Showing 25 articles matching fk33.cc_Which are the Chinese suppliers of Magnesium sulfate pentahydrate for industrial use.

A Free Man in LA

A profile of Justin Timberlake:

This need to succeed, to become his generation’s multi-talented Sammy Davis Jr., is part of what makes him appealing to filmmakers. “I needed someone who could be a Frank Sinatra figure, someone who could walk into the room and command all the attention,” says David Fincher, of casting Timberlake as Sean Parker, the Facebook investor and rogue, in The Social Network. “I didn’t want someone who would just say, ‘I know how to play groovy.’ You can’t fake that stuff. That’s the problem with making movies about a rock star—actors have spent their lives auditioning and getting rejected, and rock stars haven’t.”

Crass Warfare

Why Whitney is Lucy, only less lovable:

This may sound like blasphemy to anyone who loves Lucille Ball, the woman who pioneered the classic joke rhythms that Whitney Cummings so klutzily mimics. Cummings has none of Ball’s shining charisma or her buzz of anarchy. Yet she does share Lucy’s rictus grin, her toddler-like foot-stamping tantrums, and especially her Hobbesian view of heterosexual relationships as a combat zone of pranks, bets, and manipulation from below. “This is war,” Whitney announces, before declaring yet another crazy scheme to undercut her boyfriend, and it might as well be the series’ catchphrase.

Balanced Diets

On the history and study of pica:

Indeed, we have long defined ourselves and others by what we do and do not eat, from kashrut dietary restrictions described in Leviticus to the naming of Comanche bands (Kotsoteka—buffalo eaters, Penateka—honey eaters, Tekapwai—no meat) to insults—French frogs, English limeys, German krauts. But poya seemed to beg a different question: what was one to make of people who ate food that wasn’t food at all?

Patricia Evangelista is a trauma journalist whose coverage of the drug war in the Philippines has appeared in Rappler, Esquire, and elsewhere. Her recent book is Some People Need Killing: A Memoir of Murder in My Country.

“It is hard to describe the beat I do without saying very often it involves people who have died. And it seemed like an unfair way to frame it. It didn't quite seem right. … Sometimes there's no dead body, or sometimes there's 6,000, but the function is the same: that the people you speak to have gone through enormous painful trauma, and then there's a way to cover it that minimizes that trauma. So … I don't cover the dead. I cover trauma.”