A ranch wife's conversation with a passing stranger is rife with unspoken implications.

"'Well, I can only tell you what it feels like. It's when you're picking off the buds you don't want. Everything goes right down into your fingertips. You watch your fingers work. They do it themselves. You can feel how it is. They pick and pick the buds. They never make a mistake. They're with the plant. Do you see? Your fingers and the plant. You can feel that, right up your arm. They know. They never make a mistake. You can feel it. When you're like that you can't do anything wrong. Do you see that? Can you understand that?' She was kneeling on the ground looking up at him. Her breast swelled passionately."

Duty and secret feelings mark the emotions of two undercover cops in a gay bar (NSFW).

"A black-haired man in a taffeta gown rustles close. Name’s Crow, he says. Got fully equipped rooms above. Certified clean. He waves his hand around the bar. Our eyes follow and we see men’s tongues licking the air. Some hands are down pants. Pick me, they all say with their faces. We spin on our bar stools toward the mamby pambys, tongues snaking out against our will, eyebrows up. "

After their father leaves, two siblings set up a humane pest control business.

"Neither of us signed on for anything, I want to point out. That's the way it is with families. You're born into someone else's mess, their tics and crannies, their cancers, their travel lusts. We didn't stand a chance, I want to tell him. Instead, I try to comfort the voles by sticking my hand into their cages, letting them run across it, roll in my open palm, nibble at my fingertips. I don't even flinch when nibbles turn to bites. It's their nature, I tell myself. It is who they are."

A young assistant struggles with God's command of "let there be light."

"This attitude seemed to please the Almighty. However, when the young man tried to ask a few necessary questions regarding light, God turned Himself into a giant, apocalyptic mountain that quaked and belched fire and was surrounded by seven thousand froth-mouthed basilisks in that way He always did when He was starting to get irritated."

Amid rumors about her beauty, a young woman returns home from work to make a tragic discovery.

"On her way up the long flights the girl unfastened her veil. One could then clearly see the beauty of her eyes, but there was in them a certain furtiveness that came near to marring the effect. It was a peculiar fixture of gaze, brought from the street, as of one who there saw a succession of passing dangers, with menaces aligned at every corner. On the top floor she pushed open a door, and then paused on the threshold, confronting an interior that appeared black and flat like a curtain. Perhaps some girlish ideas of hobgoblins assailed her then, for she called, in a little breathless voice, 'Daddie!'"

Two people share a conversation and observations at a seafood restaurant.

"I focus on every bite of the meal. I read on zenhabits.com that you should chew each bite of food thirty times to achieve a meditative understanding of your body’s relationship to the food you are eating. By chew twelve the fish is nothing, a strange mire of goo-meat. I finish thirty chews, swallow and take another forkful of fish. I add a French fry to my mouth. I go slow. I feel myself filling. I was a vegetarian last year. I caved. This is my first battered fish in three years."

A destitute seamstress embarks on an act goodwill.

"As bare and comfortless as the room was Miss Sophie's life. She rented these four walls from an unkempt little Creole woman, whose progeny seemed like the promised offspring of Abraham. She scarcely kept the flickering life in her pale little body by the unceasing toil of a pair of bony hands, stitching, stitching, ceaselessly, wearingly, on the bands and pockets of trousers. It was her bread, this monotonous, unending work; and though whole days and nights constant labour brought but the most meagre recompense, it was her only hope of life."

An actress shares memories of her previous theater company.

"It was like looking back into another age, into some frozen pre-history of the theater, all ancient yellow figures posed in the most piercing harshness of light, haloed with their faces painted and lined, black lipstick on their mouths, kohl smeared around their eyes. There was Mrs. Templeton, so much younger, her body thin as rope, standing bloodless and terrified over a rag-covered corpse."

The histories of a corporate workshop leader and a conference attendee intertwine.

"In fact, Jim was taking a bigger risk than someone might have thought. He’d hidden his name tag when he asked his questions, but Lund could easily have recognized him without it. Lund was by no means a stranger, though Jim was by then pretty sure Lund had forgotten who he was. He and Lund went back a long way. At one point, in fact, they’d been pretty close. That was decades earlier, when they were both in school and working summers at a boys’ camp called Camp Fairweather, in another part of the country."

A story about the tortured life of 1910s ballplayer Morrie Rath.

"Morrie's 1920 season is awful. He's sent back to the minors for a little while, then to the Pacific league, and then it's over. He will never have another World Series at-bat. He will never know what it's like to really be the best in the world."

A librarian engages in sexual pursuits following the death of her father (NSFW).

" She has him back in the room; he makes one tentative step forward and then he's on her like Wall Street rain, his suit in a pile on the floor in a full bucket, her dress unbuttoned down, down, one by one until she's naked and the sweat is pooling in her back again. She obliterates herself and then buttons up. This man too wants to see her again, he might want to marry her, he's thinking, but she smiles without teeth and says, man, this is a one-shot deal. Thanks."

A sample from Colson Whitehead's classic debut novel about clashing groups of elevator inspectors.

"The man's lips arch up towards his nose and Lila Mae understands that he's never seen an elevator inspector like her before. Lila Mae has pinpointed a spot as the locus of metropolitan disaffection. A zero-point. It is situated in the heart of the city, on a streetcorner that clots with busy, milling citizens during the day and empties completely at night except for prostitutes and lost encyclopedia salesmen."

A comical look at the lives of grocery store employees, from the author of Cloud Atlas and The Thousand Autumns of Jacob De Zoet.

" "What about the glacé cherries?" I tell her they're in Home Baking and she asks, "Where's that?" so I have to take her back. My knees are hurting. Passing through Meat and Poultry these beanpole girls with pierces and tattoos ask me, "Do you know the difference between a 'free-range chicken' and 'farm-fresh'?" For a second I'm too miserable to even say "No.""

A dancer turned marketing writer reminisces about her previous profession.

"Back in the home offices in midtown, I was the mistress of machines, baroness of 1,001 banalities it took to keep the organization running. I’d quit dancing at twenty‐one when the work got too hard and the people too mean. At twenty‐five I could no longer stretch or bounce like the kids in the company."

Financial workers engage in a gambling scheme that mirrors the contemporary banking crisis.

"Word spread. Other people approached us about joining the pool. At first we were angry that he told on us, but in the end it really was because of him that we got as rich as we did. Harrison and I decided to back the bids ourselves and open up to outsiders. We gave Steve partial ownership in the venture—not a whole third, of course. Our favorite sniffling over-sharer picked up the slack from our actual jobs, which let us dedicate more time to the rankings without getting fired ourselves."

A comic, loose fable: Big Foot teaches a creative writing course.

"He goes on about how he, the Big Foot, was famous for a minute, and that he’s not quite sure where it all went wrong. Then, of course, he brings the government into it. Fictitious Beast Placement program this, FBP program that, and a few of us fall asleep at our desks because we’ve heard the same speech for like three weeks in a row."

Two women discuss various means of employment and potential job stereotypes.

"Tia is used to this. My bluntness has long ago lost the ability, if it ever existed, to even dent her obsessions. She's fascinated with the fringes of daily existence, as if her own position wasn't fringe enough. Her favourite daydreams involve strange kinds of work and the women she imagines doing them. She can't keep her mind off the jobs that, not to put too fine a point on it, nobody else wants."

A young woman endures tedious, infuriating work in the hospitality industry.

"I told him that pest control would’ve noticed cockroaches when they were here looking for rats. They’re very different creatures, rats and cockroaches, he said. Yeah, but you’d know if you saw cockroaches or if you didn’t, I said. He looked at me as if I’d confessed that I used to be an insect myself and just stared with that fixed gaze for an interminable period and then said, what makes you think you’re qualified to make that distinction?"

An apartment cleaning crew has an uneasy relationship with a troubled boss.

"Button went to Vietnam, but they didn't give him a gun, and he's resented it ever since. Mickey says he was sent home for stealing someone else's gun and running out on a dirt road. He started shooting like mad but it wasn't loaded. When they found him, he was kneeling in the dirt and making sad little gun noises to himself."

Married sitcom writers, once famous for their love, buckle under sexual and creative differences.

"The funniest lines in their work, the lines with that satisfying crackle of sadism, were mostly his, but he was aware that it was Pam’s confidence and Pam’s higher tolerance for cliché that had won them their big contracts. And now, because she wasn’t engineered for doubt, Pam seemed to think it didn’t matter that she’d gained fifteen pounds since moving to the mountains and that she was thumping around the house with the adipose aquiver in her freckled upper arms; she certainly seemed not to care that they hadn’t had sex since before Labor Day; and she’d been pointedly deaf to certain urgent personal-grooming and postural hints that Paul had dropped during their photo shoot for L.A. Weekly."

A father uses his daughter in a disturbing scheme.

"It only takes an hour and the pile of money gets higher and higher every time. The men pay twenty dollars a pop to come to the Tongue Party. "

Dancing in the office, after hours, leads to a fragile romance.

"It is too lovely to be a joke, though, and you both know it. The two of you are as clumsy as costumed animals on stilts, but in the most charming way ever. The office lights know it is the best thing they will see sitting up there and blink sadly in approval."

A teenage girl observes her parents' work in a "dying parlor."

"It doesn’t take a genius to figure out dying people like to have a kid around to remind them of happier times. A teenager though, that’s something they’ll skip for their last two hours on earth. No one looks back on their life and says, remind me again of what it was like to be fifteen. Yeah, those were the days."

A university student-worker distantly observes her surroundings and relationships.

"She tolerates the students she works with because they are mostly scholarship kids. Many of them grew up in neighboring towns and can only attend this University if they work. They live on Ramen noodles and tap water and their shirts are stiff and rough from being hand-washed in the sink."

The bleak contours of life at a nail salon.

"If you’re sad and you don’t feel like huffing from the nail polish bucket, go and cry at the coffee shop next door."