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Give All

James Wood on Saul Bellow:

One realizes, with a shock, that Bellow has taught one how to see and how to hear, has opened the senses. Until this moment one had not really thought of the looseness of a lightbulb filament, one had not heard the saliva bubbling in the harmonica, one had not seen well enough the nose pitted with black pores, and the demolition ball’s slow, heavy selection of its victims. A dozen good writers–Updike, DeLillo, others–can render you the window of a fish shop, and do it very well; but it is Bellow’s genius to see the lobsters “crowded to the glass” and their “feelers bent” by that glass–to see the riot of life in the dead peace of things.

Keeping Up With The Times

How New York Times is clawing its way into the future:

The main goal is... to transform the Times’ digital subscriptions into the main engine of a billion-dollar business, one that could pay to put reporters on the ground in 174 countries even if (OK, when) the printing presses stop forever. To hit that mark, the Times is embarking on an ambitious plan inspired by the strategies of Netflix, Spotify, and HBO: invest heavily in a core offering... while continuously adding new online services and features... so that a subscription becomes indispensable to the lives of its existing subscribers and more attractive to future ones.

The All-American

In Afghanistan and other zones of international crisis with John Kerry:

Why, then, does Kerry bother? Why is he racing back and forth to put out the fires being set by a serial arsonist? I asked him about this on the short flight from Kabul to Islamabad. Kerry tried to put the best possible face on what he had learned. Despite the warlords in Kabul, he said, Karzai had appointed some talented officials at the provincial and district levels. “It’s a mixed bag,” he concluded gamely. Kerry knew Karzai’s failings as well as anyone, but he was not prepared to abandon Afghanistan’s president, because he was not prepared to abandon Afghanistan. But why not?

Why Do the Oscars Keep Falling for Racial Reconciliation Fantasies?

From Driving Miss Daisy to Green Book.

Not knowing what these movies were “about” didn’t mean it wasn’t clear what they were about. They symbolize a style of American storytelling in which the wheels of interracial friendship are greased by employment, in which prolonged exposure to the black half of the duo enhances the humanity of his white, frequently racist counterpart. All the optimism of racial progress — from desegregation to integration to equality to something like true companionship — is stipulated by terms of service.

Delia Cai is the senior vanities correspondent for Vanity Fair and publishes the media newsletter Deez Links. Her debut novel Central Places is out this week.

“This was in like, 2011, where I think actual journalists were still trying to figure out ‘Is it gross to be a brand?’ And at least in school, they were all about it. They’re like, ‘You need a brand, you need to think about what your niche is going to be, you need to think about engaging your audience.’ We had to make websites, we had to blog, and of course, all of us being college students, we started using our blogs to write about each other. We used Twitter to talk shit about each other in a very thinly veiled way. So really, it was the best training for being online.”