On F. Scott Fitzgerald's birthday, a repost from 2012:In this previously-unpublished Fitzgerald story, a saleswoman wants a cigarette, and perhaps encounters something more profound.

"Smoking meant a lot to her sometimes. She worked very hard and it had some ability to rest and relax her psychologically. She was a widow and she had no close relatives to write to in the evenings, and more than one moving picture a week hurt her eyes, so smoking had come to be an important punctuation mark in the long sentence of a day on the road."

A French soccer star's rise and fall from sports to cons to the Nazi Party.

"I watched, horrified, as she let Villaplane into her home, followed by three other men. I took aim, putting my finger on the trigger of my pistol. Then I remembered the Communist Party order not to assassinate individuals, and as the door closed, I ran to find my friends. It was too late: they had been arrested by the Brigade Nord-Africaine. An Arabic soldier pointed a gun at me, telling me to give up any weapons and join the others. My comrades and I were marched to a ditch and ordered to line up with our hands on our heads. I stood on the far right as three men in SS uniform marched into view."

An excerpt from Rombes' forthcoming novel: on memories of a destroyed lost film.

"And with her Aimee — that was her name, not Rachel or Raquel — brought several pages of her grandmother’s notes for the film, notes suggesting that it was not nearly complete, and that its ending would involve an apocalypse the likes of which had never been rendered on screen before. Aimee turned out to be a real chatterbox, which surprised me, except when it came to the topic of Maya’s notes for the calamitous ending, which she talked about in hushed tones as if not to arouse the curiosity of some invisible butcher towering just behind her there in the cafeteria, in a sort of transparent region of space that loomed behind her and that I could almost make out. And she wouldn’t allow me to examine her grandmother’s notes in front of her, forbidding me to so much as look at them in her presence."

A meeting of men interested in underground grindhouse and fetish films.

"Tanasco had introduced the group to GrindTube, a video sharing service created by unknown users that was similar to some of the cheap porn tube channels. Eddie had never heard of it before. Categorically, GrindTube allowed viewers to choose from a wide variety of links, from ‘slasher’ to ‘animal’ to ‘body fluid’ to ‘cadaver.’ Registered users could upload videos up to twenty-five minutes in length to the server. Unregistered users could watch videos freely, but one had to register in order to upload and share. Since many videos on GrindTube contained potentially offensive content, the splash page greeted users with a warning label that they should be at least 18 years old before entering. The video quality was average to good, but not high definition."

A disfigured man's encounter with maladjusted teens.

"Coming back around the side of the store to the parking lot, I saw some teenagers hanging out in the bed of a white Toyota pickup. They must have pulled up while I was inside. They were smoking cigarettes in the deliberate self-conscious way of smoking teenagers: two of them, long-hairs. They were also openly watching me as I carried my bag toward the car. People like me prefer teenagers to other people. They are not afraid to stare."

Middle school and family unease; a mysterious neurological condition.

"I knew something bad was about to happen right before it did. My face heated. All the sound cut out, like a huge furry helmet had been dropped over my skull. The room, it didn’t look right. I’m trying to think how to explain it, but all I can come up with is that the colors separated, kind of fizzed around—the green and red marks on the dry-erase board hovered like insects, the purple of Mr. Franz’s tie pixilated. I had that greasy swirl in my stomach like when you’re about to fart and are still praying there’s a way it will be silent, like when you go to the bathroom after a science lab of intolerable closeness to your intolerably cute lab partner and see that yes, the tingle on your nose was actually a tumor-sized whitehead erupting."

Current personal problems are tied to racial issues from years past.

"Helen Conley knew this story: When Maxwell Conley was sixteen and in high school, with a bad attitude like many of us have, two young members of the Black Panther Party saved his life. It happened because a recent veteran of the war in Vietnam woke up one morning believing he was still in the jungle. Adrenaline began pumping through his body at impressive levels. He didn't have a gun, but he found an oak baseball bat in the alley behind his mother's apartment building. He laced up his combat boots. He stormed down the street until he came to the high school. He kicked open the doors of the school, and came through the hallway breathing hard, fists clenched around the bat. It was seventh period. The hallway was quiet. Around the corner came Maxwell Conley, cutting class as was his custom. He was not sober. He was wondering why Kay Svenson wouldn't pay attention to him in art class. He was admiring his long curly hair in the reflection of the fire extinguisher case mounted on the wall. His Converse sneakers flapped open and his unwashed sock came through. The Vietnam veteran, only a few years older than Maxwell Conley, met him in the hallway, and wasted no time."

A single father's life is complicated by his son's new friend: a severed hand.

"That decided it—we would walk away. Let some other dad deal with the fallout of their kid digging up evidence of, what? A murder, maybe? A ritual dismemberment? The Mob torturing some poor fool before sending him to sleep with the fishes in the East River? My mind reeled at the possibilities. Whatever the case, getting involved was the last thing we needed, especially with me battling Mo for custody. I could see the headline in The Post: LET’S GIVE THE BOY A HAND! Her lawyer would have a field day."

A space cowboy, an alien girl, a a quest; A Housleyian spin on Guardians of the Galaxy.

"They nodded at one another and closed ranks, each of them wobbly but still standing. Their foe was reduced to a pile of smoking robes. The thing they were fighting for – the thing they now knew could either save or destroy the universe – was steaming off-center among the scorched remains of their foe. They held their breath, all of them, while the Space Cowboy picked up the thing they had been fighting for, tossed it in the air, caught it in his other hand, and passed it to the Queen."

A man, a woman, and a child negotiate their uneasy triangle in the days and weeks following 9/11.

"His briefcase sat beside the table like something yanked out of a landfill. He said there was a shirt coming down out of the sky."

A Japanese photographer examines the scene of the St. Valentine's Day massacre; a story from the author of The Black Hour.

"Was it the worst I’d seen? I turned to the camera, viewing the scene anew. Four men lay in a row, as though they had been tucked into a large bed. One slept at their feet, face down. The last hunched on his knees at a round-backed wooden chair. Blood ran toward the center of the room. Later that day when I returned to the newsroom, I would release the image from the machine in my hands, like a dragon from a cage. The city would see the blood, black, and no one would remember that someone—call him Togo or call him Fujita, the name will not be printed—had stood in the dust of men’s bones to face the dragon so that they did not have to."

A ship captain's stories and unsettling encounters.

"Captain Brewster eyed the schooner, heavy in the water but no room in it for two hundred head of anything, and then he realized what it was. He explained to the man that the war was over and Lincoln’s Proclamation had become a Constitutional Amendment, that slavery was outlawed and slaverunners would hang for pirates. The man’s small eyes grew smaller, his heel tapped faster against the wood. He asked if Captain Brewster might like to buy some slaves for himself, though he used a different word, but Captain Brewster assured him that he wouldn’t, advised him to free his passengers and flee. The man spat the word back at him, passengers, half a question and half an accusation."

Trials and dangers abound for an interplanetary social worker.

"The Planetary Tourism Agency always compensated the family members of the unlucky victims of dematerialization, giving the evergreen excuse that on Earth they didn’t have enough experience managing such advanced equipment, because extraterrestrial technicians were reluctant to train human crews to run teleport booths. Maybe there was a bit of truth in that. Surely newly trained human teletransport specialists would get off the planet as fast as they could: artists, scientists, athletes—they all ran from their birth world as soon as extraterrestrial credits made them understand where true happiness could be found."

A story of childhood trouble and minor delinquency.

"None of this, of course, has stopped any of them from pulling the girls’ hair or throwing pencils or losing track of time and getting locked out of school. He looks at the younger one standing there with his hands behind him and gives him a little shove. Everyone grows alert, awaiting the silent war. The boy drops his hands and looks back at him, and then they are all shoving and wrestling (carefully, quietly, so as not to attract attention, holding in their breath) and distracting him from his thoughts. The immediacy of the situation wanes. His father does not arrive. He relaxes, the wrestling over, rolls his foot over the soccer ball. They all stop and pant for a moment. There is still that space–the one in the corner of his brain–and as long as he can see it, he’s not quite safe."

A woman travels in a band on the way to their next show.

"With raised eyebrows, Jay crouched down, turned his hand up, and motioned wide. From the flat top, we could see oil rigs in the distance. A pair of buzzards looped in a slow figure eight. I wondered what kind of body lay out there on that red expanse, just out of my eye line, drying out under the sun into those bleached desert bones people put on fireplaces. They disgusted me, sure, but something about them called for touch, to feel those natural cracks in skulls, how similar we are to porcelain on the inside. Once we lose our connective tissue, we can show softer to those that put their hands on us."

A low level NASA employee struggles with the choice to reveal a massive conspiracy.

"It has to be true. He has to be right. He knows how it’s going to go down; he can see it all spread out before him. The files will come as a shock to the Department Head, who will panic. The bosses will tell him: If you’re loyal, you’ll take this to the grave, Milton. You’ll keep your silence and be a hero. Milton will say, no, it’s bigger than that. It’s bigger than all of us."

Scenes from a scary faith healing session.

"The one to be delivered shook at the apostle’s touch, recoiled from his voice. His boots stamped the floor, wrung more sweat free from his jumping body. It was darkest bluest winter and the one was dressed for the weather, had kept his coat on the whole dance. The look in his eyes, the exhaustion, the fear, his and not his. He named some of his demons at sentence length, readying his voice for story, but the apostle stopped him."

A tale of small town love and loss; a summer tale for the last official weekend of summer.

"Do you love her? Those things are kind of hard to know. For me, anyway. My mom died when I was four and my dad never met anyone else, at least, not anyone that made him want to try again. I never got to watch him love, and so it feels like that part of me is broken. I know how to ride a bike, how to fry an egg sunnyside-up, how to thread a worm on a hook, but I don’t know when someone says I love you if they mean it or if they just want me to lie back in the grass and hike up my skirt."

A Profile Auditor goes sniffing after anomalies in the consumption habits and personal data of an unsuspecting hotel clerk.

"Through the Demosphere we fly, we men of the Database Maintenance Division, and although the Demosphere belongs to General Communications Inc., it is the schmos of the world who make it - every time a schmo surfs to a different channel, the Demosphere notes that he is bored with program A and more interested, at the moment, in program B. When a schmo's paycheck is delivered over the I-way, the number on the bottom line is plotted in his Profile, and if that schmo got it by telecommuting we know about that too - the length of his coffee breaks and the size of his bladder are an open book to us. When a schmo buys something on the I-way it goes into his Profile, and if it happens to be something that he recently saw advertised there, we call that interesting, and when he uses the I-way to phone his friends and family, we Profile Auditors can navigate his social web out to a gazillion fractal iterations, the friends of his friends of his friends of his friends, what they buy and what they watch and if there's a correlation."

A young man's struggle with his mother and his physical traits.

"When it was my turn to hide, I dreaded the moment of being found. What I hated more was the thought of all my mother’s attention focused on me. My father was out the door, smoke between her fingers. I didn’t know him, my mother having removed any evidence of his existence, but I knew that I resembled him. Darkness was the only place that gave way to my imagination. I pictured his face, laughing at our state of incompleteness. Crouched in a laundry hamper and waiting for the game to end, I’d grow fearful, then angry. My mother was husbandless, and I was squatting in a basket. She was too pretty to work. There was nothing she could do, but there was nothing I could do. I thought about really being lost."

A woman's attempt to maintain stability with a troubled daughter and an architect husband succumbing to Alzheimer's.

"Even a year ago, he had still been the old Dory, the real Dory, forgetful, but not so much that it turned his insides out: he couldn’t remember the name of Ellen’s place of work, the institute that she’d founded decades before—The Children’s Place? The Children’s Center? It’s the Learning Center? Are you sure? Then he couldn’t remember how to adjust his drafting table, then he didn’t know where his fine-tip pens were."

A story of assessments as the end of the world nears.

"I'm afraid to look at first, but then I get my bearings and turn in the direction where the river should be. On the other side is home and if I'm right, the towers. There's no bright, white plume of smoke on the horizon to help me, now. The towers will be quiet. Shut down and dead."

A tale of two sisters with bodies that produce feathers.

"Up ahead a diesel semi had stopped, idling, its emergency lights flashing red in the mist, and on the wet tar and on Gale. I looked at her chest. The feathers were still growing, like a cancer. They would be as long as she was, longer. They would strangle, drown her. She ran to the cab of the truck, the door swung open far above. I couldn’t see the driver’s face."

A day in the life of a child in 1960s England.

"Carrie’s father was studying, in the evenings and on weekends, for a degree in politics, but on the day of a party he had to leave his books and submit to the different laws of the female domain, obeying the instructions that his wife rapped out, vacuuming and tidying, setting up the drinks tray. She followed impatiently after him, because he had no feeling for arranging the cushions or the flowers; he thought these things were not worth having a feeling for. The children exchanged sly looks and jokes with their father behind their mother’s back, conspiring against her remorselessness. But as soon as the guests arrived she relaxed into smiles, as if that other, sterner self had never existed."

Girlhood in the 1970s. An excerpt from Steinke's forthcoming novel, Sister Golden Hair.

"I crossed my arms in front of my chest and angled my head. From practising, I knew the pose I wanted to present when I stepped on the bus. My chin had to have a delicate look and my lips had to be relaxed and slightly parted. I wanted to look mysterious like a Victorian heroine, with pale cheeks and sunken, glittering eyes. In Philadelphia I’d blown the first day of sixth grade by acting friendly and wearing a shirt I’d tried to sew myself out of calico fabric. I swore I would never let that happen again. I had a new persona I’d been planning to introduce the first day of school: a girl wise beyond her years who was not at all nerdy or spastic or prone to crying jags."