The truth and consequences of reporting from a war zone.

I felt, in some substantive yet elusive way, that I had had a hand in killing my mother. And so the search for a bed became a search for sanctuary, which is to say that the search for a bed became the search for a place; and of course by place I mean space, the sort of approximate, indeterminate space one might refer to when one says to another person, "I need some space"; and the fact that space in this context generally consists of feelings did not prevent me from imagining that the space-considered, against all reason, as a viable location; namely, my bedroom-could be filled, pretty much perfectly, by a luxury queen-size bed draped in gray-and-white-striped, masculine-looking sheets, with maybe a slightly and appropriately feminine ruffled bed skirt stretched about the box spring (all from Bellora in SoHo).

An essay on a pregnancy attempted:

When I tell people what we are doing, they want to hear about the room where you produce. I tell them that there is a lot of paperwork. That they take your picture and look at your license. Then they walk you back to the room. You are handed a list of instructions and some stickers and a plastic cup. The cup has a forest-green lid. In the room is a VCR. I like to write down the names of the videos so I can share them with my wife and friends: Ass Angels #4, Original Black Queens of Porn (Afro-Centrix #113), and Chock Full of Asians. The latter features a woman with enlarged breasts so swollen they look luminous, like the sense apparatus of a recently discovered deep-sea fish.

An essay on poetry and madness.

People still think of poets as an odd bunch, as you’ll know if you’ve been introduced as one at a wedding. Some poets spotlight this conception by saying otherworldly things, playing up afflictions and dramas, and otherwise hinting that they might be visionaries. In the past few centuries, of course, the standard picture of psychopathology has changed a great deal. But as it’s often invoked, the idea of the mad poet preserves, in fossil form, a stubbornly outdated and incomplete image of madness. Modern psychiatry and neuroscience have supplanted this image almost everywhere else.

A visit to the Museum of Broken Relationships.

Olinka and Drazen are artists, and after some time passed, they did what artists often do: they put their feelings on display. They became investigators into the plane wreck of love, bagging and tagging individual pieces of evidence. Their collection of breakup mementos was accepted into a local art festival. It was a smash hit. Soon they were putting up installations in Berlin, San Francisco, and Istanbul, showing the concept to the world. Everywhere they went, from Bloomington to Belgrade, people packed the halls and delivered their own relics of extinguished love: “The Silver Watch” with the pin pulled out at the moment he first said, “I love you.” The wood-handled “Ex Axe” that a woman used to chop her cheating lover’s furniture into tiny bits. Trinkets that had meaning to only two souls found resonance with a worldwide audience that seemed to recognize the same heartache all too well.

 The writer speaks with his father for the first and last time.

My father moved back to Nigeria one month after I was born. Neither I nor my sister Ijeoma, who is a year and a half my elder, have any recollection of him. Over the course of the next 16 years, we did not receive so much as a phone call from him, until one day in the spring of 1999, when a crinkled envelope bearing unfamiliar postage stamps showed up in the mailbox of Ijeoma's first apartment. Enclosed was a brief letter from our father in which he explained the strange coincidence that had led to him "finding" us.* It was a convoluted story involving his niece marrying the brother of one of our mother's close friends from years ago. As a postscript to the letter, he expressed his desire to speak to us and included his telephone number.

Tom Wolfe on the development of ”New Journalism,” an unconventional reporting style which he helped to pioneer.

I had the feeling, rightly or wrongly, that I was doing things no one had ever done before in journalism. I used to try to imagine the feeling readers must have had upon finding all this carrying on and cutting up in a Sunday supplement. I liked that idea. I had no sense of being a part of any normal journalistic or literary environment.

A scientist writing on his experiences smoking weed.

On secrets that surprise no one:

This is the paradox of public space: even if everyone knows an unpleasant fact, saying it in public changes everything.

An essay on gynobibliophobia and the critical reception of women writers.

A letter to his unborn son about the wonders of being an only child.

A personal essay about family through the lens of mashed potatoes.

As surely as 2008 was made possible by black people’s long fight to be publicly American, it was also made possible by those same Americans’ long fight to be publicly black. That latter fight belongs especially to one man, as does the sight of a first family bearing an African name. Barack Obama is the president. But it’s Malcolm X’s America.

"I have the sensation, as do my friends, that to function as a proficient human, you must both 'keep up' with the internet and pursue more serious, analog interests."

An essay on technology’s reach into daily life.

Thoughts on the current era of online anonymity.

The Jheri Curl revisited.

On the dilemmas facing a (very famous) working mother in New York City. “It is less dangerous to draw a cartoon of Allah French-kissing Uncle Sam—which, let me make it very clear, I have not done—than it is to speak honestly about this topic.”

On Huck Finn, the book Nigger: The Strange Career of a Troublesome Word, and the evolution of language and race in America.

But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing. And like other media it has a question that it answers better than any other. That question is: Why wasn't I consulted?

On how 21st century culture shifts killed the nerd and what lies ahead.

Memories of the expat revolutionary scene in 1980s Nicaragua. An excerpt from Revolution: The Year I Fell in Love and Went to Join the War.

The author of True Grit on growing up in Arkansas during World War II.

Walter Benjamin, mp3s, and what collecting says about us.

The uneasy dance of the architecture critic, the big-name architect, the towering new building, and the city beneath it.