Showing 25 articles matching fk33.cc_Magnesium sulfate for agriculture.

Maria Abi-Habib is the bureau chief for Mexico, Central America and the Caribbean for the New York Times. Along with her colleague Frances Robles, Abi-Habib won the George Polk Award for revealing concealed aspects of the murder of Haitian president Jovenel Moïse.

“We’re not going to stop covering Haiti just because you don’t like us … at the end of the day you owe it to your citizens to talk to the media because if you can’t talk to the media and actually answer some questions, how are you going to run a country? We’re not doing this for ourselves, we’re doing this because we think that Haiti matters and we think Haitians, like all citizens in this world, actually deserve some answers to their questions and to know what the truth is.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Sarah Maslin Nir, a reporter for The New York Times, recently published an exposé of labor practices in the nail salons of New York.

“The idea of a discount luxury is an oxymoron. And it’s an oxymoron for a reason: because someone is bearing the cost of that discount. In nail salons it’s always the person doing your nails, my investigation found. That has put a new lens on the world for me.”

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Hua Hsu is a staff writer for The New Yorker. His book Stay True won the 2023 Pulitzer Prize for memoir.

“I've worked as a journalist … for quite a while. … But this [book] was the thing that was always in the back of my mind. Like, this was the thing that a lot of that was in service of. Just becoming better at describing a song or describing the look of someone's face—these were all things that I implicitly understood as skills I needed to acquire. ... It is sort of an origin story for why I got so obsessive about writing.”

Ta-Nehisi Coates is a senior editor at The Atlantic and author of The Beautiful Struggle.

"I was 24 when my son was born. People always say that kids get in the way, right? But actually it had the opposite effect on me. I feel like I could have spent my twenties doing all sorts of self-destructive things--that was my natural inclination--but having a kid suddenly makes that not OK ... The stakes of everything just went up. I think I'm the type of person where, for any reason, I only respond to pressure. That kid just so raised the pressure, for everything ... So I started writing for the Washington Monthly, and the Monthly pays shit, everybody knows that, right? They were paying ten cents a word at this point. But because they have these big-shots writing for them, nobody ever calls for the check! But I would say, 'no, I need you to send me that check. Yeah, I know it's only $150, but I actually need that check, you really need to send that check.'"

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“A Better Truth”

Former Washington Post opinion page editor Greenfield on not being overwhelmed by the past in the search for a “better truth”:

History helps guard against moral smugness too, or it should, anyway. For you are obliged, if you are honest, to acknowledge at least some reflection or resonance of the fallen ones in your own nature. Such humility is a conspicuously missing aspect of our contemporary culture, however. What might be a becoming spell of moral introspection, tends instead to become an orgy of bashing and blaming. I observe that now, as always in this country, when people speak of a terrible, all embracing decline in ethical standards, they are invariably speaking of the decline in their next door neighbor's standards, not their own.

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40 Years After Watergate, Nixon Was Far Worse than We Thought

The Watergate reporters look back.

In the course of his five-and-a-half-year presidency, beginning in 1969, Nixon launched and managed five successive and overlapping wars — against the anti-Vietnam War movement, the news media, the Democrats, the justice system and, finally, against history itself. All reflected a mind-set and a pattern of behavior that were uniquely and pervasively Nixon’s: a willingness to disregard the law for political advantage, and a quest for dirt and secrets about his opponents as an organizing principle of his presidency.

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How Chicago House Got Its Groove Back

A look at Chicago’s DJ culture in the ’90s.

One day in 1997, Sneak promised his friend and fellow Chicago DJ Derrick Carter a new 12-inch for Carter's label Classic, then spent hours fruitlessly laboring over a basic, bustling four-four beat. Finally, Sneak gave in and smoked the J he'd had stashed for later in the day. When he came back inside, he carelessly dropped the needle onto a Teddy Pendergrass LP, heard the word "Well . . . ," and realized, "That's the sample, right there." He threaded Pendergrass's 20-year-old disco hit "You Can't Hide From Yourself" through a low-pass filter to give it the effect of going in and out of aural focus, creating one of the definitive Chicago house singles.

Meribah Knight is a reporter with Nashville Public Radio. She won the Polk Award for Podcasting for “The Kids of Rutherford County,” produced with ProPublica and Serial, which revealed a shocking approach to juvenile discipline in one Tennessee county.

“Where does it leave me? It leaves me with a searing anger that is going to propel me to the next thing. But we’ve made some real improvement. And that’s worth celebrating. That’s worth recognizing and saying, This work matters, people are paying attention.”

This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.