The first entry in the City by City project, on a Baltimore funeral:

My homeboy is interred at a cemetery with a swan lake where we used to take our girls at night because it was a park with a lake and it was just over the line and in the county.

SHRIVER: Regarding your Playboy exposé, I know you've discussed this a great deal, but I'd like to ask you this: You've said that you were glad you did it. What role do you think that exposé played in your early career and the notoriety you've achieved? Is there a similar exposé that someone could do today--something that would be as shocking? STEINEM: It took me a very long time to be glad. At first, it was such a gigantic mistake from a career point of view that I really regretted it. I'd just begun to be taken seriously as a freelance writer, but after the Playboy article, I mostly got requests to go underground in some other semi-sexual way. It was so bad that I returned an advance to turn the Playboy article into a paperback, even though I had to borrow the money. Even now, people ask why I was a Bunny, Right-Wingers still describe me only as a former Bunny, and you're still asking me about it-almost a half-century later. But feminism did make me realize that I was glad I did it--because I identified with all the women who ended up an underpaid waitress in too-high heels and  a costume that was too tight to breathe in. Most were just trying to make a living and had no other way of doing it. I'd made up a background as a secretary, and the woman who interviewed me asked, "Honey, if you can type, why would you want to work here?" In the sense that we're all identified too much by our outsides instead of our insides and are mostly in underpaid service jobs, I realized we're all Bunnies--so yes, I'm glad I did it. If a writer wants to do a similar exposé now, there's no shortage of stories that need telling. For instance, go as a pregnant woman into so-called crisis pregnancy centers and record what you're told to scare or force you not to choose an abortion-including harassing you, calling your family or employer. Or pretend to be a woman with a criminal record and see how difficult it is to get a job. Or use a homeless center as an address and see what happens in your life. Or work at an ordinary service job in the pink-collar ghetto, as Barbara Ehrenreich did in Nickel and Dimed. But be warned that if you're a woman journalist and you choose an underground job that's related to sex or looks, you may find it hard to shake the very thing you were exposing.

On the personal genetic sequencing company 23andMe and why their long time term strategy is collecting spit, not cash.

On Silvio Berlusconi’s hedonism.

Berlusconi is Italy’s waning Hugh Hefner, alternately reviled and admired for his loyalty to his own appetites—except that he’s supposed to be running the country.

When spouses get upset because their husband or wife wants to be frozen upon death, it’s not because they find the practice sacrilegious. It’s because their partner is consciously considering a future without them.

I don’t want my part to get skipped over, but I still don’t know how to write directly about what went down between me and M. All I can do is worry a detail like an R&B singer worries a line.

Why little has changed in popular American style in the last 20 years.

Why is this happening? In some large measure, I think, it’s an unconscious collective reaction to all the profound nonstop newness we’re experiencing on the tech and geopolitical and economic fronts. People have a limited capacity to embrace flux and strangeness and dissatisfaction, and right now we’re maxed out.

“Kelsey’s gender identity is ‘non-binary.’ Or, ‘agender.’ It’s what Kelsey feels comfortable with, even though the world keeps insisting, in a million little ways, that Kelsey has to choose.”

“I want to tell a different story, the more common yet strangely hidden one, which is that I don’t feel guilty and tortured about my abortion. Or rather, my abortions. There, I said it.”

How 88rising is making a place for Asians in hip-hop.

When your job is to constantly share your life, even your worst moments are an opportunity to please your audience.

On lucha libre’s exóticos, “wrestlers who dress in drag and kiss their rivals, never quite revealing whether the joke is on their opponents, themselves or conservative Mexican society at large.”

Seven years after being fired from The Replacements, their founding guitarist is an thirty-three-year-old unemployed line cook living amongst memories in Minneapolis. He would be dead within two years.

“I probably am mellowing. I’m happy about that. I was a pretty angry young man, but if I were angry now, it’d be like, What the fuck is my problem? I’ve got a really terrific life. It’s so rare to be an artist in my position.”

They were raised Hasidic in Brooklyn. Now Abe Zeines and Meir Hurwitz live a decadent, booze-filled life in Puerto Rico. They are in their early 30s and rich enough to retire, while Wall Street is busy adopting the shady loan scheme they pioneered.

Thomas Hargrove is building software to identify trends in unsolved murders that can detect serial killers that police never knew existed.