On YouTube’s shift towards professionally created content.

A conversation with the comedian.

JW: You’ve talked about how you’ve had to explain moral lessons to your daughters, but do it in an inarticulate, catchy way. It’s almost as though you’re writing material for them. What’s the place of morality and ethics in your comedy? I think those are questions people live with all the time, and I think there’s a lazy not answering of them now, everyone sheepishly goes, “Oh, I’m just not doing it, I’m not doing the right thing.” There are people that really live by doing the right thing, but I don’t know what that is, I’m really curious about that. I’m really curious about what people think they’re doing when they’re doing something evil, casually.

A suburban dad. A fictional television blowhard. And now a political money launderer. How one funny guy became three.

On “If You Are the One”, the smash hit Chinese dating show that raised the ire of censors.

A profile of Carrie Brownstein, riot grrrl and creator of Portlandia.

Enlightened is probably the sharpest satire of modern white-collar work since the original British version of The Office, and its skewering of this world intertwines with its portrait of individual personalities so deftly that you can’t separate them. Creator Mike White captures the unsettling blandness of office protocol, politics and jargon, from the chill that workers feel when Human Resources calls them out of the blue to the impressive-sounding word salad labels that the company gives to its departments and projects. (The experimental department to which the newly demoted Amy is assigned is called “Cogentiva.”)

Why Whitney is Lucy, only less lovable:

This may sound like blasphemy to anyone who loves Lucille Ball, the woman who pioneered the classic joke rhythms that Whitney Cummings so klutzily mimics. Cummings has none of Ball’s shining charisma or her buzz of anarchy. Yet she does share Lucy’s rictus grin, her toddler-like foot-stamping tantrums, and especially her Hobbesian view of heterosexual relationships as a combat zone of pranks, bets, and manipulation from below. “This is war,” Whitney announces, before declaring yet another crazy scheme to undercut her boyfriend, and it might as well be the series’ catchphrase.

The Starbucks-fueled saga of how Jim Romenesko, beloved journalism blogger, took an early retirement.

Nine months after the AOL merger, here’s a progress report.

A profile of the talk queen.

It's a glorious thing, hearing Eddie Murphy say "fuck" again. Few people ever said it better – and down here in the basement of the stone-and-marble mansion he built on a Beverly Hills cliff, it's coming from his lips often enough to make Shrek blush. "Come on, motherfucker," Murphy shouts, over the throb of James Brown's "Hot Pants" on a formidable sound system.

GROSS: Let me stop there. You're talking about cutting yourself ... HAMMOND: Yeah. GROSS: ..with a razor. HAMMOND: Mm-hmm. GROSS: So I interrupted you. You're saying it does what? HAMMOND: Well, it creates a smaller, more manageable crisis than the one that has you gripping the carpet.

On the TechCrunch founder’s venture capital fund, and a new breed of startup investor.

As Twitter-loving VC investors have become brand names themselves (Fred Wilson, Marc Andreessen, Chris Sacca), what one might call the auteur theory of venture capitalism has emerged—the idea that startup companies bear the unique creative signature of those who invested in them. To study a venture capitalist’s portfolio is to study his oeuvre.

An excerpt from a new oral history of MTV.

The story of the Delmar family, told through what they watch on TV.

When your house is the set of One Tree Hill:

On one shoot, I remember, I'd been confused about where they needed to set up (confession: hungover), and as a result neglected to clean the bedroom. Later, a crew guy—the same one who'd told me about Blue Velvet—said, "I'm not used to picking up other people's underwear." I felt like saying, Then don't go into their bedrooms at nine o'clock in the morning! Except… he was paying to be in my bedroom.

A profile of Mike Judge, creator of the now-resuscitated Beavis and Butthead.

An oral history of the Upright Citizens Brigade.

A profile of the comedian who’s “not so funny anymore”:

Jon Stewart has made a career of avoiding "Whooo" humor. He has flattered the prejudices of his audience, but he has always been funny, and he has always made them laugh. At the Juan Williams taping, however, at least half of Stewart's jokes elicited the sound of Whooo! instead of the sound of laughter. He's been able to concentrate his comedy into a kind of shorthand — a pause, or a raised eyebrow, is often all that is necessary now — but a stranger not cued to laugh could be forgiven for not laughing, indeed for thinking that what was going on in front of him was not comedy at all but rather high-toned journalism with a sense of humor. Which might be how Jon Stewart wants it by now.

An interview with Vanity Fair and Rolling Stone writer Vanessa Grigoriadis on the finer points of celebrity profiling.

A profile of Zooey Deschanel.

On the fascination, from Hollywood to Atlanta, with zombies.

An oral history of the soap opera.

"Here is what Jack Shafer is," says Erik Wemple, who blogs about the media for washingtonpost.com. "Obviously, very talented, tremendously original and highly informed. But more important, he is utterly uncorrupted by friendship, money, power, anything. He is ruthless with people he doesn't know, but what is impressive is how ruthless he can be with the people he knows. He's impervious to outside influence, and it's a glorious thing to watch."

21,000 words on the watchers and watched.