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Lori Hinnant is a reporter for the Associated Press. Along with videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka, and video producer Vasilisa Stepanenko, she won the George Polk Award for war reporting for covering the siege of Mariupol.

“It’s really easy when you see raw footage flash by on the television to just see it as war as hell and this is very abstract. These are people with lives that were utterly ruined and they want to tell their stories. I mean, we’re not talking to people who don’t want to talk to us. And when you find out what happened the day their lives were changed, it really changes it.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Native Tongues

The making of the “five-thousand-page, five-volume book, known formally as the Dictionary of American Regional English and colloquially just as DARE”:

What joking names do you have for an alarm clock? For a toothpick? For a container for kitchen scraps? Or an indoor toilet? Or women’s underwear? When a woman divides her hair into three strands and twists them together, you say she is_____her hair? What words do you have to describe people’s legs if they’re noticeably bent, or uneven, or not right? What do you call the mark on the skin where somebody has sucked it hard and brought blood to the surface?

Reginald Dwayne Betts is a poet, lawyer, and founder of the nonprofit Freedom Reads. His New York Times Magazine article "Could an Ex-Convict Become an Attorney? I Intended to Find Out" won the National Magazine Award. His new podcast is Almost There.

“I felt like I had to own becoming something and intuitively understood that if I didn't lay claim to desiring to be something, that it would be too many other forces that would be pulling on me to dictate that I become something else. … When you say you're a writer, if you know nothing else, then you know that you read. You pay attention to the world. … And prison became the metaphor by which I understood the world and poetry became the medium by which I understood what it meant to write about the world and what it meant to take seriously the responsibility to write about the world that I knew.”

On the Ropes with Herman Cain

Whoever wants to enchant America’s conservative base as well as independents looking for a steady hand amid economic upheaval must try to grasp what has carried Cain this far — what not only shields him from spectacular attempts at self-immolation but also, with each incident, seems to make him stronger. Why, with this candidate, do the laws of physics seem not to apply?

Guantanamo: An Oral History

On Thanksgiving weekend, I received a phone call informing me that we had just captured approximately 300 al-Qaeda and Taliban. I asked all our assistant secretaries and regional bureaus to canvass literally the world to begin to look at what options we had as to where a detention facility could be established. We began to eliminate places for different reasons. One day, in one of our meetings, we sat there puzzled as places continued to be eliminated. An individual from the Department of Justice effectively blurted out, What about Guantánamo?

Interview: Laurie Anderson

The main thing that attracts me to Buddhism is probably what attracts every artist to being an artist—that it’s a godlike thing. You are the ultimate authority. There is no other ultimate authority. Now, for some artists that’s difficult, because they want to have the art police. They want to have the critic who hands out tickets and says, “That’s too loose.”

Maria Abi-Habib is the bureau chief for Mexico, Central America and the Caribbean for the New York Times. Along with her colleague Frances Robles, Abi-Habib won the George Polk Award for revealing concealed aspects of the murder of Haitian president Jovenel Moïse.

“We’re not going to stop covering Haiti just because you don’t like us … at the end of the day you owe it to your citizens to talk to the media because if you can’t talk to the media and actually answer some questions, how are you going to run a country? We’re not doing this for ourselves, we’re doing this because we think that Haiti matters and we think Haitians, like all citizens in this world, actually deserve some answers to their questions and to know what the truth is.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Elon Green is a journalist whose work has appeared in The New York Times Magazine, The Awl, New York, and other publications. His new book is Last Call: A True Story of Love, Lust, and Murder in Queer New York.

“The murders and the murderer should not be the driver. It should simply be the catalyst for the other story. And the other story is the victims. And the other story is the political backdrop and the environment that they are walking through.”

Thanks to Mailchimp for sponsoring this week's episode.

Reeves Wiedeman is a reporter at New York Magazine and the author of the new book Billion Dollar Loser.

“You get inside these companies and … you assume everything is running based on models and numbers and then you get inside and it’s just people. And sometimes they have MBAs and sometimes they don’t. … At the end of the day, whether you’re running a media company or an office space company, it’s all people making these decisions and they often do very strange, contradictory, and ultimately unsuccessful things.”

Thanks to Mailchimp for sponsoring this week's episode.

The Exile of Rick Pitino

In 2017, the Hall of Fame Louisville coach’s career collapsed under a string of scandals, leading to his firing from the school he had coached for 16 years. Now, Pitino is finding himself in Greece, coaching Panathinaikos, working for a self-styled Bond villain, and enjoying a new chapter of his life.