Four dispatches from the 100th anniversary of Bloomsday.

A profile of Andrej Pejic, a model who walks the runway in both men and women’s clothing.

For even a moderately vain female, spending time with Pejic is like losing a race to someone who’s not even running: If he were not a man, he would be the most beautiful woman I have ever seen in the flesh—which, in his case, is flawless and poreless and has an English-rose luster.

Another look at a popular myth.

For the longest time blues fans didn’t even know what their hero looked like—in 1971, a music magazine even hired a forensic artist to make a composite sketch based on various first-hand accounts—until two photos of Robert Johnson finally came to light.  The dapper young man pictured in the most famous photo, dressed in a stylish suit and smiling affably at the camera, hardly looks like a man who has sold his soul to Lucifer.

“It’s striking that for all the talk about polarization in the US, the Tea Party Movement and Occupy Wall Street are entirely non-violent. Overseas, no one expected the Arab Spring protests to be as nonviolent as they were,” Pinker wrote in an email. The threat of overwhelming reprisal from authorities may have brought some peace to seventeenth- and eighteenth-century England, but Pinker also pointed to research that, today, “nonviolent protest movements achieve their aims far more often than violent ones.” Still, the story of violence’s decline contains much violence, and America is no exception.

Two weeks spent walking across Provence.

There is something about entering an ancient town on foot that's radically different from entering the same place by car. Keep in mind that these old French towns were all designed by people on foot for people on foot. So when you walk in, you're approaching the place as it was intended to be approached—slowly and naturally, the way Dorothy came upon Oz (spires rising in the distance, a sense of mounting mystery: What kind of city will this be?).

Because women and girls don’t always kick ass, and neither should our heroines:

Bella Swan, by contrast, is a much more honest though cringe-inducing representation of adolescence. She doesn’t know who she is or what she wants. She’s clumsy, obtuse, and aggravating in her helplessness. She is also entirely internal, almost alienatingly so. One of my favorite passages from the novel New Moon is when Stephenie Meyer inserts a series of blank pages to stand in for the months that pass while Bella mourns — out of any reasonable proportion — Edward’s desertion. Bella, kind of wonderfully, takes her time.

How a Texas woman pushed for autopsy reform.

Clinical autopsies, once commonplace in American hospitals, have become an increasing rarity and are conducted in just 5 percent of hospital deaths. Grief-stricken families like the Carswells desperately want the answers that an autopsy can provide. But they often do not know their rights in dealing with either coroners or medical examiners, who investigate unnatural deaths, or health-care providers, who delve into natural ones.

Eco-tourism in the Himalayas.

The valley is everything you'd want and more. An icy milky river thunders over rocks and below steep wooded slopes are lush fields where people are working the land, oblivious to the Gore-Tex procession. Oblivious but not unaffected: the houses are smart, the prayer wheels freshly painted, just about everyone has a mobile phone, it seems, and is on it, and there are very few places you can't get a signal around here. This is not really the place to come if you're looking for peace and quiet.

Perpetually reinvented through experimental chemistry, manufactured in Asian mills, packaged in foil with names like White Slut Concentrated and Charley Sheene for use as “hookah cleaner,” distributed in college town head shops, snorted and injected by hardened addicts and high school thrill seekers alike, bath salts may be the strangest and most volatile American drug craze since crack. And they’re (quasi) legal.

Here’s what I really want to do at 32: fuck a girl and then, as she’s sleeping in bed, make breakfast for her. So she’s like, “What? You gave me five vaginal orgasms last night, and you’re making me a spinach omelet? You are the shit!” So she says, “I love this guy.” I say, “I love this girl loving me.” And then we have a problem.

A few months after working at Ground Zero, Kurt Sonnenfeld became a suspect in the mysterious and high-profile death of his wife. He got off, barely, and started a new life in South America. But when the U.S. tried to bring him back to face charges, Sonnenfeld went to the local media. The Feds didn’t want him for murder, he said. They wanted to put him away because of what he knew about 9/11.

He left China at 10 and would never see his mother again. He lived in extreme poverty once he arrived in America. He found his calling in art, became the creative force behind one of Disney’s iconic films, but didn’t get recognition for his brilliance until late in his life, when in addition to painting and illustrating he began to make fantastical kites.

“These documents show how Palantir applies Silicon Valley’s playbook to domestic law enforcement. New users are welcomed with discounted hardware and federal grants, sharing their own data in return for access to others’. When enough jurisdictions join Palantir’s interconnected web of police departments, government agencies, and databases, the resulting data trove resembles a pay-to-access social network—a Facebook of crime that’s both invisible and largely unaccountable to the citizens whose behavior it tracks.”

Ray Bowman and Billy Kirkpatrick, who began boosting together as teenagers, were arrested only twice during their prolific partnership. The first time was for stealing 38 records from a K-Mart in 1974. The second arrest came in 1997. In between, Bowman and Kirkpatrick robbed 27 banks, including the single biggest haul in United States history: $4,461,681 from the Seafirst Bank in suburban Tacoma.

Then there’s Mark Kostabi, the former New York gossip column fixture and self-professed “con artist” who everybody remembers but nobody talks about. Christie’s and Sotheby’s have no comment. Neither does the MoMA, the Guggenheim, or the Met, despite the curious fact that they all have Kostabis in their permanent collections. As for quotes from some highfalutin critics expounding on the semiotics of cone hats, cash registers, and the Sony Walkman in Kostabi’s work? Not a chance.

just three months, we have seen Charlie and Tessy through a lifetime of crises — temporary sobriety, meth binges, two stints in jail, three moves, one eviction, several religious, end-of-the-world texts on our phones, a dozen different phones and phone numbers (meth addicts go through “Obama Phones” like packs of cigarettes), and a stay in a psychiatric hospital. Every day brings some kind of cruel surprise, some hardship that would pummel me, but is just business as usual for them.

I used to believe the art world was at war with itself, that money was fighting art and vice versa. But I’ve been living in my own ambivalence about things for a decade now, or more, and I’m starting to think it’s not a war but a new equilibrium state, defined by that ambivalence.

I remember when you were a little girl, you used to call yourself “peach-brown”. Peach represented your mother, brown represented your father, and together they made peach-brown, a perfect articulation at the time for what you were. The colors came from the crayons you matched to the skin of your parents, and although they were separate and didn’t mix together very well on paper, they were the best you had at the time. This silly little phrase represented what would become a lifelong struggle of coming into your own identity.

A bankrupt music promoter wanted a payday. His detoxing son needed a fresh start. But when their plan for an epic Nas concert in Angola went awry, they found themselves trapped thousands of miles from home.

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