All of the books about all of the David Bowies:

There are more and more books like this these days: rock histories and encyclopedias, stuffed with information, compendiums of every last detail from this or that year, era, genre, artist – time pinned down, with absolutely no anxiety of influence. And while it would be churlish to deny there is often a huge amount of valuable stuff in them, I do think we need to question how seriously we want to take certain lives and kinds of art – and how we take them seriously without self-referencing the life out of them, without deadening the very things that constitute their once bright, now frazzled eros and ethos.

In Afghanistan and other zones of international crisis with John Kerry:

Why, then, does Kerry bother? Why is he racing back and forth to put out the fires being set by a serial arsonist? I asked him about this on the short flight from Kabul to Islamabad. Kerry tried to put the best possible face on what he had learned. Despite the warlords in Kabul, he said, Karzai had appointed some talented officials at the provincial and district levels. “It’s a mixed bag,” he concluded gamely. Kerry knew Karzai’s failings as well as anyone, but he was not prepared to abandon Afghanistan’s president, because he was not prepared to abandon Afghanistan. But why not?

Gainsbourg decked out his home at 5 Rue de Verneuil in Saint Germain all in black, inspired by a time when he was younger when he'd somehow got the keys to Salvador Dali's house and made love to his first wife in every room while Dali was away. He even stole a small token souvenir in the form of a picture from Dali's porn collection. (Serge was obsessed with Dali and the pair later became friends. The title of 'Je T'Aime... Moi Non Plus' - roughly translated as 'I love you, me neither' - was inspired by something Dali was once supposed to have said: "Picasso is Spanish - so am I; Picasso is a genius - so am I; Picasso is a communist - me neither.")

A brutal assault and the struggle for justice at the University of Virginia.

Note 12/5/14: Rolling Stone has stated that they now doubt details of the facts reported in "A Rape on Campus."

More information is available in T. Rees Shapiro's "U-Va. Fraternity to Rebut Claims of Gang Rape in Rolling Stone" from The Washington Post.

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A profile of the late actor-turned NRA president:

A figure emerges from the wings, more than six feet tall but appearing shorter, his torso inclined forward. Speedo propylene beach slippers make the journey to the podium with hesitant steps. Hip-replacement surgery and old age have dampened the fabled dynamism: no more battles with broadswords; no more chariot races for him. But above the uncertain legs, the chest is still massive, the cheekbones still chiseled, the broken nose as resolute as the NRA eagle on all those baseball caps bobbing above the crowd. As Charlton Heston approaches the microphone, his lungs swell, the vocal cords making their splendid, vibrant music out of ordinary air. "I'm inclined to quit while I'm ahead," he jokes. "But I won't. No!"

On Alison Winter’s Memory: Fragments of a Modern History, and issues of memory in the 20th century.

Underlying the compelling feeling that we are our memories is a further common-sense assumption that our entire lives are accurately retained somewhere in the brain ‘bank’ as laid-down memories of our experience, and that we retrieve our lives and selves from an ever expanding stockpile of recollections. Or we can’t, and then that feeling that it’s on the tip of our tongue, or there but just out of range, still encourages us to think that everything we have known or done is in us somewhere, if only our digging equipment were sharper.

Three months before it all started, she'd been a shy sophomore at Aurora Central High School, a member of the soccer and speech teams. Then Randy Miller had come out of prison and back into her world. A 22-year-old former child prostitute and drug dealer, Miller had promised to take her away from a tumultuous and painful home life. But the journey he had in mind led downward, into a terrifying series of home invasions and armed robberies and, finally, a few hours after the King Soopers stickup, to a standoff with state troopers in a small Kansas town.

The author reflects on his mayoral run with Norman Mailer against John Lindsay.

At the bar one night a couple of weeks after the primary, I looked up from a drink and saw my face and Norman's face floating across the screen on the NBC First Tuesday show. It is a network thing, and they did a 20-minute look at our campaign. The show reinforced my opinion that Norman and I had some of the most terrific lows in the history of anything that ever took place in this city. And, perhaps, a couple of highs that could be recognized as time passes a bit. Like maybe colleges for years will be using the things Norman Mailer was saying out in the streets.

“One afternoon about three days ago the Editorial Enforcement Detail from the Rolling Stone office showed up at my door, with no warning, and loaded about 40 pounds of supplies into the room: two cases of Mexican beer, four quarts of gin, a dozen grapefruits, and enough speed to alter the outcome of six Super Bowls. There was also a big Selectric typewriter, two reams of paper, a face-cord of oak firewood and three tape recorders – in case the situation got so desperate that I might finally have to resort to verbal composition.”

For years, homosexuals have, for the most part, been politically apathetic. Rarely did a candidate stir their enthusiasm; when homosexuals did vote, many of the more affluent ones tended to go Republican. But now the gay and lesbian community appears to be united for the first time in a Presidential race behind a single candidate -- Bill Clinton. And the money is pouring into the Clinton campaign -- $2 million so far from identifiably gay sources, according to Democratic Party estimates. "The gay community is the new Jewish community," says Rahm Emanuel, the Clinton campaign's national finance director. "It's highly politicized, with fundamental health and civil rights concerns. And it contributes money. All that makes for a potent political force, indeed."

In the film bullets approach in slow motion a series of glistening roundels, resembling condoms just taken out of their paper wrappings. Most of the bullets go right through, leaving a clean hole. But the last roundel in the film collapses slowly, wrapping itself around the bullet like a blanket on a laundry line hit by a wayward football. It is a piece of artificially bred human skin, reinforced with eight layers of transgenic spider silk, the material spiders produce to spin their webs.

Translated from the original Dutch, exclusive to Longform.org.

On Jews:

The Jews are happy in the United States. There are now two hundred congregations of them here, half of whom have arrived within the last twelve years. They are good citizens, firmly attached to those liberal principles to which they owe their deliverance from degrading and oppressive laws, and are rising in the esteem of the people among whom they dwell. Their attachment to the system of universal education is hereditary; it dates back three thousand years; and though their religious feelings are wounded by the opening exercises of many public schools, they would not for that reason destroy them.

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

“This is a story about an entertainer named R. Kelly. It is a story about the remarkable, but also very strange, pop talent he has. It is a story about the difficult places he came from and the ways they may, or may not, have shaped who he has become. It is also the story of a man who has been publicly accused of multiple sexual offenses with underage women, and who stood trial for making child pornography. He was eventually acquitted of that charge, and his career has continued uninterrupted, but for the most part he has evaded even the most basic questions that might help people understand what is true about him. For this story, R. Kelly agreed to speak about his whole life without restrictions.”

One morning in mid-December, a group of soldiers banged on the door of a house in eastern Aleppo. A male voice responded from inside: “Who are you?” A soldier answered: “We’re the Syrian Arab Army. It’s O.K., you can come out. They’re all gone.” The door opened. A middle-aged man appeared. He had a gaunt, distinguished face, but his clothes were threadbare and his teeth looked brown and rotted. At the soldiers’ encouragement, he stepped hesitantly forward into the street. He explained to them, a little apologetically, that he had not crossed his threshold in four and a half years.

How a brilliant self-made software programmer from South Africa single-handedly built an online startup that became one of the largest individual contributors to America’s burgeoning painkiller epidemic. In his world, everything was for sale. Pure methamphetamine manufactured in North Korea. Yachts built to outrun coast guards. Police protection and judges’ favor. Crates of military-grade weapons. Private jets full of gold. Missile-guidance systems. Unbreakable encryption. African militias. Explosives. Kidnapping. Torture. Murder. It's a world that lurks just outside of our everyday perception, in the dark corners of the internet we never visit, the quiet ports where ships slip in by night, the back room of the clinic down the street.