going through dramatic change and even generational change. You’ve got to say, here’s what’s not going to change. This is core. This is who we are. Everything else is sort of up for grabs."
Thanks to Mailchimp and Apple Books for sponsoring this week's episode.
Julie K. Brown is an investigative reporter for the Miami Herald. Her new book is Perversion of Justice: The Jeffrey Epstein Story.
“No reporter wants to be a part of the story. ... But the one thing I know is that the authorities weren't going to do anything about this unless it stayed in the news and there was pressure. And I thought the only way to do pressure was to continue to write stories and to be in their face by going on TV. So I took advantage of the fact that I am sort of a part of this story in the hope that it would pressure authorities to do something about it.”
Paul Simon’s Graceland at 25.
The Paul Simon who, on a bus en route to New York City told his sleeping girlfriend that he was empty and aching and he didn’t know why, that Simon belongs to our parents. My generation may love him but he’s not ours. The Simon who is soft in the middle (or at least feels an affinity for men who happen to be), however, the one who reminds young women of money, who has been divorced and has a kid to prove it, and who has the means to catch a cab uptown and take it all the way downtown talking dispassionately while doing so about the comings and goings of breakdowns, that Simon belongs to us as much as he does to our folks because he is our folks.
Why Whitney is Lucy, only less lovable:
This may sound like blasphemy to anyone who loves Lucille Ball, the woman who pioneered the classic joke rhythms that Whitney Cummings so klutzily mimics. Cummings has none of Ball’s shining charisma or her buzz of anarchy. Yet she does share Lucy’s rictus grin, her toddler-like foot-stamping tantrums, and especially her Hobbesian view of heterosexual relationships as a combat zone of pranks, bets, and manipulation from below. “This is war,” Whitney announces, before declaring yet another crazy scheme to undercut her boyfriend, and it might as well be the series’ catchphrase.
Anita Hill is a professor and author. Her new book is Believing: Our Thirty-Year Journey to End Gender Violence.
"I really do feel that my life now has purpose. And my responsibility really is to live out that purpose as much as possible. The reason that this isn’t entirely daunting is that I realize I am one individual. And that the issues will not depend on me entirely. … But I also realize that every person who has the opportunity should be involved, and that includes me."
Audie Cornish is a journalist and the former host of NPR’s All Things Considered. Her new CNN Audio podcast is The Assignment.
“I think there is journalism inherent in an interview. Like the interview itself should be considered a piece of journalism. It isn't always. Sometimes the vibe is that it’s a little window dressing or that it's personality driven and I don't subscribe to that. I think that it has its own journalism. It's my journalism.”
A group of volunteers is helping incarcerated people negotiate a system that is all but broken.
Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates.
“You can imagine this having never become a problem, because it’s so weird. What a weird scam. I’m going to print and sell tens of thousands of paper license plates. But someone figured it out. And then a lot more people followed. It just exploded.”
This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Matthieu Aikins, on the eve of a move to Kabul. Aikins is a correspondent for GQ, Harper's and Wired.
"There's no real objective framework for deciding what the value of your life is, versus the value of a story ... Especially when you go to places where people are getting killed for the silliest reasons, and a life is worth so little, you realize you don't necessarily have to value yourself as this, like, precious commodity that can't be risked in any way. And that's just a personal choice, and it's actually a very selfish one, because obviously, if you have loved ones, you're affecting them by making that choice. In any case, it's just a different headspace that you inhabit."
Brooke Gladstone is the host of On the Media.
“I’ve learned so much about how easy it is to redefine reality in this era of billions of filter bubbles. How easy it is to cast doubt on what is undeniably true. And I think that that’s what frightens me the most. I actually think that’s what frightens most people the most. How do we make sure that we all live in the same world? Or do we?”
Thanks to MailChimp, Texture, and School of the Art Institute of Chicago for sponsoring this week's episode.
The author interviews England in prison:
By now, people all over the world have heard of Lynndie England. She's the "Small-Town Girl Who Became an All-American Monster," as one Australian newspaper headline described her, or "the girl with a leash," as Mick Jagger calls her in the song "Dangerous Beauty." Yet England remains a mystery. Is she a torturer? A pawn? Another victim of the Iraq war? While the world weighed in, England said very little.
Amel Guettatfi and Julia Steers won this year's George Polk Award for Television Reporting for “Inside Wagner,” their Vice News investigation of Russian mercenaries on the Ukraine front and in the Central African Republic.
“One of the best takeaways I got from seven or eight years at Vice is that it’s not enough for something to be important when you’re figuring out how to make a story. It’s the intersection of important and interesting. And that has taught me that people will watch anything, anywhere, as long as it’s interesting. Nobody owes us their time. The onus is on us to explain things in an interesting, compelling way. I’m hoping that a landscape opens up somewhere else that sees that and understands that can be done anywhere in the world.”
This is the first in a week-long series of conversations with winners of this year’s George Polk Awards in Journalism.
Decades after the body of beauty queen Irene Garza was pulled from an irrigation canal, there is still only one suspect: John Feit, the priest who heard her final confession.
In the latest revelation from Edward Snowden, the U.S. government is shown to collect and retain massive amounts of data on nearly 900,000 people with the most minimal of connections to official NSA targets. The collected information tells our “stories of love and heartbreak, illicit sexual liaisons, mental-health crises, political and religious conversions, financial anxieties and disappointed hopes.”
Robert McKee is an author and screenwriting lecturer. His new book is Character: The Art of Role and Cast Design for Page, Stage, and Screen.
”When I'm in conversation with others, I'm always aware—or sensitive, at least—to what they're really thinking and feeling. And writers must have that. They can't possibly create excellent nonfiction or fiction if they're not aware of what is going on inside of other people, really, even subconsciously, while they go about saying whatever they do consciously in the world. Because if you just recorded the surface, if you were just paying attention to the surface, you'd be missing the whole show.”
Thanks to Mailchimp for sponsoring this week's episode.
Vauhini Vara is a contributing writer at Wired and author of the novel The Immortal King Rao.
“With a magazine story, it might be like six months or a year or two, if it's something that took you a long time. With this [novel], it was 13 years for me, but the sort of emotional arc felt similar, where there were these periods of despair and a sense that like, this wasn't going anywhere, and then these periods where like, I'm a genius and this is going to be the best book ever written. You go back and forth, as we do with our journalism. But then with every draft of it, I always felt like, all right, this is better than the last draft at least. I don't know what the next one is going to look like, but this is definitely an improvement. And I feel like that's what kept me feeling like I was at least moving in the right direction.”
Roger Bennett is a co-host of Men In Blazers and the author of (Re)born in the USA: An Englishman's Love Letter to His Chosen Home.
“So much of my work is about human tenacity. That value of perseverance, of driving onwards. I believe life is about darkness and happiness. I believe that nothing is given, you fight for everything. And how you operate in moments of doubt and darkness ultimately define you. So I talk a lot as a professional about tenacity. What I've never linked that to before was my own biography. What did surprise me when I read the book as not being about me, but just read it as a book, was how bloody tenacious I was in fleeting moments of real awfulness.”
For years, homosexuals have, for the most part, been politically apathetic. Rarely did a candidate stir their enthusiasm; when homosexuals did vote, many of the more affluent ones tended to go Republican. But now the gay and lesbian community appears to be united for the first time in a Presidential race behind a single candidate -- Bill Clinton. And the money is pouring into the Clinton campaign -- $2 million so far from identifiably gay sources, according to Democratic Party estimates. "The gay community is the new Jewish community," says Rahm Emanuel, the Clinton campaign's national finance director. "It's highly politicized, with fundamental health and civil rights concerns. And it contributes money. All that makes for a potent political force, indeed."
Ashley Feinberg is a senior writer at Slate. She recently uncovered Mitt Romney's secret Twitter account.
“The whole thing about politics is that they are basically creating this character, this mask, and that is who they are supposed to be. That is who they try to project to the world. We know that it’s not really them but we have no access to what they actually are. This is the closest we get to seeing what they’re doing when they think no one is watching. … This is the most unfiltered access to what they’re actually thinking.”
