Showing 25 articles matching fk33.cc_What is the price of magnesium sulfate pentahydrate in China.

James Fallows, a national correspondent for The Atlantic, and Deborah Fallows, a linguist and writer, are the co-authors of Our Towns: A 100,000-Mile Journey into the Heart of America.

“The credo of reporting—you know, what you don’t know till you show it—that’s my 'this-I-believe.' That’s the reason I’ve stayed in this line of work for this many decades because there’s nothing more fascinating that you can do but to serially satisfy your curiosity about things. What’s it like on an aircraft carrier? What’s it like in a Chinese coalmine? What’s it like in a giant data center in Wyoming? What is it like in all of these things? And journalism gives you a structural excuse to go do those.”

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Playboy Interview: Frank Sinatra

“I don’t know what other singers feel when they articulate lyrics, but being an 18-karat manic-depressive and having lived a life of violent emotional contradictions, I have an overacute capacity for sadness as well as elation. I know what the cat who wrote the song is trying to say. I’ve been there—and back. I guess the audience feels it along with me. They can’t help it. Sentimentality, after all, is an emotion common to all humanity.”

Katie J.M. Baker is a reporter for BuzzFeed News.

“I went to Steubenville a year after the sexual assault to cover their first big football game of the season and I was face-to-face with these people who I had been writing about without knowing much about them. From far away it seems like, do these details matter? Do we care if these people’s lives get messed up when the narrative is so strong, when Steubenville now stands for more awareness around rape culture? But when you’re there, of course it matters. After that piece I realized I didn’t want to blog anymore and I wanted to just focus on reporting.”

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Julia Turner is editor-in-chief of Slate.

“That’s what we’ve been focused on: trying to double down on the stuff that feels distinctive and original. Because if you spend all your time on a social platform, and a bunch of media brands are optimizing all their content for that social platform, all those media brands’ headlines say the same, all the content is pretty interchangeable. It turns media into this commodity where then what is the point of developing a media company for 20 years? You might as well take the Silicon Valley approach and just make a new one every three years for whatever that moment is.”

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My First Flame

An early take on the dark side of cyberspace:

Like many newcomers to the "net"--which is what people call the global web that connects more than thirty thousand on-line networks--I had assumed, without really articulating the thought, that while talking to other people through my computer I was going to be sheltered by the same customs and laws that shelter me when I'm talking on the telephone or listening to the radio or watching TV. Now, for the first time, I understood the novelty and power of the technology I was dealing with.

On John Ross

John Ross, rebel reporter, became the sort of devoted gringo scribe who would give up drugs and drinking in order to better write about the native revolutionaries; the sort of man who used dolls to preach armed revolution to high schoolers in the weeks after September 11th.

Buzz Bissinger, a Pulitzer Prize winner, has written for Vanity Fair, The New York Times Magazine, GQ and more. He is the author of several books, including Friday Night Lights.

"It’s quiet. And I really felt I needed that quiet. People say, 'Well anger was your edge, and agitation was your edge, and that’s going to hurt your writing.' I don’t know, maybe. It may be that in order to live a happier life you become a shittier writer. I don't know. But I just couldn't live in that fashion anymore, I just couldn't. It would've destroyed my marriage. It was destroying me."

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Boy

On the nature of violence.

When my brother was twelve, I found six mice nailed to the wall of the abandoned tree house in the woods near our apartment. He spent a lot of time there. It seemed to me the little mouse faces were frozen in agony. As though they’d been alive when he’d hammered the nails through them.

Jad Abumrad is the co-creator and host of Radiolab. His latest podcast is Dolly Parton's America.

“There’s a way in which, I think, it felt more honest to be more confused in our stories. So that’s where we went.”

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